Jump to content

Thinking About Style - Things I'm Working On


Recommended Posts

I've written before about the troubles I've had with a kind of Style (the post takes a while to load, lots of GIFs), and being forced into a style that wasn't "me", or at least that I had a really hard time bringing forward. I just wasn't an evasive, tricky, or dodge-y person. It wasn't until I discovered that there was a different style, a forward, space-eating style that I was set more free. I remember the beginning of realizing this was something that Andy Thomson said: "There is not one Muay Thai, there are 1,000s. Each person has their own Muay Thai."

The yesterday I wrote about the Things I'm Working On and a lot of them have to do with my style, and how to best bring it out. These things involve body punches, overhands, clinching hips in, taking space, not rushing. 

I wanted to post here because a lot of us feel like we want to measure up to "a" Muay Thai. We want to do it "right". There definitely are right and wrong ways to do things, but there is not the one way to do a particular thing. 

You don't need to be a fighter to think about style. What is your style, and what are you doing to pursue it?

  • Like 1
Link to comment
Share on other sites

Your old post about finding your style is still one of my favorite blog posts.  I have found myself telling my students to find their own style of Muay Thai.  It also helps remind me that my job as their coach is to help them find their own style, not necessarily to mold them into MY style.  Sure, I teach my style of Muay Thai, but with my eyes towards helping them find their own way to express themselves.

I find myself nodding along wholeheartedly with your comments regarding scoring faster in the clinch.  One of the things that I try very hard to impress upon my students/fighters is that you don't use the clinch to setup your strikes (knees, then elbows)... rather, you use your knees (and elbows) to setup your clinch.  I want my students to immediately begin attacking with knees the moment they reach forward and touch their opponent.  Basically, we focus on reaching to control your opponents arms (biceps), attack with knees, transition to clinching with more knees and/or elbows.

In regards to the hook while rotating your core first, then punching....  that is ONE way of doing it.  I favor the practice of everything moving together as one solid unit.  That's not to say that is the only method I employ or teach, but its the method I focus on.  It's my "core" method, so to speak...  I use the method of moving my core first, then punching when I throw the hook that some people refer to as the "Russian Hook" or "Casting Punch".  (same same)

Wall of China?  LOL!  You and I have discussed this before.  The 2nd method you mention of pushing the leg down is my preferred counter...  but are you pushing down with your hand or using your own knee to push your opponent's down?  Your blog post is unclear on that point...

I feel you on "snapping the jab"...  I've recently begun helping a fighter learn to snap his jab.  It's something that I've learned to do on my own, and finding a way to describe to him what I want has been a challenge in that I'm sure what I'm telling him and showing him makes sense, but its just not "clicked" with him yet.  But reading your post reminds me of an analogy one of my boxing coaches used to explain it....  snapping a towel at someone!  (I'm going to use that analogy with him the next time we train and see if it helps!)

I love the term "scratch" to describe the scenario, especially late in a fight.  It's an attitude, really, and I feel that it leads directly into your comments on persuasion & authority....  It's like there's a level of scrappiness/aggressiveness you must demonstrate & maintain throughout an entire fight, but you must do so intelligently.  You can't just charge in, it's not the same thing!  But then, I'm preaching to the choir on that subject!  ;)

  • Like 2
Link to comment
Share on other sites

I don't yet know my Own style. But I don't move quick.. I feel almost like I'm lumbering along through the moves. I'm not a Stalker (not yet anyways). Rather,during practice I tend to ... Sit and wait for lack of a better term. I'm still unfamiliar with myself and what I can do, but I know enough that I sit and wait. Which I don't think is necessarily a good thing.

  • Like 1
Link to comment
Share on other sites

In regards to the hook while rotating your core first, then punching....  that is ONE way of doing it.  I favor the practice of everything moving together as one solid unit.  That's not to say that is the only method I employ or teach, but its the method I focus on.  It's my "core" method, so to speak...  I use the method of moving my core first, then punching when I throw the hook that some people refer to as the "Russian Hook" or "Casting Punch".  (same same)

Yeah, like Master K's robot arm, where you just swing the whole body around and the fist torpedos! He'd lightly nudge me with his knuckles when he demonstrated and even that made me want to cry... so powerful.

