Kevin von Duuglas-Ittu

Each photo page can be clicked on and zoomed into read the English section on each fighter

You can purchase this book at the Thaismai store in Bangkok.

Some follow up on one of the matches from Samart's career, his first boxing fight just before his match vs Dieselnoi. Netrnoi Sor Vorasingh vs Samart Payakaroon Netrnoi in his better days: YouTube notes on the fight:

If you want to understand the performative, operatic qualities and meanings of Muay Thai, consider the powerful role of performed "fights" at cremation funeral ceremonies. Here are legends Sagat and Pudpadnoi "fighting" at the cremation of the legend Sirimonkol: In world of Muay Thai as mashemup, as brought on by hybrid shows designed to appeal to younger, more internationalized Thai audiences, and to westerners as well, such performances would become meaningless displays...because "display" in Muay Thai would have lost its meaning, at least in its deeper context. Read about this funeral here.

A decent summary of the Ramakien here

I've always been fascinated by the performative dimension of Muay Thai. Of course there is the strictly danced portions of a fight, the Wai Kru/Ram Muay (in which deities are actually embodied), but also more subtly the role that posture, (Ruup), balance, (Ning) play in not only its aesthetics, but it's scoring. From the mechanical Force = Mass x Acceleration calculative brain, all these dance dimensions are read as artificial, ineffective, or even "fake", but for Thais instead they affectively tap into the deeper potentials of fighting, drawing on principles that make the fighting of Thailand ascend. In reading about the history of Muay Thai and it's role in the royal court, the way that it was presented to early foreigners, it seems like it was very closely related to traditional Thai Dance. You can read this article about a farang studying Khon Dance to give a sense of what Khon is. This is likely why Hanuman, the Monkey King, is read as a definitive Muay Thai fighter in prowess. above, Ravana, the demon king, fighting the white monkey Hanuman, in khon masked pantomime. I've long thought that Vishnu's ethereal archer's repose helps explain just how beloved Samart's disinterested Muay touches a loyal, aesthetic nerve in Thai audience. Samart, I contend, is read - perhaps unconsciously - as Vishnu/Prince Prah Rama (in the Thai version of the Hindu epic, some sources say Ram is a reincarnation of Buddha, and not Vishnu). And this means something. Muay Thai, ultimately, at its root, is operatic. This is much of what is at risk of being lost as it careens towards western Maul Ball, and mash-em-ups. It isn't just that the fighters and fights are becoming more unskilled, but also the sport and art is becoming unmoored from the deeper potentials of what it has been and what it is.

I don't really know costs around Santai. Maybe contact their Facebook page and ask them what a suitable budget would be?

I don't know about your gym and travel choices, but you should not budget in money you expect to earn fighting. In terms of budgeting I would consider any money you might earn from fighting as bonus.

The Intensive videos are here: Patrons get a discount, though 100% of the net profit during the covid crisis goes to the legends in the series, Karuhat and Yodkhunpon: As a patron, depending on your tier you can be eligible for discounts on these purchases. $5 patrons get 15% (link: https://www.patreon.com/posts/17837199 ) of these purchases, and $15 patrons get 50% (link: https://www.patreon.com/posts/17837342 ) of of these purchases. The intensive series is supported by patrons.

Of course these can be used as a training tool, perhaps an ideal training tool. One of the problems of training in a single gym is that you can be exposed to a pretty narrow set of techniques (whatever a coach knows). What the Library does is show how much high level technical variety there is, and many of the reasons why. These are real sessions of instruction, many by legends. But...how you use that tool is really what matters. Do you seek out styles and techniques that appeal to you? How do you bring them into your own training. That's a question of your own creativity. But this is really going to the source. The Sylvie Intensive videos are more indepth, and probably something to explore after you are acquainted with the Library, I would say.

Here's a lot more, written in Thai (which I don't read, but I'll probably Google translate and bug Sylvie about), about the Reiban "Karate Master" connection, with Japanese language shots of Sagat Petchyindee and Dieselnoi (the publication of which, I believe, some of which of this kind preceded the release of the game), and cells from the Karate Master manga which show Reiban to be very tall indeed, some of the images reproduced below: It's quite interesting, for our theory, that in this manual above you have Sagat and Dieselnoi sitting on opposite pages - the author uses this photo to support the possible influence of Sagat Petchyindee on the character, but does not seem to be aware of their fight history, or consider the impact Dieselnoi may have had on the Japanese fight imagination up to that point.

Just leaving this here, Emma Thomas's rather complete list of Muay Thai documentaries and shows: https://undertheropes.com/2014/07/08/muay-thai-documentaries-and-tv-shows-the-directory/

The Rise of Superman: Decoding the Science of Ultimate Human Performance Kindle Edition by Steven Kotler Great book on the development of performance flow. Really changed our thinking, or sharpened our thinking about what to pursue in training and how to get there.

No doubt played into the aesthetic inspiration!

Sylvie makes the interesting point that "Dieselnoi" is not easy to pronounce in Japanese, while Sagat is much more so.

