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Woven Into The History - from 1788, the first account of a westerner fighting a Siamese (Thai) above, the earliest recorded fight between a Westerner and a Thai (Siamese) - from Peter Vail's work Over the last few years I've posted the above account sporadically, musing about just how far back the backwards, counter-fighting ethic of Thailand's Muay Thai may go. It's a remarkable keyhole into a time of Muay Thai (then the Boran of Siam) that has very little historical record, so it it tempting to savor every element, every detail, as if a perfectly preserved skeleton of an extinct animal has been found. We just don't know what fighting styles were like back then. This is an event that takes place in 1788, more than 230 years ago. French brothers visit the court and are involved in the very first recorded sport combat fight between farang (farang originally referred to the French) and Thai (Siamese). Engagements - and even influences - with foreign fighters must have been quite regular throughout the previous centuries, going back to when the Kingdom Ayutthaya was a powerful "Venice of the East" trade center in South East Asia (1350 to 1767), filled with mercenary forces rumored to reach even 1,000,000 men, and even before that when mercantile Siam interacted with the 600 year Srivijaya "thalassocratic empire" which spread marital knowledge throughout the trading South reaching all the way back to the 7th century see this thread here: Chinese, Japanese, Indonesian fighting styles surely wove themselves into the development of Thailand's combat treasure chest. The account at top though is our fallen dinosaur bit of directly attested report. What may be so interesting about this 1788 account is that it isn't so much an account of a fight as it seems to be of a fundamental misunderstanding and confusion between cultures. It's a likely confusion about what proven masculinity and manhood is. And beneath that, it's a confusion over what retreat and dis-engagement signifies between combatants. The reason the French brother jumps into the ring to stop the retreat of the (likely smaller bodied) Siamese fighter is the feeling that the fight just wasn't fair, or being conducted under the unwritten rules of just what "fighting" is. Looking through our telescope back in time it's hard for me to not feel that today's promotional demand "Just stand and bang!" is not very far from what brought the fighter's brother into the ring. Perhaps he felt the Siamese fighter was somehow clowning his brother, retreating and counter-striking him, elusively evading what perhaps sound like grappling attempts by a large man (intent to break the collarbone in a single smashing blow suggests a size difference). All hell breaks loose as the French brothers seek to rectify their honor and have a proper fight, and the Siamese guards jump in and give a beat down at the loss of man-on-man decorum. But, it's just fascinating that many of the same forces at work today, attempting to bend Thailand's Muay Thai into a much more aggressive, much more clashing "stand and bang" combat style (for commercial and new generation popularity reasons), were right there when that brother jumped into the ring. When MAX Muay Thai brought the new "entertainment Muay Thai" to Thailand they wrote into the actual fighter instructions in Thai "if you go backwards you will lose" (by my recollection), simply because retreat when you have the lead has been endemic to the grammar of Thailand's Muay Thai for decades now --- and as this historical account temptingly suggests --- perhaps has roots that go back for centuries. The "if you go backwards you will lose" is programmatically the brother jumping into the ring to save the honor of his brother. The MAX Muay Thai entertainment program, which has been copied in new forms in other promotions, was admittedly designed to level the playing field vs Westerners and produce wins by Westerners. It is the brother in the ring, standing behind the retreating fighter. I've seen Thai fighters that we know well with a deft style of retreat and counter struggle both mentally and physically under the new form of entertainment fighting. It's startling to see the same basic misunderstanding of what a fight is, between two cultures, play out 230 years apart. The Counter In Retreat We are in a different combat sport world now than in 1788. Instead of Westerners coming to the South East Asian court attempting to establish trade relations and test out fighting skills, the Western (and really Internationalist/globalist) view of fighting has grown into a vast commercial enterprise, and a dominant cultural art form. MMA - and small in its shadow, Kickboxing - has established "what a fight is" largely under the come-forward model. Thailand's traditional counter-fighting, retreating excellence falls outside of that model. When talking to Arjan Surat of the Thai National Team about the new 3 round entertainment fighting the Old School legendary trainer complained. "There is no timing". It is what Thais call muaymua, confused or clouded fighting. Little is distinct other than the clash. I've written about how the Thai narratively scored shape of the fight involves actually a different Sense of Time, agrarian Time, but what Arjan Surat is of course talking about the much more universally lauded timing of strikes, and the ability to play with and manipulate the fight space. In Thailand when the fighter is retreating, often with the lead, he/she is stretching out the time windows, he/she is playing with the space. Delay is being created and being woven into the tempo of the fight. Delay is the silence between notes (to quote Lisa Simpson). This is part of a much more nuanced and rich awareness of fighting, almost a musicality of striking tempos. Because Thailand's Muay Thai traditionally, as a Buddhistically informed art, is about dominance over the fight space and much less about sheer displays of aggression, the quality of fight awareness, the sophistication of strikes rises amid forced lulls and displacement through defensive tactics drawing time out, so there is room for them to unfold. Retreating and countering makes up a constitutive element in the very grammar of Thailand's Muay Thai. If you take retreat and countering out, as a form of dominance, you might as well also remove adjectives and adverbs from the language of English. It is the texture and quality of the fighting itself, what it is capable of expressing, at least historically so. Go no further than imagining how the much acclaimed GOAT Samart Payakaroon would struggle and show less of himself if he wasn't able to retreat, by rule. If you want a real sense of the sophistication of this look at my study of his defeat of the forward fighting Namphon, a dominance composed almost entirely of knee-shields. This isn't so much a piece against the new entertainment forms of Muay Thai which bend it toward forward fighting arts. These pressures and changes may very well be necessary to the survival of Muay Thai in the scheme of commercial fighting business in a global market. It's instead to say that as we change elements of Thailand's Muay Thai in this particular direction we are purpose tugging on a rope of struggle that perhaps goes back over 200 years, fundamentally how The West and Thailand perceive what fighting is. The frustration of Westerners in the ring vs retreating Thais has a record that goes that far back. As we change the very form of fighting in contests between Westerners (and others) and Thais, as we put the proverbial brother in the ring and prevent retreat, we should at least be aware that we are touching upon essential elements of what fighting is to Thailand. This isn't to say that Thai fighters only retreat. In fact they have had some of the greatest stalking pressure fighters in the world. (More on this: Why You Can't Take the Boring Out of Muay Thai). The reason why Thai fighters are so very good at stalking and pressuring is because the retreating, countering fighters they have honed their skills against actually have a scorecard advantage. Retreating and countering, clinch (the "boring" parts) make up the vocabulary of its excellence. It's an arms race. In some ways Thai aggression is second to none, but it grows in a context. And yes, past generations of the sport have been more aggressive through rounds, to be sure, and this is something the sport indeed needs to rectify, but it is to at least say, in a broad way, that there is a cultural tug-of-war going on here that goes down into the roots of what Thai fighting is, and has been for perhaps centuries. And if we collapse that timing, we smash those interaction windows of engagement, and place that brother in the ring, we might be unraveling some of the most significant differences that Thailand's Muay Thai presents to the world, as an art of value.