The push-down on the Wall of China is with the hand, very fast, hips in first to create pressure, then relaxed at that moment - followed by an immediate knee. It is very effective. There are other counters but I'm trying to minimize my options so that I don't get caught thinking so much.

Link to comment
Share on other sites

I don't yet know my Own style. But I don't move quick.. I feel almost like I'm lumbering along through the moves. I'm not a Stalker (not yet anyways). Rather,during practice I tend to ... Sit and wait for lack of a better term. I'm still unfamiliar with myself and what I can do, but I know enough that I sit and wait. Which I don't think is necessarily a good thing.

Sounds like you're on your way to being a counter striker.

Link to comment
Share on other sites

This is exactly why I love your blog, Sylvie! I never knew there were different styles of fighting, of course, I intuitively felt there might be different styles, but it's different when you see it written down and described :)

I'm still a little bit like Michelle, I still don't know what my body is capable of, sometimes I'm surprised by it, sometimes I'm dissapointed. What I've heard from people, they say I have kind of my own style: I constantly go forward, don't show off spectacular moves, just keep pressuring the opponent. But I also let go, just like in training and "reset" the fight ;)

It's funny, because this is what other say, watching from the sidelines. What I feel in the ring is completely different. I try not to get punched, I try to attack first, and I'm trying out my best moves, maybe not wanting to show off, but wanting the opponent to take me seriously. Basically, when I see someone is taking me lightly (this happens a lot, I usually spar with young adult guys) I throw a backfist or a ushiro mawashi geri (spin back kick?). Even if the hit doesn't land (which it usually does with someone taking me lightly) it make the opponent shift gears. So I kind of think about it as showing off.

I think I'm definitely more of the "aesthetic" fighter, femur whas it? I like when the technique looks good and is effective as well, but I'd rather hit with good technique than strong. At least that is my opinion at this point in time.

  • Like 1
Link to comment
Share on other sites

Yeah, like Master K's robot arm, where you just swing the whole body around and the fist torpedos! He'd lightly nudge me with his knuckles when he demonstrated and even that made me want to cry... so powerful.

 

OMG!  This is why I miss Master K so much!  He had the most hilarious (but effective!) analogies for EVERYTHING!  I still train with a number of his former students, and we have tried to compile a list of "K-isms" for posterity.  We all crack up when we review the list we've compiled....

  • Like 1
Link to comment
Share on other sites

The push-down on the Wall of China is with the hand, very fast, hips in first to create pressure, then relaxed at that moment - followed by an immediate knee. It is very effective. There are other counters but I'm trying to minimize my options so that I don't get caught thinking so much.

 

 

Again, you and I seem to share brain cells sometimes!  LOL!  While my preferred method to break the Wall of China is using my knees to push it down and "walk over", I'm TOTALLY with you on keeping things simple and choosing 1 method that works for me (or teaching my students to choose 1 method that really works for THEM!).  I do this throughout training.... teach a variety of methods to achieve the same goal, then let my students practice to discover the 1 that suits them best.

It's like that clinch knee combo that Kaensak taught you.  2 quick knees, step with the opposite foot and pivot in place, then slam a knee into their exposed ribs while they're off balance....  (one of your many video blogs, not sure if you remember the specific one).  Or the escape/counter to the body clinch that Kaensak taught me....  These are great techniques to know and I teach them to my students.  However, when it comes time to begin fight training, many techniques such as those mentioned get dropped from the aresenal in favor of simpler, more direct techniques that are easier to execute in a high-stress situation such as an actual fight.

...which goes back to what you've mentioned about the importance of "play" in Muay Thai.  Those more intricate moves not only work but are effective, but only after lots of practice.  "Play" in Muay Thai is absolutely essential for these techniques to be mastered, but its a concept that the American mindset/style of training still greatly struggles with.

  • Like 3
Link to comment
Share on other sites

Just out of curiosity, what are some archetypal styles that you guys have seen in fighters?

