Leaderboard

That might be it. If the farang name is Rafael and is from NY that would be him. He does go to Hongthong sometimes and knows the two brothers I was talking about. The other gym I was talking about was Lamnammoon Muay Thai, but it was not him who was there, though he did come once and elbows me in the face while holding pads (I mean by that just slightly touched to make me realize my guard was down, fucking scary but effective). I actually had the privilege to be elbowed by both him and Yodkhunpon which I am kind of happy about ahahah. The trainer taking care of the gym was Nuengtrakan Por Muangubon cause Lamnammoon was mostly in Singapour I think. Anyways, Joe from Hongthong had arranged for me to train there, he told me a bit about growing there and stuff. I think Hongthong is like a neighborhood in Ubon or something like this. I've been wanting to write a review of all the gyms I've trained at in my trips, but I have not yet. Keep doing your great work Kevin. You and Sylvie have had such an impact. I hope one day soon, Thailand offers you honorary citizenship. You guys deserve this.

Some thoughts on women fighter's bodies and inevitable changes between childhood and adolescence, as well as a changing landscape for Thai women fighters: this age range where female fighters hit their peak and are more or less forced to slow down due to that success (because it's harder to get fights, the side bet becomes enormous, etc) is right around when male fighters hit a rough spot as well. I can't count the number of times I've remarked on how promising some 11-14 year old boy looks and his trainer will wave his hand and say, "let's see if he can make it through motorbikes and girls," which is at around 15-18 years old, when the majority of male fighters also drop off and either become undisciplined or take on salaried jobs. Romantic relationships, increased importance of friend groups outside of the gym, and changes to the body all account for why both male and female fighters have a steep hill as they hit adolescence. Boys have a better incentive to keep fighting, as they might belong to bigger gyms or have better opportunities; girls might be pressured by family to focus on school, or the consequences of romantic (sexual) heterosexual relationships might take them out of fighting, which it doesn't do for boys in the same way. Dangkongfah and Nong Biew are an interesting pair, both listed in Kevin's write up. Nong Biew was kind of this rising star, getting a lot of notoriety and attention as this relentless Muay Khao teenager who could pull in wins with big side bets. Dangkongfah was that, but without any of the social hype; kind of the mavric version of the prize fighter. She could get backers to put money on her and she could win these big fights, but she wasn't taken seriously in the way that other "dao rung" teenage stars are (Nong Biew, Thanonchanok, Sanaejahn, Pornpan, Sawsing, Chommanee, Duannapa). What was so fantastic is that these two young women kept getting these huge side bets put up for them to face each other, they'd get booked on a show, they'd both weigh in and arrive to the venue and then somehow we'd always read about one of them or the other storming out without fighting because something about the side-bet had changed. We even witnessed this first-hand once. I'm not sure they ever fought. But Dangkongfah vs Allycia for the first ever 1 million baht side bet in history was the culmination of what Dangkongfah's trajectory had been. The change in female bodies is also much trickier than it is for male bodies. Male fighters might go up in weight at a rapid clip - look at 2012 for Sangmanee, who rocketed up in weight, taking belts in multiple weight classes within a single year. You'll see this in the Golden Age as well. So this rapid change in the body and increase in weight is not exclusive to either gender, but because women's bodies are coded against sport and strength in culture, when women's bodies become larger, softer, show hips or breasts, all of these get coded as being reasons or signs that she can no longer be a strong fighter. Couple that with the normal number of fighters who retire and drop off, and it seems like the point is proven (even though boys drop off, too, but girls are blamed for that one, too). Dangkongfah, as the example that Kevin is writing about above, was never a small girl. When we met her at 15 she was already quite heavy for her frame. That's just how her body wants to be. She's crazy strong and fit, never seems to gas out, and knows when to push to turn a fight into a blowout. She lost a lot of weight when she was at Fairtex for that short time, and was at her smallest-looking in the ONE fight aganst Meksen that Kevin posted, but she honestly looks the best she ever has in this recent fight. Her body works at the size it's at. Other fighters that are in Kevin's write up, they gained a lot of weight in a short amount of time and it semed to take a toll on their fighting. But this is coupled with training less, fighting less, and in the case of a few of these women, taking time out to give birth to a baby. Which I think is amazing, because that was definitely the end to a woman's career not that long ago. But Sawsing was really the first example I can think of who came back and fought high-profile after having her first son. There are other women who have had children and kept fighting, but usually on local circuits and, again, written off because of their "not the same" bodies after such intense changes as giving birth to a child. Nong Biew fought again after her first baby was born, and it didn't go well. Allycia came back and defended her title, successfully. Faa Chiangrai came back and became WBC World Champion. These things are incredible. Men who have families (and Thais have families very young, so a lot of high profile stadium fighters are fathers to young children) absolutely have difficulties in their own training and fighting due to the responsibilities, but their bodies don't go through the same inalterable changes as birthing parents do. And men aren't written off for becoming fathers, they're kind of given a little bit of sympathy and considered less competitive as a result. Women are totally dismissed once they have children. These women who come back to fighting are just amazing.