I don't think there is any chance at all that Thailand's Muay Thai will ever appeal to the majority, even if it radically changed into kickboxing...which itself is a very minor sport. I think its survivability will always depend on passionate enthusiasts. So the question is: how do we get more enthusiasts with greater passion. If it fundamentally changes what it is, its unique qualities, skill sets and history, the chance of having passionate enthusiasts over time will I suspect will drop. "Just like kickboxing, but with elbows!" isn't going to get Muay Thai very far in this world.

I do see that there is a broad-base smash-em fight audience, but one of the most entrenched and celebrated combat sports is western boxing, and western boxing has had many stars of the sport appreciated for their defense, their style, their superiority over the space (and not just sheer aggression). In fact, western boxing can mirror the same Muay Femeu preference over Muay Khao (forward fighting). Ali, both Sugar Rays, Mayweather, Lomachenko, even Roy Jone Jr, these are not smashers. At the very least western boxing provides a model for this kind of appreciation, it's not like this is some alien planet stuff. Also, BJJ has been pretty widely embraced by the UFC crowd, one of the least "immediately comprehensible" arts there is. Instead, everyone got into understanding it, training in it, learning the chess of it. Sure people complained about lay-and-pray, but the context of Western fight entertainment isn't ALL Rollerball. There are past and present histories of comprehension of many of the things that make the Muay Thai of Thailand special.

The problem is, much more money is (potentially) made through gambling, than through fighter pay. Not only is there a social obligation to those who gamble on you, which is more important than a fight purse, the money involved is also greater. And, your gym itself is likely gambling. You fight for your gym, not for individual gain. If a fighter is dancing off it's because their gym has signaled for them to do so. It isn't an individual decision. For instance we were told that a recent kid fight resulted in 100,000 baht tip out for the win.