Outside of MT in striking sports I've heard of terms like "out-fighter" that I'm not entirely familiar with along with the more obvious "boxer" and etc.

  • Like 1
Link to comment
Share on other sites

Tbh, I'm still figuring it out. I find out I love to use the knees and clinch method during sparring (if allowed) or training. It's where my strength lies. But during a fight, things just don't turn out exactly like you wanted as always.. hahahahha.. I have noticed I usually get bashed up by opponent in first round and then change my gear during second round.. I like to circle around the ring, wearing my opponent down and when they come in - I will throw a punch and a kick move to the side / teep them until they can't follow my pace. It will end up with lots of knees from there onwards or elbows if allowed.. << This usually happened when most of my opponent are punchers instead of both.. I dislike punchers =.=, no offense made there..

 

But sometimes it gets really frustrating because I want to do clinch not punch and kick only.. But, oh well I can't hope it goes out like what I planned before the fight.. XD

  • Like 1
Link to comment
Share on other sites

Just out of curiosity, what are some archetypal styles that you guys have seen in fighters?

Outside of MT in striking sports I've heard of terms like "out-fighter" that I'm not entirely familiar with along with the more obvious "boxer" and etc.

In western boxing they have the "boxer" vs. the "puncher," which is supposed to be the difference between someone who is very technical and cereberal and someone who hits to hurt, but not quite a "brawler"

In Muay Thai I've seen "inside fighters"; "knee fighters"; "counter strikers"; "boxers" (Pornsenae and Pakorn); "defensive" (Sam A); Saenchai is often called "feemeur" but I don't fully agree because he stays in the pocket even though he's evasive; "counter fighter"; "tricky fighter" (that's Saenchai to me); "cocky" is what I'd call Kaensak's style, in a good way; "book" is like a forward pressure fighter, like Thanonchai (my favorite); I'd call Sangmanee "feemeur"...

  • Like 4
Link to comment
Share on other sites

In western boxing they have the "boxer" vs. the "puncher," which is supposed to be the difference between someone who is very technical and cereberal and someone who hits to hurt, but not quite a "brawler"

In Muay Thai I've seen "inside fighters"; "knee fighters"; "counter strikers"; "boxers" (Pornsenae and Pakorn); "defensive" (Sam A); Saenchai is often called "feemeur" but I don't fully agree because he stays in the pocket even though he's evasive; "counter fighter"; "tricky fighter" (that's Saenchai to me); "cocky" is what I'd call Kaensak's style, in a good way; "book" is like a forward pressure fighter, like Thanonchai (my favorite); I'd call Sangmanee "feemeur"...

 Thanks for the insight Sylvie, I heard about the "femur" Muay Thai fighters vs. the more aggressive fighters from your blog post, but I had no idea there were so many different aspects!! I think I'm going to go take a look at each of the fighters you've mentioned here to see if I can sort of scope out what each style means in practice...

Link to comment
Share on other sites

  • 2 weeks later...

Erm, I don't know if this is a style question or not, but are there fighters who utilize both traditional and southpaw stances equally? I'd like to get acquainted with them and their style and how they train.

 

Yes, there are definitely "switch" fighters....  I'm trying to think of any notable ones, but for some reason I'm drawing a blank right now.  I'll poke around to see if I can find something....

Link to comment
Share on other sites

Okay cool. Because right now I'm having a self identified identity crisis when it comes to stance. I have more power in orthodox and better technique in southpaw. I am not completely comfortable in either. It's been over a year now and it still feels that way.

 

I know part of the reason is because of my shoulder, any time we run nothing but jabs or jabs and hooks off the lead arm I have to switch to southpaw because my shoulder can't handle it yet. But yeah. I tried googling but couldn't find anything but articles on the disadvantages of being southpaw.

  • Like 1
Link to comment
Share on other sites

  • 1 year later...

Since it's right near two years later, wondered if anyone has noticed a change in their style and how they approach opponents/partners? Has time made you stronger or more confident in a certain style or has it changed for you? Just curious.