What a Fight. One of Most Personally Enjoyable Female Fights I've Seen in a Long Time I may not expect others to thrill at this fight as much as Sylvie and I did, but Dangkongfah vs Karolina Lisowska of Poland was just quite an experience for us to watch. A big part of that joy was being so familiar with Thai female fighters in Thailand (Sylvie has fought nearly 150 Thais, easily the most any Westerner has fought), so in explaining what made this fight so awesome for us I get to tell the story of Thai female fighters in general, over the past 10 years or so, so I can point out just how good Dangkongfah's performance was. As a sidenote, none of what I write is significant commentary on Karonlina, a fighter I do not know. Appreciating That Female Fighters, Understanding Their Development The best Thai female fighters, historically, but also still, develop their skills in the side bet circuits where local fight scenes in the provinces produce top fighters in a gambling milieu. The female fighters fight a lot, and the fights are very traditional in style (which is to say, narratively driven, balance, control and dominance being major scoring factors, purity of technique rewarded, and with clinch a significant part of all cards). Local top fighters travel around to other local top fighters in festivals, and the bet sizes go up. This prize-fighting scene produces highly skilled, complex fighters...but they tend to hit their apex around 14-15. That's when they are fighting the most frequently, training hard, and are actively being sharpened by the gambling. Once they get around that age they stop fighting so much (often because it is harder to find opponents, but also in terms of just the changing social status of young women). They can still be very, very good fighters, but they usually flatten out. In the past great fighters like Chomanee, Lomannee, Sawsing, Loma, and Phetjee Jaa came out like this. These are the yodmuay of Thai female fighting. In their later teens they might fight on the Thai National Team (amateur), but really in terms of development by 16 the peak of sidebet skill driving is missing (this side bet process is what traditionally drives the skills of male Thai fighters, well into their late 20s or even 30s, in the National Stadia. The next gen after the one mentioned above, because the side bet scenes have been eroding, haven't really produced the classic female "yodmuay", the one who takes on all comers, and has reached the apex level in the traditional way. Potential side bet yodmuay came through like Nongbiew and Pornphan, pretty strong fighters at 15 or so, but nobody reaching those past levels (Sylvie fought both of these fighters when they were at their apex, giving up significant weight). What ended up happening in this gen is that with the rise of Entertainment Muay Thai mid-level Thai female fighters, and some top level, from the side bet circuit were brought into Entertainment oriented training. A lot of these fighters who had developed a timing and narrative prize fighting game were newly taught bite-down and combo fighting (which is pretty foreign to them). Entertainment Muay Thai wanted clashing, so female Thai fighters (who were timing fighters) learned instead how to just come in with memorized strikes. Some, got good at this, and did well in Entertainment Muay Thai, but most floundered a bit. They were fighting out of their element, away from their skill set. Always the Underdog The interesting thing about Dangkongfah is that she rode this wave of opportunity in Entertainment Muay Thai, she began using combos and clashing, becoming recognized on (televised) Super Champ, which was somewhat promoting her as a Thai story, but she really wasn't pretty with it at all. She in fact had been in the Fairtex stable around with Stamp was taken in and began being fashioned into an Entertainment star, but Dangkongfah was not taken seriously, perhaps viewed somewhat as a backwardish Isaan fighter, from the countryside. What people didn't appreciate, and what Entertainment Muay Thai didn't really care about, about Dangkongfah is that she's a highly developed prize-fighter, she is really, really, REALLY good at managing a fight, in the traditional sense. She doesn't usually LOOK like she's doing much, but she is really good. So Dangkongfah was something of the Cinderella step-sister to Stamp at Fairtex. She left Fairtex, had some recognition on Hard Core (an Entertainment, small-glove show), and then got some revenge on Entertainment Muay Thai. The excellent Allycia Rodrigues beat Stamp for the ONE World Muay Thai title in August of 2020, and then one month later Dangkongfah faced Allycia for the Thailand belt (trad Muay Thai). She beat the ONE World Champion for the belt, not looking pretty at all in her combo-ish strking, but managing the fight with the brilliance of a fighter who had been fighting for prizes since a kid. It must have been a tremendously satisfying win. Allycia would then defend her ONE belt vs Janet Todd 6 months later. Around this time Dangkongfah also took the 112 lb WBC World title vs Souris Manfredi, in a fight set up basically with the aim of giving Souris the opportunity for the much desired title shot - there had been many roadblocks. Again, in a way that was probably frustrating to her opponent, Dangkongfah controlled time and distance, walking away with the belt. She's just such an interesting fighter, but to see it, to feel it, you have to have her in the traditional ruleset. When she fought Meksen in ONE Entertainment Muay Thai, fish out of water trying to trade wonky combos in that style with an experienced fighter, with some visible size, who will just combo cleaning up the middle. It was a blowout. Dangkongfah had gone up to Buakaw's Banchamek gym, which had worked with talented trad female fighters trying to help them fight in the Entertainment, Kickboxing style. Sylvie's long time opponent Nanghong Liangprasert (now using the fighter name: Nong Faasai PK Saenchai) was up there. Again, this seems to largely be trad teaching timing, narrative Muay Thai fighters how to throw Entertainment combos, so they can get fight opportunities in the growing Entertainment versions of the sport. There is another element to this story, and the appreciation of this beautiful fight (on Patong Fight Night) which is that some young Thai side bet fighters end up on commercialized gyms like Banchamek or Fairtex and start weight training and drilling combinations, but many others move out of their teen situations and stop training hard at all. They will be adding combos so they can fight and clash in Entertainment Muay Thai vs Westerners, but they will gain weight pretty quickly. By the time they are 18 or so a 51 kg fighter can easily be a 60+ kg fighter, facing Westerners. They will have added a bite-down style for Entertainment, but many are outside of the rigorous training that made them quite good when they were 14-15. This is enough to say, when we see a Thai female fighter on television, who was once pretty skilled and sharp, often someone Sylvie has fought when they were apex, and they have gained a lot of weight, the first thought is: Are they training hard? Are they running? Will they gas? And, will they just be throwing combos (which really isn't their deeper skill set)? The expectation is that they no longer are peak. This is what made Dangkongfah's performance so stunning, and so enjoyable...so admirable. She has gained a substantial amount of weight. She's only 22, but the guess would be that she was quite far from her peak as a fighter. She was NOT far from her peak...in fact this is probably the best I've ever seen her fight. We've seen maybe 5 fights of hers, including when she was maybe 13 in Isaan, we know her arc really well. She was so good. I feel bad for her opponent Karonlina because there is no way she could know how good Dangkongfah is. And looking at her she might have thought she'd have it easy. This was a late replacement fight. It was NOT easy. This is what I LOVED about Dangkongfah's performance. First, she was able to fight in the traditional style, which is HER art. So much praise for Num Noi (the promoter) for creating a REAL traditional show, right in the heart of Phuket tourism. You need a properly reffed, full-rules setting to see what Dangkongfah is, since a kid. But, what is even more cool is that wherever Dangkongfah is training they gave her a wicked jab. In fact she worked almost the entire fight through one of my favorite inner games for a fighter, Jap-Teep in combination. But these are not memorized combinations, this is using them in a creative game of timing, changing levels, intensity, feints. Entire fights can be fought through just these two strikes, and Dangkongfah is doing it at a very high level. She actually isn't teeping much, but her teep-fake is so hard (with the knee bounce) it makes the opponent bite. The form of that feignt is almost as good as a teep itself, changing levels. Just watching these two lead attacks, and the sharp quality of her jab was a thing of beauty. She had practically given up all together the wild combos she had taken up for Entertainment Muay Thai, she had returned to her timing art. This was very moving for me. By the 3rd round her jab and teep had subtly managed to change Karolina's fight distance, putting her "on the porch" as Sylvie and I like to say, exactly where Dangkongfah wanted her, so she could control, negate and counter. In the 4th Karolina figured it out, her distance was wrong, and she tried to walk through the porch, but it was too late. Dangkonfah is very experienced with this. She just muddied up the 4th with clashes and more jabs and teeps, (a big teep to the ground to establish stylistic dominance) denying any change in the fight. She is expert at spoiling the clinch, and it served her very well, draining away any chance for a change. It had already been decided in the 3rd, in terms of style and narrative, and she just used the 4th to lock it away. Then in the 5th it was a walk home with the lead in the trad style. This is how I like to watch fights. I don't really watch strikes. I see them like anything else, but I like to watch distance control and timing, the way the fighter manages these things. Also, even though she had put on significant weight, she looked FANTASTIC. She wasn't winded at all (maybe a little in the 4th round some of the edge came off?), she was incredibly light on her feet (lighter than in many of her past fights), she moved like an optical illusion, subtly shifting, driving, changing angles. As a basketball fan I have a certain weakness for very light-footed, super skilled big boys like Charles Barkley or Big Baby Davis (above). When athletes are big bodied, but display finesses, touch, speed and agility, its just plain stunning. And looking at her, it even seem possible that even though she's much bigger than even a year ago, she may be power lifting? She just looked fantastic, like even though this isn't a normie body, this is HER body, and she looked totally at home in it, even maybe apex in it. All these things together just made the fight unbelievably joyous to watch (nothing against Karolina who fought admirably). Dankongfah as the continual underdog, from Fairtex dropout to wild Entertainment combo-ist, here getting to do HER art, and with these beautiful new tools, tools of real Muay Thai, in a promotion that favors the trad art. And that she's found a place in her body where she just is being her, being free in the ring, in a non-trad body, using all her skills and instinct. Seeing this wonderful fighter having a place, a trajectory. It meant a lot.