I think a large part of the problem is westerners just don't really know about Thai boxing. Many people over here tune into muay Thai fights with no knowledge of combat sports outside of boxing and MMA. This is the lens through which they're trying to watch muay Thai, when muay Thai isn't watchable like that. Like you say, many westerners conceptualize a fight as pure forward aggression. I would say the majority of westerners, outside of the ones passionate about martial arts, view fights this way. They don't understand the ruleset or the spirit of muay Thai. Just as many don't even care about the spirit, they just want to see people smashing each other's heads. To be an "eloquent" fighter is almost always met with dissent, it takes someone of a caliber and influence like Floyd Mayweather to gain acceptance as that type of fighter, and even now many people only begrudgingly admit his greatness and just as many insist he only "ran away" in his fights. As an anecdote, I frequent some MMA communities and one of my favorite fighters right now is Ciryl Gane. Many people complain that Ciryl is boring, and complain that despite being a 6'4, 260lb heavyweight he has no knockouts in his 10 bouts. Even Dana White himself has criticized Ciryl for being 'boring'. Funny enough, Ciryl's background in combat starts with muay Thai. He has a big ol Sak Yant tattoo on the center of his chest. Ciryl has never even lost a round in the UFC and was undefeated in his muay Thai career, yet this is considered boring to the average UFC fan and even the figurative head of the organization. I especially love this description of muay Thai. Brevity is the soul of wit and this one sentence here sums up everything muay Thai to me, specifically "dominance over the fight space and much less about sheer displays of aggression". If more people could approach muay Thai under the impression that it's about dominating the fight space and not just smashing each other's skull in I think there would be a much greater appreciation of the sport here in the west. It's not a difficult concept to grasp, it's just one that combat sport fans here don't typically consider. Smashing skulls is just one way of dominating a fight space. I think muay Thai's traditional lack of appeal to westerners comes from a fundamental ignorance of it. I'm not really sure how you reconcile that though. Western fight fans are only becoming more inclined to sheer violence in my opinion, and less likely to go out of their way to learn or appreciate intricacies of another combat sport. There's also the issue of recognition. Many western fight-fans are less fans of the sport and more fans of the personalities. They don't particularly care about how good of a fighter Conor McGregor or Sean O'Malley really is, they just like the guys and will watch them no matter what, and when they watch a muay Thai event all they see is "that skinny asian guy" x10. That's a separate topic, but it ties into what I think the root of the problem is when we return to the ignorance of the traditional muay Thai spirit: lack of coverage. There's simply a massive lack of educators in terms of muay Thai. Even the people that do expose muay Thai and its intricacies to the west, like the various martial arts YouTube channels, typically cover golden-age legends as opposed to active fighters, and while they do a great job at highlighting their fighting prowess they don't often give that prowess its context within the sport. It's almost kind of funny to me because MMA fans tend to recognize muay Thai as being "the best striking base for MMA" and many love to preach to would-be martial artists that they should take MT classes to learn striking, yet not as many of them preach the same love for its culture and actual THAI FIGHTERS which is in itself inseparable from traditional muay Thai. Like on the muay Thai subreddit, when people are asking for advice and for fighters to watch to learn muay Thai, I always see westerners and UFC fighters being recommended or only the most famous of the Thai as if a beginner is going to be able to learn anything from watching Saenchai of all people or as if they aren't already familiar with someone of that caliber. It's always only the same few passionate people you see that are giving substantial and educated recommendations across Twitter, Reddit, and various forums, and these people can only be stretched so thin on their own. I think the rest of the passionate people don't even bother coming online to discuss the sport and keep it to their gym and real-life cohorts because the general lack of education on the topic can be frustrating and not everyone is even interested in teaching in the first place. It's hard even as a passionate fan to keep up with the current fighters, especially as someone who doesn't speak or read Thai. I rely entirely on various Twitter and Facebook pages to keep me updated sometimes. If it weren't for you and Sylvie, I'd be as ignorant as anyone else on many aspects of Thailand's muay Thai. It almost feels like Thailand's stadiums and promoters want the western audience and its money without having to interact with the west and its culture (understandable sometimes :P). They're willing to change the way muay Thai fighting works fundamentally to draw in viewers but don't want to change its "political" structure, if you will. It's not just the way the Thai fight that puts off the western audience (because even the more femeu style fights have plenty of display of "dog-ness" and aggression. you can't win a fight without fighting, afterall), it's the lack of structure. That is in my opinion a large reason ONE's muay Thai fights are popular, it's easy to follow the fighters. Not only did they westernize the ruleset, they also westernized the way they serve the ruleset. Its advertising and promoting is very UFC-styled. Everything looks familiar to a westerner even if the fighters are just "skinny asians" as I've heard put by the more meaty-headed of my fellow westerners. I mean, Channel 7 muay Thai is some of the best muay Thai around and if I want to watch it I have to buy a VPN. Changing the rules instead of changing the coverage to me is putting the cart before the horse and isn't going to solve anything in terms of western engagement, at least in my opinion. edit: I initially wrote putting the horse before the cart, which is the proper way to do it lmao. Oops