The two fighters facing off before their June bout:

This is not an original observation on my part, but I definitely have been thinking about it and weighing the possibility for some time, gathering evidence. The first time I read the suggestion was in this blog post from 2015, which points out that that in Street Fighter II "Sagat" was much lankier; unfortunately though the author perpetuated the false history that Sagat had beaten Dieselnoi which he takes as a knock against his own suggestion: A graphic from the blog post:

Was the World Free-Style Martial Arts Championships held in Bangkok in 1982 the Premise for Street Fighter Itself? A bit of further evidence for the looming presence of Dieselnoi as absolutely unbeatable in the Japanese mind was his performance at the World Free-Style Martial Arts Championships held in Bangkok in 1982, 8 months before Dieselnoi would beat Samart. The Japanese brought a huge contingent of fighters set on proving that they could hang with the Thais. All of the Japanese fighters were beaten, and some were blown out by the Thais (except for one who won because the Thai was disqualified for clowning him). Dieselnoi took only a minute and a half to destroy his Japanese counterpart in the final. Dieselnoi giggled to us, recounting that he cut his knee on his opponent's tooth, showing us the scar that remains to this day. While other prominent Thais participated and prevailed, like Nongkai, I'm sure none of them made the immense impression that Dieselnoi made. The report from Black Belt magazine: Dieselnoi Just Ragdolling An Opponent at the Event If you want to see what kind of stories came back to Japan from this event, two and half years before Dieselnoi would dispatch with Sagat, it wasn't just the 1:30 1st round obliteration of the Japanese fighter in the championship round. It was likely these kinds of matchups against international competition in earlier rounds. Here is faces a TKD fighter at the championships: watch it here You can see where seeds of the mythic proportions of a giant fighter from Thailand must have been planted in the Japanese martial arts community. If there was a nightmare boogieman figure of the unbeatable fighter from Thailand, it wasn't Sagat Petchyindee, it was Dieselnoi. This was Sagat-like. Both Dieselnoi and "Sagat" Lorded Over an International "World Championship: Note, in the first version of Street Fighter the World Championship "Sagat" is hosting (The World Fighting Championship[1] (ワールドバトルトーナメント Wārudo Batoru Tōnamento?, "World Battle Tournament") to prove his greatness, is very much like the one that Dieselnoi dominated in 1982. Sagat Petchyindee was not a part of that Championship. It may not be a stretch to imagine that the entire physical premise of Street Fighter engagements was inspired by that 1982 World Championships in Bangkok. Black Belt magazine some years later would over-dramatically remember this championship as "...the meanest, no-holds-barred tournament in the Far East". "Sagat" is the "Emperor of Muay Thai". As the Black Belt Magazine article tells us, at the time of the event Dieselnoi was known as the "King of the Ring".