I wonder if that is Nungubon's gym. Nungubon does have transfer over to Hongtong (the Hongtong boys are from Ubon), in fact I believe that farang who handles Nungubon's IG trains at Hongtong at times, if I'm not mistaken. More broadly though, thanks for such an informative, and personally grounded post to help others out Joseph, good stuff!

Hey Alex, the other big dude here. I've been 3 times in Thailand and to a dozen gyms, so I think I might be able to help a bit. Silk Muay Thai, in Pattaya, is a great suggestion by Kevin. A friend of mine trained there for a while and fought a bunch of time at Max Muay Thai. The level is pretty high and quite a few westerners there. But I never been there. I would say, you need a gym with primarily Westerners or where a few westerners regularly train. I found that training with Thais was a "problem" only when sparring, but not training and clinching. By problem I mean that I find that size difference matter more in sparring. Thai are so strong and technical in the clinch, they can "overcome" size more easily than when sparring. The reach is a killer. For training, with pad holders, most gym will have a pad holder that is bigger for the big guys to whom you'll be assigned. For clinching, they always paired me with the strongest Thai and even if they were never taller than maybe 5'9", 5'10" and usually at least 60lbs lighter, they always, always dominated me. Some made me cry by dominating and raggdolling me around, which they enjoy quite a bit, the tossing around not making me crying lol.. (luckily, I sweat like no one, so who sees tears in sweat). Personally, Hong Thong Muay Thai in Chiang Mai, is my favorite gym, the owner Joe and the team there are just the best. They have very good connections if you want to fight and Chiang Mai is the best city in Thailand for my taste. There are a bunch of westerners there. Big turnaround, but you'll usually find some pretty big guys. The only thing is you'd be arriving in Jan. and the Smoky season starts like end of Feb. I did not have any problem with it, but I was lucky, there was basically none of it that year. Some say it's really bad, others don't. Sitjaopho in Hua Hin is another one with a lot of westerners and a Sweden or Norvegian connection (because one of the twins live there) so there are usually big(ish) guys. I personally did not like this gym, I had a very weird experience and would never go back, but so many people love it. If you want a very traditional setting, there are two brits brothers in Ubon who are like 6'7" and 6'6", significantly taller than me as I am 6'3". They are skinny, around 85kg if I remember well, but at that height, it's was a very good fit for me as I am not a lean 120kg, so not that strong. They were training alone in a gym that closed, they moved to a very traditional gym. I don't know the name but I could find out. They also often go to Hong Thong to train and fight in Chiang Mai. If you want I could put you in contact. Another option is Emerald in Krabi (and Phuket, they now have two gyms). The owner is a former European champion. He's very involved in the training and is there everyday. He's not a small guy and "destroyed' me in the clinch and sparring. But it's a French heavy gym. Which personally I like cause it's my first language and I am half french, but the personal connection might not be as good if you're not. French are... well French. Finally, I you're in Bangkok a few days, I would suggest going to pk saenchai gym. It's one of these gyms who "buys" fighters like Tawanchai and it's quite a treat to train besides a bunch of champions. There are a few westerners, but just to see how hard they train and the level. It's worth it. You have to impose yourself a bit if you want to spare and clinch and all, but once they see you train hard, it's all respect. I would say that's a golden rule for "overweight" people like me, leave it all there. Try not to look tired and try to be among the people who train the hardest. Thai are quite into fat shaming; they have no problem grabbing your belly and shaking it saying "why you so fat". A bit hard on the ego, but.... it is what it is. I found the first few days, they kind of automatically think I am a tourist who knows fuck all about Muay Thai and that I am absolutely out of shape (I think maybe that was the issue at Sitjaphaopho). But once they see your technique is decent and that you train hard and you have heart, then it's all good and I would say, they actually enjoy very much sparring and clinching with giants. They LOVE clinching with big dude and throwing them on the ground. They really enjoy it. So that's my 23 cents. Hope it helps. Please don't hesitate to reach out. I've been to other gyms, but these are the one I stayed for longer.

The Enjoyment of Festival Fights https://www.facebook.com/watch/live/?ref=watch_permalink&v=942850751079497 So enjoying this Udon festival fight stream, found via Egokind (https://x.com/Egokind1) This is the real of Muay Thai. Hell, the last fight with kids was pulling 6K viewers in the stream, while RWS was pulling 2K. There was a Japanese fighter earlier (guessing from appearances), maybe big-for-his-age 12, or maybe 14, who gave it his all as the Thai illegal tripped him endlessly, such a very real experience for him. Just hearing the crowd of gamblers and community shout on every strike, even the local commercials, this is just beautiful stuff. Hard to explain how satisfying it is when it its not just a "show" for tourists. I say this, as two...maybe "influencers"?? (who don't have much Muay Thai, or once had Muay Thai, but now seem to have have quite a bit of animosity), go hard at each other in the ring, right now. There is a difference between a "show" that is a commercial product, and what I would call Thai spectacle. Spectacle is understood as unreal (thus, "does not count", un-significant). Thailand's Muay Thai, in its cultural fabric, can weave the spectacle and the real, together...which is why Entertainment Muay Thai, as a tv phenomena in Thailand, was so hard to read. It was completely unreal...spectacle (Thai Fight & MAX in those days)...but then it started making claims of the real, even the "most real". In festival fights like these you can get an entire spectrum of Muay Thai, in all its shades and colors, from spectacle to the very real. Kids on the come up, Old Men, rising stars, big side-bet fights. It's like a fair of Muay Thai. The most wonderful is that you get the full ruleset in the provinces, including repeated and continuous clinch fighting, and very strong aesthetic sense of narrative in scoring. Everyone understands stories are being told, and they are being told at all distances, in a full range of skills, even among the less skilled. It is the spoken story of bodies.