Yes, there are arguments for the foward-ization of Thailand's Muay Thai that involve urging that it takes its place in the broader spectrum of what the world wants, commercially. As an art and sport it benefits being loved and appreciated internationally, and to a great degree that does involve becoming readable by those who do not necessarily understand it. Recent unifying responses to Phuket's tourism difficulties during COVID understandably involve the call to make fights much more enjoyable to people who do not know anything about Muay Thai. And this readability is no doubt an essential part of the wider trend to present Muay Thai much more in the vein of International Kickboxing, whether that be IFMA's internationalization of the sport in hope for Olympic inclusion (which would be a huge development it Muay Thai's history) or ONE Championship's powerful marketing of Thai superstars under largely kickboxing aesthetics. The readability of the sport and art indeed is essential to its survive-ability, one would have to embrace. And this necessarily involves to some degree turning it into the familiar, ie, the less sophisticated. This is perhaps the world we live in, the facts on the ground. But, there is also a much longer view in terms of Muay Thai economics which involves cultural heritage. People come to Thailand because the training and the fighting is like nowhere else in the world. That difference, the ability of others to come to Thailand and experience THAT difference, is a very deep reservoir of cultural importance. It's what brings people from all over the world here. Sylvie writes in "The Art and Psychology of the 5th Round in Thailand" that it took her over 100 fights in the country to even understand how to fight a 5th round properly. This is a historic number of fights in Thailand for a westerner, an almost unheard of 100 fights in the country perhaps achieved by only one other westerner. 100 times, and she was just coming to understand it in all its complexities and skill sets. This sophistication is quite far from a sport that maximizes entertainment value to a tourist who has bought a local stadium ticket because they had heard that Thailand has something called "Muay Thai" and it would be fun to see it. (There is another commercial argument that Muay Thai's differences could present a tourism draw if made readable.) Western fighters have passionately traveled to train and live in Thailand to encounter the very foreignness of Thailand's Muay Thai, but increasingly actually encounter promotions of fighting very much like those they left back home, as Thais are asked to fight in an un-Thai way, shelving skill sets they have developed under a richer grammar and tradition of fighting. If we are talking about the survive-ability of Muay Thai as an economic entity the urge for readability must also be balanced by the deep value of its otherness. It's un-readability: That you encounter things in Thailand that you cannot encounter anywhere else in the world; that you come in contact with ways of doing things, learning things, and fighting, that exist nowhere else; that the passionate commitment of Westerners who have fallen in love with the uniqueness of Thailand's fighting history carries with it also a powerful incentive towards economic value, regarding Thailand as special. It cannot just be that "eyeballs" in a media entertainment space rife with competition constitute the measure of viability and value. Might it be that in five years time when a Westerner comes to train and fight in Thailand for 6 months or a year they only can find 3 round fights which deny retreat and counter tactics, and the full stand up grappling art of clinch? Is not that Westerner coming to Thailand seeing in the mirror him or herself? Is not their brother in the ring?

100% agree with everything Kevin said. If you can't afford training, the MT librairy is a gold mine. I mean, I think everyone who likes MT should be a patreon. What Sylvie and Kevin are doing is basically sport anthopology and you get sooooo much for the amount you pay. I would only add that if you're training alone, maybe taking video of your shaddow, bag work and sparring session would be helpful to seee what you need to focus on.

This is a really difficult question. On one level it is easy to answer: Yes you need a good coach for self-correction and guidance...but, you can also probably get a lot more out of self-training and video study than many people think. The reason for the coach...and honestly, it's more than a coach, it's an entire team of people you can spar with, experiment with, grow with, is that its extremely hard to self-correct. It's like tickling yourself. You can "kinda" do it, but it really is the intersubjectivity that creates the growth, and the real-world sparring that lets your body figure things out. Otherwise, it can be something like learning to surf, but not going into the water much. On the other hand, things like Sylvie's Muay Thai Library project are kind of incredible. These are real life training sessions with some of the greatest fighters and krus on the planet, krus well beyond pretty much anyone you'd run into in a typical gym. So the knowledge and lessons in these are off the charts. It is possible to kind of prime yourself for when you eventually do go to a coach or a team, taking to heart the experiences in those videos. Another thing you can do, by yourself, is lots and lots of shadowboxing, in the method Yodkhunpon teaches. He molded himself with very little training equipment and little coaching, at least early on, through rigorous, lengthy shadow boxing. You can see some of that here: The above is part of a full length 1 hour study of Yodkhunpon's shadowboxing philosophy in the Muay Thai Library. In it there is discussion of how he felt like his shadowboxing really primed him for high-level fighting in Bangkok. There is NO substitute for a team of co-fighters and coach, but there are lots of things that you can do to build out a scaffolding which later can make teamwork better. Sometimes there are very good reasons why someone doesn't have a coach. Maybe its where they live. Or, the coach that is available isn't a very good coach, or someone who is helpful. A bad coach can be worse than no coach. Or, there just is no money for a coach right now. It doesn't mean that growth has to stop. There are always ways forward.