The Fight That Inspired the "Sagat" Character? There is a new series of clips put out by a Japanese collector from the 2nd fight between Diesenoi and Sagat. I will say, this edit was very kind to Sagat, it was a fight that in late rounds he was significantly frustrated and defeated, honestly looking like he was losing heart at one point. Instead, in this clip you see the dynamic clashes. You can watch the new clips here: watch the clip here Who Inspired "Sagat"? The surfacing of the video brings up "eyeball evidence" of the very real likelihood that the actual presiding inspiration for the Sagat Street Fighter character was not essentially Sagat himself - who very obviously was borrowed from (his name), and some aspects of his likeness possibly copied - but rather was perhaps Dieselnoi who won the fight going away. You can see from this photo who was the towering unbeatable fighter between them: The Sagat character is 7'5" (226 cm). Dieselnoi above, upon defeating the heavier fighter Sagat for the 2nd time in a handful of months, was cementing his position as possibly the most unbeatable fighter of all time. It is he who is the towering giant. What I suspect is that Dieselnoi's absolute dominance over Sagat, his relentless, unbeatable style, was fused together with the likeness and proud, prowling nature of Sagat Petchyindee, to make a Muay Thai Frankenstein of parts of greatness. Because the videos of those fights have been lost to us (as well as the video of Dieselnoi beating the legendary Samart, a few years earlier - luckily refound, watch it here with Dieselnoi's commentary) , we, separated by decades, have lost just how incredibly imposing Dieselnoi actually was. He literally ran out opponents in his prime of fighting. We all knew that, but until you see it, you can't know it. Now, it's very clear that the Sagat character is based on Sagat Petchyindee in numerous obvious ways, and it has been painful for Sagat to have never received remuneration for the use of his likeness. And it is also clear that the character possesses fight qualities of Sagat, including his penchant for the uppercut. But, I would suggest, the very spirit of Sagat as a towering unbeatable Thai fighter was in significant part taken from the actual towering unbeatable Thai fighter, and probably even from these two Sagat fights, or this single fight, where Dieselnoi claimed the throne, dominantly. It wasn't a close fight. The Japanese legend of Sagat the fighter was also likely derived from this fight of his in Japan, facing Raktae where Raktae plays the part of a punching bag in what borders on looking like a showfight. Further evidence of Dieselnoi's inspiration? Was this a design clue left behind by the creator of Sagat, giving him a characteristic scar on his chest? Dieselnoi also has a distinctive keloid scar that can be seen in all the photos of him in his prime. Hmmmm. We also have to remember, aside from the Tiger Uppercut, Sagat possessed the Tiger Knee. True, more a flying knee like the one appreciated and borrowed from Muay Thai by high profile Japanese kickboxers. But yes, Sagat possessed devastating knees, perhaps another nod to Dieselnoi. All this is to say that when contemplating the impact on combat sports, because of the lack of fight video Dieselnoi's immense imprint has been significantly lost or diluted. The possible origin of at least part of the Sagat Street Fighter character in Diesenoi stemming from these fights where the two faced off actually got Sagat - who is a beautiful and wonderful fabulist and tale spinner - to state in a much read interview that he had actually beaten Dieselnoi two times out of three (instead of losing to him two times out of two) - that interview has recently been corrected, it was no fault of their own, they were only reporting what was said. It was only when directly asking both Dieselnoi and Sagat ourselves, what the record between them was did we confirm that it was 2-0 for Dieselnoi. In Dieselnoi's laughing response "He talks a lot of shit, he never beat me". Unfortunately all over the English speaking internet, in countless articles like this one, including Sagat's present Wikipedia page, is the claim that he had beaten the incredible Diesenoi twice, almost as proof of his own Sagat-ness. It might be like Joe Frazier stating in a foreign language interview that he beat Muhammad Ali all three times they fought, in their famous trilogy. People in Thailand of course knew the results of these fights, they were famous. But in the English speaking West, to show how far we are removed from actual Muay Thai history, we readily took in this re-write of history, as not only true, but also evidence of Sagat's greatness. We have the great irony through the absence of video record, that for decades Samart became proclaimed the unquestionable GOAT, and Sagat proclaimed the "Sagat" of video game prowess, despite Dieselnoi actually proving his dominance over both fighters in otherwise unseen fights. Because we could not see how dominant Dieselnoi was, the lack of video helped us imagine that it was only size that beat Samart - it wasn't - and to accept the false memory that Sagat had bested Dieselnoi. I love Sagat. He is a spectacular and marvelous man and fighter, deserving of remembrance and celebration. Every time we see him its a joy. But somewhere along the way we lost the incredible dominance of Dieselnoi, a loss that probably reflects itself on the effacement of his likely strong inspiration for some of the most stand out qualities of Street Fighter's "Sagat". He is a kind of the "inner" Sagat. Unfortunately the full video of Dieselnoi vs Sagat has not been released by collectors. But there is great hope that with the release of these new clips one day the world will see the video of the fight that likely helped give birth the "Sagat" character of Street Fighter, where game maker combined all that was terrifying in both of these fighters. Perhaps it would be fair to take the working hypothesis that as the video of Dieselnoi's victory over Sagat permeated Japan in 1985 and 1986, Takashi Nishiyama created a character that brought the two together, which debuted in 1987. It's as if Mike Tyson had famously faced off against an incredible tall, relentless unbeatable fighter, and lost definitively. What if Mike Tyson was the same size and as impervious as this towering foe? Yes, he would look something like Mike Tyson, but he would be something much more. The spirit would be of the unbeatable tower. Because for so long the fight itself has been lost, all we had was the evidence of physical resemblance, and a name passed on. What has been at stake though is the legacy of the most unbeatable Muay Thai fighter in Thailand's history. How he will be remembered for generations to come. You can see Dieselnoi watch his fight vs the presumed GOAT Samart here, a year and a half before the Sagat showdown:

What I'm interested in, perhaps, is how the mood of a technical aesthetic can be capture and intensified by photography, and then possibly feedback and inform the development of the technique itself. Just as the role of play, or impersonation of a fighter can help us embody the technique in a higher, more affectively deep way. As photography is able to focus those aesthetic rays, in a sculpting way, I wonder if it can open up a technique to more of what it can truly be.

Namphon is my favorite (underrated) fighter. I just love him and his dignity. Known for his relentless fighting, getting cut a ton, it seems like he was on the short end of some decisions that maybe were reputation decisions, a lack of respect for his game. He owned Dekkers in their first fight, but was given the loss. In one of his fights against Samart it seems he just couldn't climb out of the "he's just a knee fighter" rep, as Samart dangle-armed his way to victory. This fight is one of my favorites of his. He fights the entire fight backwards, from the bell, vs the bigger, more powerful punching Orono. He out-femeu'd him, made him chase and chase. And in the 4th unleased beautiful, overwhelming boxing. But that doesn't mean it wasn't an exciting fight. Orono keeps on coming, building more and more momentum to a possible decision win. So much good stuff in this fight. Lots of windshield wiper frame offs, long guard shocks to take the pace of the powerful southpaw's punches.