What farang authoritative convo was like in 2006-7, training Muay Thai in Thailand, interesting to read through. As a sidenote, apparently Fairtex has been "reconditioning" older Thai fighters with "modern" training (including being trained by an "ex Mr. Universe, being given "scientific nutrition such as post workout protien/carb drink etc"), moving some of them up weight classes so they can fight Westerners for over two decades at least. The Entertainment recipe has had legs there. some of the back and forth, the whole thing interesting. the link is here, I got a minor virus warning on it when I posted it so click over on your own caution. It wasn't a problem for me: www.defend.net/deluxeforums/forum/martial-arts/thaiboxing-and-kickboxing/21237-training-camps

This was just an incredible slice of Muay Thai that Sylvie and I experienced, just talking to her about it now. For an entire year Sylvie training like this ending up at night at Jeejaa's gym, mostly just her and her brother and father, training with an absolute unicorn of a female fighter when she was arguably the p4p best female fighter in the world, at the age of 12-14, traveling around to fights with her in the provinces. This is a reality nobody else could have experienced, as she wasn't part of a gym with other fighters, she was made through her family, and a side-bet fighter. I think at this age she probably was the best Thai female Muay Thai fighter who has ever fought, though Loma has a case. Some of what we filmed of Phetjee Jaa fighting then:

some of the above is in reflection of years of this kind of intense training below. Sylvie really did train like few others in Thailand, full sessions at multiple gyms for many years...the Muay Thai Library was actually born out of this tendency of looking for the best training possible, but greatest influences, piecing it together. Part of this was coming to realize that the full kaimuay training quality of the Golden Age, what made great fighters of the past, no longer really really existed in Thailand, especially in terms of availability for a female fighter. Thailand's Muay Thai was fragmented so optimal training had to be fragmented and assembled. Sylvie and Phetjee Jaa training Sylvie training with Jee Jaa's family, probably an entire year of this, about 10 years ago. She would go over for a full session after her full session at Phetrungruang, her 3rd of the day. Sylvie's film about 9 years ago capturing the full day of training back then: and the article that went with it: short film – A Day of My Training – Love the Grind

The Anchors of Muay Thai Training We actually heard this years ago, at Phetjee Jaa's family gym, where Sylvie trained for a year. The anchor of training - once you know the language of Muay Thai, from most important to least: To anchor Clinch Run In stretches, all other things can be skipped, this is your foundation. Everyday. In the West everyone is obsessed about "techniques" (learning them, perfecting them, drilling them, making them "muscle memory"), its how the West perceives Muay Thai, (aesthetic) biomechanically. In Thailand, its clinch and run. There are real, efficacious reasons for this. I'll write about this later, but they involve the DNA of Thai fighting, drawing out energy management in long-wave patterns that breakdown short exchange or burst fighting, in both the Muay Khao and the Muay Femeu fighter. To Improve Spar Shadowbox These are just so important, because properly done they produce longevity play and creativity, the heartbeat of true fighting. It depends on your sparring partner, and you should have a few of course, but these two aspects of training are the primary paths to improvement. To maintain and build Bagwork Padwork Outside of Thailand there is a lot of emphasis on padwork, mostly because Thailand does padwork like nowhere else, and a lot of the signatures of "authenticity" by non-Thai coaches come from imitating or approximating Thai padwork. In all my time I've only seen two Westerners who actually "get" what's happening in high level Thai padwork, and they both hold pads in an idiosyncratic way, not "like a Thai". They digested the qualities through years in Thailand, and came up with their own expression of it. Kaensak told us, padwork is just to "charge the battery" before a fight, its traditionally not really used as a teaching mechanism, and certainly not a drilling combos mechanism, though lots of padholders have taken it in that direction. Largely though, padwork, once you know the language of Muay Thai, is in the bottom rung of importance, in my opinion. There is an exception to this, in that if you find an extraordinary padman who can develop rhythms and distance shaping, through a very high level of feel (padwork is about these things, not about strikes), this can be very significant and make big differences in fighters over time...but, on the other hand, if you have padmen who have little sensitivity toward these things, or push into styles that are not conductive to your own, padwork can be even detrimental, giving you space and rhythm that will not help you much in fights and probably will be counterproductive.

Muay Roid, the New Art People starting to question the weight bullying, and roids in Muay Thai. Weight bullying has been pretty endemic in Thailand's Muay Thai, in part because Westerners are just bigger physically (and have to be accommodated in the tourist commerce of the sport), in part because those size differences reflect real economic powers. What isn't talked about too much is that Thailand has also long been a roid holiday center, a place where people come to cycle on. Put the two together and you end up producing serious power differentials, especially if you restructure the rules and aesthetics to favor clash fighting. This also comes with the glorification of the "alpha" body, which also drives the internet versions of the sport. It should also be noted that some Thais themselves likely have caught onto some of this weight bullying, and have also started to try to go up in size as much as possible, not only to keep from being so weight bullied, but also to reach into higher weight classes.

Hello Kevin, thanks for your response. I appreciate it. I didn't know all fights were considered "pro" in Thailand. I am 6'0" 185lb with athletic build. I'm not sure if the average Thai is that big, so I guess if I were to have any match, it would be against another foreigner? I'm glad to hear that a month would be a suitable period of time. I work full time as a CNA in a hospital, so it's hard to get long stretches of vacation time off. Agree with your advice on developing mental and physical toughness to make the first fight more manageable. So many great gyms in Thailand--hard to pick which one to train at!

Almost all fights in Thailand are technically "pro" under full trad, or entertainment rules. You likely are already skilled enough for your first fight (all things being equal), if your gym is adept at finding matches (it depends on your size too). But, you'd probably want to train a month to acclimate yourself, develop training calluses (not actual calluses, but mental and physical toughness) to make your first fight more digestible. First fights are mental whirlwinds, and the more acclimated your are, the more enjoyable they'll be.

A Test of Meksen Usually I could care less about ONE cards, but this Meksen vs Kana fight is very interesting, as Meksen has risked so much in joining ONE. She kind of have a somewhat protected kickboxing career in Europe (with some big wins), simply because the sport is fairly small, and made what seemed like a bid for what she felt was a highly coveted belt. She got involved in contract quicksand, the kind of which forced Iman Barlow into retirement, then was forced into the buzz saw of Phetjee Jaa...and then fighting UP in weight (which top fighters don't really like to do if they can avoid it) vs Buntan, a much less experienced by very capable, disciplined fighter. Meksen has a storied career of wins and in it not much experience with loss. If she loses to Kana that would make 3 losses in a row, which I imagine would be extremely difficult. Kana is a tough fighter who has some attacks off the pivot that could pose problems for Meksen's direct attacks. This is certainly a very meaningful fight for a fighter of Meksen's renown. I'm interested in how she handles it. The fight itself, I don't know. I'm not a fan of watching even the faux Muay Thai ruleset much (it takes a special fighter to make it interesting), and the kickboxing version even less, its just not made for me as an audience member. But, as a fan of female fighters there is very strong story here, bigger than even vs Phetjee Jaa I believe.