  • Like 2
Link to comment
Share on other sites

I have less than 10 fights so I still haven't found my style. When I started fighting about a year ago I just kicked a lot, but in my last few fights I have felt stronger in the clinch and found knees to be more effective. In my next handful of fights I would really like to develop my confidence in the ring so that I can display a stronger style as opposed to my current position of different styles for every fight..which I know is probably normal for an amateur but feels messy to me.

  • Like 4
Link to comment
Share on other sites

Since it's right near two years later, wondered if anyone has noticed a change in their style and how they approach opponents/partners? Has time made you stronger or more confident in a certain style or has it changed for you? Just curious.

 

The two year mark is really interesting for Sylvie. About two years ago, if not a little more, Sylvie went into a very deep clinch game, Muay Khao style. This meant striking a lot less, fortifying herself against attacks when closing distance, and snuffing strikes, developing ways of entering clinch. But in the last few months she's started to really concentrate on relaxation which has opened up other modes of fighting for her, modes that are only starting to show themselves. This really came to a head a week ago when Karuhat, a legendary fighter who has cornered for her a few times, and who we film with, out of nowhere decided to turn Sylvie completely southpaw, because this would eliminate some fundamental technique flaws she's shown against some problematic opponents. This southpaw switch somehow really connected up with what she's been quietly working on, Nongki energy, more Karuhat like suddenness, and is creating a whole different series of style movements. I'm not sure what is going to come of this, but it is as if Sylvie's fortress style was a long and necessary phase she had to pass through before she could get to more relaxation, and a different part of her character. And only really the excellence of her opponents (certain elite fighters who can stay with Sylvie in clinch), and the increasing size of her opponents, which has pushed her to go beyond her very defined "style". It's pretty exciting times.

  • Like 4
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • The Three Great Maledictions on Desire I've studied Deleuze and Guattari for many years now, but this lecture on the Body Without Organs is really one of the the most clarifying, especially because he leaves the terminology behind, or rather shifts playfully and experimentally between terms, letting the light shine through. This is related to the continuity within High level traditional Muay Thai, and the avoidance of the culminating knock-out moment, the skating through, the ease and persistence. (You would need a background in Philosophy, and probably this particular Continental thought to get something more out of this.)   And we saw on previous occasions that the three great betrayals, the three maledictions on desire are: to relate desire to lack; to relate desire to pleasure, or to the orgasm – see [Wilhelm] Reich, fatal error; or to relate desire to enjoyment [jouissance]. The three theses are connected. To put lack into desire is to completely misrecognize the process. Once you have put lack into desire, you will only be able to measure the apparent fulfilments of desire with pleasure. Therefore, the reference to pleasure follows directly from desire-lack; and you can only relate it to a transcendence which is that of impossible enjoyment referring to castration and the split subject. That is to say that these three propositions form the same soiling of desire, the same way of cursing desire. On the other hand, desire and the body without organs at the limit are the same thing, for the simple reason that the body without organs is the plane of consistency, the field of immanence of desire taken as process. This plane of consistency is beaten back down, prevented from functioning by the strata. Hence terminologically, I oppose – but once again if you can find better words, I’m not attached to these –, I oppose plane of consistency and the strata which precisely prevent desire from discovering its plane of consistency, and which will proceed to orient desire around lack, pleasure, and enjoyment, that is to say, they will form the repressive mystification of desire. So, if I continue to spread everything out on the same plane, I say let’s look for examples where desire does indeed appear as a process unfolding itself on the body without organs taken as field of immanence or of consistency of desire. And here we could place the ancient Chinese warrior; and again, it is we Westerners who interpret the sexual practices of the ancient Chinese and Taoist Chinese, in any case, as a delay of enjoyment. You have to be a filthy European to understand Taoist techniques like that. It is, on the contrary, the extraction of desire from its pseudo-finality of pleasure in order to discover the immanence proper to desire in its belonging to a field of consistency. It is not at all to delay enjoyment.   This is not unrelated to the Cowardice of the Knockout piece I wrote:  
    • This is very beautiful, listen with the sound on. I'm not sure she understood what he meant in the beginning, "take me for a walk", but just watching him teach and talk. So much beauty.    
    • Wow, Dangkongfah "moo deng" (as they call her) won again. It fits a beautiful way.   Always enjoy watching her fight. Such an interesting fighter, we know her so well. Her opponent fought valiantly, trying to solve Dangkongfah's frustratingly minimalist style, but it wasn't enough. Dangkongfah won an important, decisive exchange in the 4th that locked up the narrative win, and then coasted to close femeu in the 5th, what she's so good at, retreating and nullifying. It's very nice to see Patong stadium reffing and judging in the traditional style, holding the line against Entertainment Muay Thai. A very well reffed fight. The promotion looks so solid, right in the middle of Phuket's Muay Thai scene. Very cool. This was a great test-case fight for those kinds of differences. Two fights in a row (at least) down in Pkuket, I wonder if Dangkongfah has moved down there to live and train. If so, she'll have a substantive trad promotion to fight on regularly.
  • The Latest From Open Topics Forum

