Jump to content

The Hapalang Gym - Dieselnoi and Golden Age Others Comment How Harsh It Was


Recommended Posts

Below is my paraphrase of some Facebook talk between ex-fighters and legends of the Hapalang gym, the famed gym of the Golden Age which produced 3 FOTYs in Dieselnoi, Chamuakphet and Panomtuanlek. The gym's manager was murdered at Lumpinee between rounds, during Chaumuakphet and Langsuan. This is the posted photo that gave them to talk about it.

2112752011_hapalangGym.jpg.f2ee496837fa0ded3297326a84d8efa7.jpg

Dieselnoi on the Hapalang photo, paraphrased:

...time flies by so quickly. Looking at this photo and thinking of all the boxers there every day, different weights, packed from earth to the sky. It didn't matter fight purse or training for a fight, we had parents back home in different provinces, but we could never go visit, even if they were ill. "What are you, a doctor? Are you going to heal them?" You'd only get short answers as news, barely knowing whether they had recovered yet. Two more comments relay that fighters ran away from the camp within 2 or 3 years due to not having money, or being worked so hard in training and fights without benefit. One remarks how he was there at the time that Sia Nao sold the gym to pay a gambling debt and then was killed not long after. Panomtuanlek comments briefly to Dieselnoi's comment, "Yes, I don't even know how to describe how it was."

944934165_ThetalkaboutHapalang.thumb.jpg.a5bcb7c34bbe3dd9cbb923abec3d012a.jpg

 

  • Like 1
Link to comment
Share on other sites

This is one of the most interesting things for us who laud the excellence of the Golden Age of Muay Thai, and the ages that surround it. The very truth of the matter seems to be: Fighting excellence has come out of great cruelty, intense difficulty, and even injustice. We think somewhat glamorously about things like how Dieselnoi's patron was a mafia boss and godfather, in the Hollywood sense, but this is, in a lived reality, a realm of harshness and crime. The romance we have towards traditional hierarchies include also injustices, and dictatorships in life. Muay Thai (as with so many fighting sports in the world) likely laundered not only slews of monies (gained from cruelty & suffering), but also social statuses. This is the nature of it all. It might be said that it was an immense oppression machine, a compression machine, that produced not only the excellence of these fighters, but also the fights and promotions that produced them.

Talking this over with Sylvie, this seemingly inherent connection between cruelty and fighting excellence, historically, makes me value all the more the precious achievements in Self that people like Dieselnoi, and fighters of his age produced. These men fashioned high art, of themselves, in the harshness of opportunity and circumstance. From where we stand now, it seems like the worse thing of all to forget these men, to forget or lose what they created, out of that harshness. It was that medallion of gold that they mined from their flesh, forged into an art and history. When we remember them, when we document them, we extend its reason for being. Dieselnoi once was talking about the differences between his historical fate and that of Samart, in the context of having beaten him in the fight of the year, The Holy Grail of Fights. He says, he would not have wished upon anyone his fate. He explained that in Thailand it's not how you go along, its how things end. Just like in a 5 round fight, it's the 4th round that matters. For someone like Dieselnoi its the ending that matters, for all of us who are seeking to record and celebrate the creations of these men, the excellence they drew out of extremely harsh circumstances, its about fashioning that ending for them, the one that says: It matters. We can do that now.

  • Like 1
  • Heart 1
Link to comment
Share on other sites

On 10/29/2021 at 7:56 AM, Kevin von Duuglas-Ittu said:

This is one of the most interesting things for us who laud the excellence of the Golden Age of Muay Thai, and the ages that surround it. The very truth of the matter seems to be: Fighting excellence has come out of great cruelty, intense difficulty, and even injustice. We think somewhat glamorously about things like how Dieselnoi's patron was a mafia boss and godfather, in the Hollywood sense, but this is, in a lived reality, a realm of harshness and crime. The romance we have towards traditional hierarchies include also injustices, and dictatorships in life. Muay Thai (as with so many fighting sports in the world) likely laundered not only slews of monies (gained from cruelty & suffering), but also social statuses. This is the nature of it all. It might be said that it was an immense oppression machine, a compression machine, that produced not only the excellence of these fighters, but also the fights and promotions that produced them.

Talking this over with Sylvie, this seemingly inherent connection between cruelty and fighting excellence, historically, makes me value all the more the precious achievements in Self that people like Dieselnoi, and fighters of his age produced. These men fashioned high art, of themselves, in the harshness of opportunity and circumstance. From where we stand now, it seems like the worse thing of all to forget these men, to forget or lose what they created, out of that harshness. It was that medallion of gold that they mined from their flesh, forged into an art and history. When we remember them, when we document them, we extend its reason for being. Dieselnoi once was talking about the differences between his historical fate and that of Samart, in the context of having beaten him in the fight of the year, The Holy Grail of Fights. He says, he would not have wished upon anyone his fate. He explained that in Thailand it's not how you go along, its how things end. Just like in a 5 round fight, it's the 4th round that matters. For someone like Dieselnoi its the ending that matters, for all of us who are seeking to record and celebrate the creations of these men, the excellence they drew out of extremely harsh circumstances, its about fashioning that ending for them, the one that says: It matters. We can do that now.