One of the hard things to do is to get scope on what Sylvie has achieved in Muay Thai. The female fighter, of any combat sport, who has fought more documented pro fights than any other in history. You can see video of all of Sylvie's recorded fights here, and her complete fight record here. Because people are often unfamiliar with Thailand's fighting, and some may generalize from their own experience, it seemed good to put together a few percentage distributions of Sylvie's fights. She is likely the most documented female fighter in history, if not fighter of either gender. Sylvie's Fights By Size These weights were often on the scale without weight cutting, the larger weights were either eye-balled or confirmed by asking (there's video of every fight so you can take a look yourself). Everything at 47 or below is Sylvie's weight class. For much of her career she probably was a 44 kg fighter (below the lightest weight class, sub 100 lbs) if she cut. Most fights at 48 kg were already fighting up a bit, though earlier in her career she walked around at 47-48 kg, then in the heart of it (on Keto, etc) she was about 46 kg walking around. In the last year she's spent a lot of time in the weight room and is back between 47-48 kg. Only about 10% of Sylvie's 274 fights in Thailand were properly at her weight. More than 50% of her fights were at least 2 weight classes up, the bulk of those 4 weight classes or higher. She's probably fought up more than any documented fighter in history, other than perhaps Saenchai, who specialized for a long time giving up big weight to non-Thai fighters in Entertainment Muay Thai, and also had a long career of fighting up in the Bangkok Stadia. Sylvie's Fights By Type and Location Sylvie fought a lot of her fights in the Chiang Mai stadia, almost half. At the time it was the best female fighting in all of Thailand because the scene was grounded in Thai vs Thai fighting, not catering to Western fighters. You can read about the scene here, in Sylvie's 2017 article: Why Chiang Mai Has the Best Female Muay Thai Fighting in the World. We haven't been up to Chiang Mai for a long time so we aren't really sure of how it is now, a lot has changed since COVID. Things to note though is that more than a 1/4 of her fights are festival fights, a large number of them in Issan. We found this is the heart of Thailand's fighting style, because festival fights are usually governed by gambling interests (and not set up by a promoter looking to produce paid for content). Thailand is incredibly rich in skilled female fighters, and when you enter the side-bet world that is where matchups tend to be most opponent varied and challenging. Also worth noting, despite Sylvie's resistance to Entertainment Muay Thai (3 round, Westernized rulesets), she has actually fought 17 times in Kard Chuek on television, an Entertainment Knock-out or draw format. The most beautiful thing is that she's fought all over the country, and faced close to 150 different Thai female fighters.

Thai Push Back Against Entertainment Muay Thai This Facebook posting, which reposts something written by a famous gym head in Thailand (and presumably deleted), after I believe a ONE Friday Night Fights where 5 Thais were KO'd. This is a growing sentiment, albeit a minority sentiment, regarding Entertainment Muay Thai which is basically designed for Western wins, in a Western aesthetic.

Sylvie Beating Size and Excellence Love this fight several years ago, Sylvie beating Thanonchanok giving up 6 kgs on the scale. Thanonchanok is probably the most decorated female fighter in Thai history, holding multiple World titles across several weight classes. 2 months after this fight Thanonchanok would fly to Japan and win yet another World title. Just took a look at the fight again.

Worked on this today, framing Sylvie's incredibly immense record by size and fight type/location. or

Race, Class and Privilege - Making History Western women, including White Women, as female Muay Thai fighters, if they are to ascend in a sport respected throughout the world, really need to have this kind of attitude toward Thai female fighters. Much more than even black female basketball players, Thai female fighters made the sport of Thailand's women's Muay Thai - they've been sport fighting in the ring for over 100 years, at least. It is their sport, they excel at it --- even as everyone seeks to change it's rules, Westernize it, as a commodity, there is a certain whitening of the sport. Westerners come into Thailand to train and fight with immense privilege and freedom, joining themselves to a sport and art that already existed whole. Great Thai female fighters need to be lifted up, carried to greater awareness, and supported. Some of this lack of support is the language barrier, some it the exoticization of Thailand, but too many times Thai opponents are just "a Thai" in people's minds. And in the past it has been much worse than that, with racist stereotypes about Thai women and Thailand abounding. Thailand's Muay Thai is in a state wherein, due to Soft Power initiatives as a response to the COVID scare, it is being remade FOR the Westerner, not only as a consumer, but also as a participant (laborer, actually). As the sport tries to lift the prominence of the Western (often White), or generally non-Thai fighter, we just lift the Thai fighter up, across that culture and language barrier.

Sylvie's been training with Chatchai 2x a month, and even had her first official Box Rec boxing fight. I've long been fascinated with how inside boxing styles like those Duran had could compliment and complexify Thai clinch, in that they take place in that no-man's-land of 2 ft, where a lot of comboing fighter simply bite down or even close their eyes. These two feet, where inside boxing lives, is often a very undeveloped space in Thailand's Muay Thai, especially these days as fighters have devolved (in part because Western boxing no longer influence the sport as it once did). Duran, Inside Boxing and Clinch above a compilation video made some time ago, on some beautiful Duran teaching arm control and framing up close, and some Muay Thai parallels. Gimyu, Orachunnoi and Samson As mentioned previous Arjan Gimyu who is 80+ hangs out at Rambaa and comments on training. He was a top Thai boxer in his day, fought into his 40s, and was an elite kru of Kaensak and Lakhin and so many others. Among those was Orachunnoi. As Sylvie was boxing sparring and really concentrating on Duran like body attacks he (apparently) came alive, saying how much this was like Orachunnoi back in the day. The fight edit at top flowed out of is comments as sometimes the best way to study someone is to edit their fight. Arjan Gimyu back in the day above, today below: There are lots of fights where Samson uses pressure hands, mixed with Muay Khao clinch, the most memorable perhaps is his defeat of Pepsi after two draws, in the final round, letting go of clinch almost all together, and ripping uppercuts: And his fight vs the great Muay Maat fighter Thongchai, if I recall, featured a lot of boxing to clinch transitions. In the Muay Thai Library Samson teaches his pressure boxing and clinch style. Here is the Thongchai fight, two absolute legends: We even have photos of Arjan Gimyu holding near 80 years of age, for Samson. They must have been Golden Age enemies at point point because Arjan Gimyu was Lakhin's kru when Lakhin and Samson had their famous trilogy of fights, Samson winning 2-1.

Teeps Like Samart, Lowkicks Like Wichannoi, Punches Like Samson Above is my little edit of 2x Lumpine Champion Orachunnoi in his fight versus Phetphayao, the first Thai to medal in any Olympic sport (Bronze in Boxing), and thus a National hero. Orachunnoi is famed for fighting up, and looks small vs Phetphayao who some years later would become the WBC Superflyweight World champion in boxing. Phetphayao would be great recognition to Arjan Surat of the Dejrat gym who trained him, his success likely insuring that the gym would be filled with Muay Maat fighters with a boxing influence. Orachunnoi himself was an Asian Amateur Gold medalist in Boxing, and acquitted himself well with lots of inside boxing, and fast hands in this fight. Orachunnoi, Golden Fist and The Poorman's Favorite, was trained by Arjan Gimyu who Sylvie has trained with, in fact my attention was drawn to him in this fight because of Arjan Gimyu. I was pretty moved watching this fight. He's giving up size against a big Thai star, and the way he handles Phetphayao is amazing. His combination of teeps and lowkicks in the early rounds is just so skillful, two weapons that don't often go together, finally giving way to his famed inside boxing. It's a beautiful thing to see Thailand's Muay Thai in such a femeu way melded to boxing in this inside fashion, skills at all distances. The heavy influence of Western Boxing on Thailand's Muay Thai is something that's been occluded by much of the superficial coverage of the sport in English, which imagines Muay Thai as an exotic art cut off from the world. Here you have two really wonderful boxers fighting in full weaponry in Muay Thai. Watching the fight it also saddens me that such a gifted fighter is practically forgotten by English language history. He really has a teep as adept at Samart's, and beautiful hands that do not require distance. Putting the edit together was a powerful aesthetic experience, just enjoying all his timing, his power and suddenness, despite his size. As we've found, small fighters like him were very ill-respected in the 1960s, and it wasn't until the 1970s that they started getting better placement on cards. And like so many great fighters he was forced to fight up, for lack of opponents. Chamuakpet Puts Hims 2nd All Time in his GOAT List You can see Chamuakpet choose his 5 greatest below. This was the first time Orachunnoi registered for us, we had only barely heard the name of this 1970s hero. Watch the fullest video of his fight vs Phetphayao below