    • In my experience, 1 pair of gloves is fine (14oz in my case, so I can spar safely), just air them out between training (bag gloves definitely not necessary). Shinguards are a good idea, though gyms will always have them and lend them out- just more hygienic to have your own.  2 pairs of wraps, 2 shorts (I like the lightweight Raja ones for the heat), 1 pair of good road running trainers. Good gumshield and groin-protector, naturally. Every time I finish training, I bring everything into the shower (not gloves or shinnies, obviously) with me to clean off the (bucketsfull in my case) of sweat, but things dry off quickly here outside of the monsoon season.  One thing I have found I like is smallish, cotton briefs for training (less cloth, therefore sweaty wetness than boxers, etc.- bring underwear from home- decent, cotton stuff is strangely expensive here). Don't weigh yourself down too much. You might want to buy shorts or vests from the gym(s) as (useful) souvenirs. I recommend Action Zone and Keelapan, next door, in Bangkok (good selection and prices):  https://www.google.com/maps/place/Action+Zone/@13.7474264,100.5206774,17z/data=!4m14!1m7!3m6!1s0x30e29931ee397e41:0x4c8f06926c37408b!2sAction+Zone!8m2!3d13.7474212!4d100.5232523!16s%2Fg%2F1hm3_f5d2!3m5!1s0x30e29931ee397e41:0x4c8f06926c37408b!8m2!3d13.7474212!4d100.5232523!16s%2Fg%2F1hm3_f5d2?entry=ttu&g_ep=EgoyMDI0MTAyOS4wIKXMDSoASAFQAw%3D%3D
    • Hey! I totally get what you mean about pushing through—it can sometimes backfire, especially with mood swings and fatigue. Regarding repeated head blows and depression, there’s research showing a link, especially with conditions like CTE (Chronic Traumatic Encephalopathy). More athletes are recognizing the importance of mental health alongside training. 
    • If you need a chill video editing app for Windows, check out Movavi Video Editor. It's super easy to use, perfect for beginners. You can cut, merge, and add effects without feeling lost. They’ve got loads of tutorials to help you out! I found some dope tips on clipping videos with Movavi. It lets you quickly cut parts of your video, so you can make your edits just how you want. Hit up their site to learn more about how to clip your screen on Windows and see how it all works.
    • Hi all, I am fortunate enough to have the opportunity to be traveling to Thailand soon for just over a month of traveling and training. I am a complete beginner and do not own any training gear. One of the first stops on my trip will be to explore Bangkok and purchase equipment. What should be on my list? Clearly, gloves, wraps, shorts and mouthguard are required. I would be grateful for some more insight e.g. should I buy bag gloves and sparring gloves, whether shin pads are worthwhile for a beginner, etc. I'm partiularly conscious of the heat and humidity, it would make sense to pack two pairs of running shoes, two sets of gloves, several handwraps and lots of shorts. Any nuggets of wisdom are most welcome. Thanks in advance for your contributions!   
    • Have you looked at venum elite 
  • Forum Statistics

    • Total Topics
      1.4k
    • Total Posts
      11.2k
×
×
  • Create New...