I think that when I trained in Thailand between 91 and 93 there were very little consessions for farangs. By 97 as more trained in camps in the "tourist areas" it started to change and become more of a business transaction(one way) where farangs paid and chose how much training they did... So many have never actually experienced old school training that forges diamonds. 

  • Nak Muay 1
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • He told me he was teaching at a gym in Chong Chom, Surin - which is right next to the Cambodian border.  Or has he decided to make use of the border crossing?  🤔
    • Here is a 6 minute audio wherein a I phrase the argument speaking in terms of Thailand's Muay Femeu and Spinoza's Ethics.    
    • Leaving aside the literary for a moment, the relationship between "techniques" and style (& signature) is a meaningful one to explore, especially for the non-Thai who admires the sport and wishes to achieve proficiency, or even mastery. Mostly for pedagogic reasons (that is, acute differences in training methods, along with a culture & subjectivity of training, a sociological thread), the West and parts of Asia tend to focus on "technical" knowledge, often with a biomechanical emphasis. A great deal of emphasis is put on learning to some precision the shape of the Thai kick or its elbow, it's various executions, in part because visually so much of Thailand's Muay Thai has appeared so visually clean (see: Precision – A Basic Motivation Mistake in Some Western Training). Because much of the visual inspiration for foreign learned techniques often come from quite elevated examples of style and signature, the biomechanical emphasis enters just on the wrong level. The techniques displayed are already matured and expressed in stylistics. (It would be like trying to learn Latin or French word influences as found in Nabakov's English texts.) In the real of stylistics, timing & tempo, indeed musicality are the main drivers of efficacy. Instead, Thais learn much more foundational techniques - with far greater variance, and much less "correction" - principally organized around being at ease, tamachat, natural. The techne (τέχνη), the mechanics, that ground stylistics, are quite basic, and are only developmentally deployed in the service of style (& signature), as it serves to perform dominance in fights. The advanced, expressive nature of Thai technique is already woven into the time and tempo of stylistics. This is one reason why the Muay Thai Library project involves hour long, unedited training documentation, so that the style itself is made evident - something that can even have roots in a fighter's personality and disposition. These techne are already within a poiesis (ποίησις), a making, a becoming. Key to unlocking these basic forms is the priority of balance and ease (not biomechanical imitations of the delivery of forces), because balance and ease allow their creative use in stylistics.
  • The Latest From Open Topics Forum

    • Hi, this might be out of the normal topic, but I thought you all might be interested in a book-- Children of the Neon Bamboo-- that has a really cool Martial Arts instructor character who set up an early Muy Thai gym south of Miami in the 1980s. He's a really cool character who drives the plot, and there historically accurate allusions to 1980s martial arts culture. However, the main thrust is more about nostalgia and friendships.    Can we do links? Childrenoftheneonbamboo.com Children of the Neon Bamboo: B. Glynn Kimmey: 9798988054115: Amazon.com: Movies & TV      
    • Davince Resolve is a great place to start. 
    • I see that this thread is from three years ago, and I hope your journey with Muay Thai and mental health has evolved positively during this time. It's fascinating to revisit these discussions and reflect on how our understanding of such topics can grow. The connection between training and mental health is intricate, as you've pointed out. Finding the right balance between pushing yourself and self-care is a continuous learning process. If you've been exploring various avenues for managing mood-related issues over these years, you might want to revisit the topic of mental health resources. One such resource is The UK Medical Cannabis Card, which can provide insights into alternative treatments.
    • Phetjeeja fought Anissa Meksen for a ONE FC interim atomweight kickboxing title 12/22/2023. https://www.youtube.com/watch?v=Cu92S6-V5y0&ab_channel=ONEChampionship Fight starts at 45:08 Phetjeeja won on points. Not being able to clinch really handicapped her. I was afraid the ref was going to start deducting points for clinch fouls.   
    • Earlier this year I wrote a couple of sociology essays that dealt directly with Muay Thai, drawing on Sylvie's journalism and discussions on the podcast to do so. I thought I'd put them up here in case they were of any interest, rather than locking them away with the intention to perfectly rewrite them 'some day'. There's not really many novel insights of my own, rather it's more just pulling together existing literature with some of the von Duuglus-Ittu's work, which I think is criminally underutilised in academic discussions of MT. The first, 'Some meanings of muay' was written for an ideology/sosciology of knowledge paper, and is an overly long, somewhat grindy attempt to give a combined historical, institutional, and situated study of major cultural meanings of Muay Thai as a form of strength. The second paper, 'the fighter's heart' was written for a qualitative analysis course, and makes extensive use of interviews and podcast discussions to talk about some ways in which the gendered/sexed body is described/deployed within Muay Thai. There's plenty of issues with both, and they're not what I'd write today, and I'm learning to realise that's fine! some meanings of muay.docx The fighter's heart.docx
  • Forum Statistics

    • Total Topics
      1.3k
    • Total Posts
      11k
×
×
  • Create New...