Enjoyed watching Petchneung's grit. First fight of his I've enjoyed (not everyone's style is for everyone). Went to another country, walked through all the beatings. I could feel his heart. Hard to absorb that kind of loss at 19, but his toughness means a lot. Kinda ridiculous that the Raja belt lives in Japan, or even that non-Thais fight each other for the belt, but we are in a new era of promotional Muay Thai.

It was a pretty beautiful thing to watch Sylvie box yesterday, learning how to chase the Thai femeu fighter (something she's mastered in Muay Thai), at a completely different distance, under different rules. Unable to close and clinch she actually ended up getting caught in a defensive clinch, not having the Duran techniques of punching with arm control, it was just such a special thing. When you isolate like this, holes come to the fore. Everything is that 6-18 inches that pretty much every female (and many male) Muay Thai fighters ignore. Some combo through them, but its just a huge blindspot in everyone. Boxing happens in that blindspot, which is why (if you aren't just memorized combo-ing), you need eyes, and feeling feet. Sylvie has spent so much time fighting huge opponents, multiple weight classes up, she has a very strong instinct to brace for shots, to freeze. Boxing does not allow this, which is beautiful. The sport opens up, like an analytic, upon female Muay Thai, and for Sylvie origami unfolds a huge potential of being able to see and feel in those 6'-18", unlike almost every other fighter. It was very cool to see up on the rope. And, it was very cool to see her putting it on her in the 3rd and 4th rounds, her fighter's instinct coming on.

This point I was making about big gyms in Thailand with top active names, was also recently made by Gilbert Areanas when talking about Bronny (LeBron's son) training with LeBron. ""I don't wanna learn from a 40-year-old... I'm not learning what got the 40-year-old to his 40th year. I wanna see what LeBron was doing his first year." Even Thais at 23-25 are very developed and experienced "vets" of the sport, and are likely training very differently than how they trained as rising fighters, becoming the fighters they are. Also of note, a lot of older Thais are very drawn to Western "modern" training, if only because it is so different from what they have been doing for years, which frankly they see as boring. It also can keep them from having to grind, which mentally can be fatiguing. "Modernity" as its own allure in Thailand gyms, but does not necessarily make the best fighters.

Saying a thing or two about the Patong Fight Night promotion. This is the creation of Num Noi who owns Singpatong gym in Phuket, and who has been behind some of the bigger high-profile farang wins at Lumpinee (before the rise of Entertainment Muay Thai), with both Damian Almos and Rafi in his stable of fighters. He has created a wonderful traditional promotion with strong production values, broadcast on YouTube. All the fighters (on this card) fought in the trad style, always with a distinct effort toward Thai techniques, even when their skills were not of the highest caliber. You felt like you were watching actual Muay Thai, and not some Western mashup. This was forwarding Muay Thai. Even at the bigger weights, in farang vs farang matchups, it made a huge difference in enjoyment. Instead of fighters holding their breath and letting go with clashing combos, they were trying to figure each other out, find advantages and solve disadvantages. There was actual narrative structure. In the fight before Dangkonfah's a Libyan fighter (I believe), in a close fight the 3rd round switched to Southpaw and discovered his American opponent had real trouble blocking kicks to the open side. It was a great adjustment, he found a weakness. Then the American (sorry, I don't remember anyone's names) started teeping his opponent's groin, repeatedly. Someone must have told him that this was legal (which it is), and may have even encouraged him (its poor sportsmanship, but hey, it can be done). It was something to watch the Libyan fighter fighter deal with this once he realized it was intentional. He got mad, switched out of Southpaw so he could go hard in his more comfortable orthodox. In a way, it had worked. The kicking advantage was lost. Between rounds, going into the 5th, he must have been told to go back to Southpaw and he did, and he regained his advantage. With some excitement he finally had pinned his somewhat enraging opponent in the corner with leg kicks, and you just held your breath. Would it keep kicking? Would this be a leg kick KO? The whole thing had tremendous narrative, even with the somewhat dirty play, because this is traditional Muay Thai, and fighters are forced to solve each other. It doesn't matter that the fight wasn't at some elite level. The fighters were well-matched, they were bringing the weapons they knew well, it was a wonderful dialogue of combat. If it had been Entertainment combo-ing over and over it would have been unwatchable (for me personally). Instead, it was a joy to watch. Muay Thai when it is properly fought has something to say at all levels.

Sangmanee at 15... the graphic from Sylvie's excellent 2015 article on the trajectories of young Thai female and male fighters: "Judging Youth – Young, Great Male (and Female) Thai Fighters"

This is Dangkongfah in her Banchamek, Entertainment stretch, 2 years ago

Orachunnoi interview (all in Thai), upon his Hall of Fame election, he goes through his fight book:

You could try Silk Muay Thai in Pattaya, which has a very openminded attitude, is organized around serious training, combines Thai style training with more Western concepts, the vibe is good, its a new facility, and there are Westerners there (which means bigger body-types). Daniel the owner is a straight up, positive guy. The fighters fight a lot, the excellent pad man Chicken Man (Kru Gai) can handle size. I don't think its a pricey gym. https://www.instagram.com/silkmuaythai/

It's pretty awesome and amazing to be having the trainer of the legend Orachannoi, a now past legend of the sport, called The Poor Man's Champion, 60 years later Arjan Gimyu, who trained Orachannoi watching Sylvie's boxing at Rambaa's and saying that it reminds him of Orachunnoi, who was known as "Golden Fist", if only to be the reason that his memory came back to him. Orachunnaoi Hor Mahachai Arjan Gimyu holding for Kaensak back in the FOTY days Gimyu was a top Thai Boxer before he became a trainer, and was a stadium Muay Thai fighter as well. He retired from fighting at 44. He now hangs out at Rambaa's just watching the Muay. This post is just an appreciation of being in contact with these memories, and also something of the belief that Western Boxing has had a profound impact on Thailand's Muay Thai, and that Sylvie in boxing her first "official" boxing fight on Saturday, and training up for it, it touching those historical threads. Arjan Gimyu looking back on his own life, and those he trained, and kind of getting excited is pretty cool for what it is.

The World Broken up into its Muay Thai and BJJ parts:

I feel like I've kind of resigned myself to realizing that I lived through the last of maybe classical Muay Thai, the Muay Thai of Rama IX, and it is just passing into another phase. Maybe it will bend back at some point, the country is incredibly resilient to foreign influence (though very open to it, as if it has developed an immunity over the centuries through that contact and impulse). I feel maybe less like we have to struggle to pull it all back into the other direction, away from its commodification, and more that I'm just so joyed to have experienced its final decade, to have seen it, and be living in that afterglow. I still hope to preserve as much from those final generations, hoping the seeds of that beautiful art are thrown forward...but at least today I'm more in a state of appreciation and thankfulness.

Muay Thai Rules The commercial generalization of a diverse art and sport into codified rules (legalization), is not entirely unlike AI generalizing living language into patterns...without actually understanding language. It moves from the specifically general, to the generally specific, via algorithm. This is to say that the specificity of a verdant expression, a concratized variety, then becomes refined as a specific generalization (a governing rule, laws), for the purposes of export, rules/laws not really involved in the generation of the concretized variety itself. Relevant graphic:

At times I think to myself "now, is a good time to dig into Sylvie's record". It's found here on Google Sheets, with links to every fight, estimated weights of opponents, details and notes. It's one of the most comprehensive and thorough public records of fighting in Thailand ever, if not the most. The reason why I occasionally find myself cycling back into it is that its a record like no other in the history of Muay Thai fighting in the world, especially among female fighters, so it is quite hard to assess. Comparison is how we like to values and in many ways Sylvie's record is without comparison. Also, if the work is not done, the story is not written, it will fall to forgetting, and sport survives through remembrance. One of the biggest issues of comparison is just its sheer size. She is coming on 300 fights fought. She likely holds the record for most documented fights fought by a female fighter (an amateur boxer, I'm sorry I don't have her name at hand) is very close to the same. She definitely is the female fighter with the most documented pro fights, regardless of combat sport, there isn't really a somewhat second place (that I know of). And, most of her opponents are opponents you would never hear of unless you are extremely knowledgeable about Thailand female Muay Thai (from 2012-present), about as niche a combat sport knowledge as there is. Far from international coverage there are 1,000s upon 1,000s of Muay Thai fights fought, not near the capital, as Thailand is the home of Muay Thai and fighting in the sport is culturally robust. Each region has local champions or elite fighters, many of which would not find their way to Bangkok (particularly before the recent rise of Entertainment Muay Thai and Soft Power initiatives); there is an entire network of side-bet (gambling) fighting throughout the provinces, in their cities, towns and wats. Some of these female fighters find their way to Bangkok, increasingly now they do, but in the years Sylvie was most active many did not. So, we are left with a relatively unknown reservoir of talent which does not register on the common Western fan's radar. So, what I did was take out all fighters in Sylvie's record who have not reached Western awareness (including only those that also would have, anachronistically). The list is of all fighters who have at one time, before or after Sylvie has fought them, been World Champions for International orgs (incl: WBC, WPMF, WMC, WMO, IFMA). These are fighters who at one point were regarded as the best in their weight class in the World. 39 times Sylvie has fought these one-time World Champions. Below records her opponents and her record against them. 18 fighters in all. Sylvie von Duuglas-Ittu vs World Champions *adding to this Sylvie's 3 World Titles (WBC, IPCC 2x) The second difficulty in assessing Sylvie's record is that unless any female fighter (likely in history) she has fought well out of her weight class, sometimes 3 or 4 weight classes up. In her voracious drive to fight as much as possible she took fights that just no other officially managed fighter would take. Because she grew within the sub-culture and its language she was able to operate like a free-agent, booking her own fights. Because she was not represented by a powerful gym, or a powerful promotion, she could take fights that would be far outside the possibility of opportunity for others. This makes comparison with other female fighters extremely difficult, simply because nobody else has done this. There was a bold (and beautiful) challenge of Smilla Sundell for her belt by the excellent Allycia Rodrigues, fighting up a weight class (it may have been closer to two weight classes, as Smilla is large for her class, and Allycia seems modestly sized in hers). So much admiration for her to go for it. It's extremely rare for strong female fighters to fight opponents 2 or 3 weight classes up, even among Thais. Sylvie has done this regularly, not only against the talent pool of Thailand at large, but against World Champion skill-level opponents. In the graphic above there is also recorded a rough estimate of how many weight classes Sylvie was reaching up. Most often in Thailand (in part because Westerners are large-bodied, in part because Western friendly gyms have a lot of power in the fight-game), Western fighters are fighting down. Size advantages are quite common place in Thailand for the Western fighter. Sometimes its only a few pounds, sometimes its quite significant. This makes Sylvie size-charging even more difficult to assess. If she was managed in an official way most of the fights above would never been arranged. Gyms like to flex and get advantages for their fighters, and weight is one of the most common advantages pressed for. So, leave aside for a moment all of Sylvie's other fights, and just look at these 42 (including her own 3 World Titles). Notably, these are not champions derived from a single organization or promotion (sometimes champions can be produced out of very small fighter pools), these are champions recognized by different selection processes and politics, a cross-section of the sport. This is an unparalleled collection of challenge, and if she had only fought these fights, especially given the weight differences, it would likely count as the most difficult female Muay Thai record in history, fighting a whose who of a generation of female Muay Thai fighters within 3 weight classes. Again and again Sylvie took the very steep climb, getting into the ring against fighters, many of which she would not be favored again. 42 fights in generations past would be considered a decent career total for a Western female fighter. No, Sylvie did not fight each of these fighters when they were World Champions, that is not even concievably possible, they were not champions at the same time, and fighters ebb and flow in skill quality, but this remains a meaningful cross-section of female fighters, each of which have reached the peak of at least one org's measure of elite. Sylvie vs Internationally Ranked and Local Stadium Champions The additional list below shows the same fights individually, but also includes fighters who have been recognized by International organizations, ranked at some time by the WBC, WPMF, WMC or WMO. This list also includes local stadium champions, most of these drawn from Chiang Mai. Chiang Mai at the time when Sylvie did most of her fighting up there was a haven for female fighting because there was a female Thai stadium scene that was quite organized, and not for the Western tourist. Kob Cassette who ran the Muay Siam Northern Chapter, and the Thaphae stadium fight scene, specifically steered the scene away from Thai vs farang matchups, limiting such fights to only one on a card. Thais mostly fought Thais for the stadium belt, because they were working to build a Thai female Muay Thai legitimacy in the North. (In fact, Sylvie beat Faa Chiang Rai for the Northern 105 lb Muay Siam belt, but was stripped of it after she won it because it should only belong to a Thai). This is to say, these belts were seriously organized, primarily reflecting the best of the region among Thais. These were not the kinds of stadium belts that rotate among various fighters in tourism Muay Thai of other cities. The reason for including stadium champions though, aside from just respect for Thais in the Muay Thai of their own culture, is that these champions would in fact be ranked now, in today's leading procedures. The way that rankings of Thais work for orgs like the WBC is that knowledgeable Thai headhunters and promoters help inform the committee who is top in the country. This is extremely difficult and shifting knowledge in Thailand, and orgs that rank Thais in an updated fashion really need to be commended, but, this is to say, a Chiang Mai stadium champion of Sylvie's era in Chiang Mai would definitely be ranked by this process...now. So the list accurately captures a cross-section of fighter quality as it has been recognized by international orgs, or would be. These are all recognized fighters. There are some supremely good opponents in the rolls below, which could easily have been World Champion if given enough opportunity, fighters worthy of special mention like Gaewdaa (as sharp as any at 45 kg), Jomkwan (who in her prime when Sylvie fought her was as good as anyone she has faced), Muangsingjiew (Sawsing's cousin) so skilled, such a fighter, Thaksaporn (so tough). Adding up all lists these are, in total 149 fights. This total alone would be more documented fights than any Western fighter in Thailand, or more documented pro fights by a female Muay Thai fighter...in history. And all opponents recognized for their quality on an International standard. The entire collection of opponents, leaving aside the repeated weight disadvantages, is unheard of in female Muay Thai fighting. It's maybe 3 prolific female fighters records, combined in a single fighter, none of it of unknown fighters on a Western scale...and Sylvie has 125 more fights not on this list, made of fighters you might never have heard of, unless you were in those communities. But this doesn't mean that they also are unworthy. The interesting thing about Sylvie's record is that because she was not being booked by a powerful gym or being promoted by a promotion, almost all her fight matchups were created within the Muay Thai community, according to what seemed an equitable pairing. Nobody is punching down because nobody is exercising power on Sylvie's behalf. Each of these is a someone who has dedicated herself to her sport. This is the primary reason why Sylvie has fought up so often, and so much. It was regarded that notable weight disadvantages leveled the playing field. The community of Muay Thai regarded as these matchups as worth making, and Sylvie is almost always fighting up against these fighters. You never are going to get adequate one-for-one record comparisons within the sport of female Muay Thai. Female fighters follow different paths, and politics and opportunity combine to present distinct pools of fighters to face. And with the rise of Entertainment Muay Thai it is easy to think that the small pools of a single promotion's fighters may represent quality on the world scale (they might!), but fighter pools remain diverse and separated, generally speaking. Each prolific and great female fighter has told her own wonderful story in the pools she has been able to reach. Just because you may not have heard of a fighter doesn't mean that they lack quality. They might, but they also may be incredibly skilled...this happens all the time in Thailand, because the fighting is so widespread in the culture. Multiple times Sylvie, who has been about as aware of who the best female fighters in the world are as anyone, has been shocked by the skills of someone she faced who seemed to come out of nowhere. And, in Thailand, it is not completely uncommon to show up to a fight against an unknown fighter, only to find out that a World Champion (literally one of the best fighters in the world) has been subbed in, or is appearing under another name. No lights show, no fancy stadium, and you are facing one of the best in the world. Sylvie has fought so much, and so many opponents (now approaching 150 different Thai fighters), that she's learned that Entertainment shows, and org rankings are all drawing on the very same opponent pool that she is fighting. And often its Sylvie facing someone that puts them on the Entertainment radar. This is to say, let Sylvie's record be what it is...wonderful. A tremendous celebration of the female fighting of Thailand, especially of Thai female fighters...it is their sport, we are only privileged to be a part of it. As much as we Westerners would like to lay claim to achievement, what we have come to learn is that Thai female fighters are the best at muay of their country, the muay of their culture, the muay of their people. It's great to be exporting the sport, and building enthusiasm and passion for it around the world, but it all needs to start with respect for the Thai fighter, the fighter who knows it better than anyone else. You can find a spreadsheet of the above 149 fights of Sylvie's Record here. And the Complete Record of Sylvie's Fights is here (with links to video of - nearly - every single fight). We from the beginning have not only sought to be as transparent as possible about our experiences, we also have worked hard at documenting every single fight that we could, because the whole thing is a testament...not to Sylvie, but to all of Thailand's female Muay Thai. Sylvie video record captures the Muay Thai of more than a generation of female Muay Thai fighting in Thailand, including fighters of importance, passion and skill that may not yet or even been swept up in the Western media gaze, and so many who have been. It is an archive of female muay...that's why we record, that why we post and organize it all. You honor your opponents when you name them, and record their efforts in anyway, when you send their passion and commitment forward to the eyes of others. Also...and not less than this, Sylvie's commitment has been to the belief that the best way to love Muay Thai, and to know Muay Thai, is by fighting. She realized early on that generally belts meant very little compared to the actual experience of fighting itself. Fight everyone, fight often, that is the only way to come in contact, intimately, with the art and sport itself. Have those experiences. Each and every time you come out of a fight transformed, changed, grown. Take challenges, fight up! Each fight is precious, and this is the same feeling she has coming up on 300. If you think you are good at 50 fights, try 75, try 100, you'll be better, you'll know something more, something else. You'll love the art and sport more. The documentation of it all, is about that. This isn't to say that if you fight in other ways, under other standards of excellence, in different fighter pools, you are less great or wonderful. There are so many ways of fighting, of measuring, competing, becoming recognized, and fighters and their teams necessarily compare themselves. That's all good, its part of the passion. This is just to present this one wonderful example, hopefully to inspire this kind of fighting, if only a little bit.

How to Judge a Long Term Muay Thai Gym in Thailand A perspective of Muay Thai gyms in Thailand, from someone who has seen a few (usually with an eye towards: would this be a good place to train for Sylvie?) I've already written at length on the Authenticity of Muay Thai gyms, this is something else. This is something else. It's just a basic conception we've relied on in judging gyms. I see them something like production lines in a factory, maybe like a cupcake factory. This is not to say that the workings of a Muay Thai gym in Thailand are mechanistic, but rather that the dynamics of the gym may be occluded from view. You have all these gears and mechanisms, many of them you might not even understand or appreciate. Ways of training, reputation, social hierarchies & politics in the gym, the personality of the owner, fight promotion alliances, its a whole living thing in Thailand. But, what you want to look at...what I look at, is "what does it produce?" What cupcakes come down the conveyor belt? That's what the whole process is doing. Now, this is a little complicated in Thailand because in terms of Thais bigger name gyms actually buy their cupcakes already made. They buy them baked. They might put them through an additional process, develop them some, but mostly they were made elsewhere, by other processes. Their core skill sets, sense of timing, eyes, defensive prowess have already been "made". If its an Entertainment Muay Thai oriented gym they may now be training combos much more (added on top of their core skills), or hitting the gym for strength. If in trad shows the fighters may just be more tuning up and staying in shape and sharp. As someone coming long term to Thailand you probably, on the other hand, really want to get into the deeper processes themselves, which may not be where big name fighters are. There could be very good training around big name fighters, but it isn't likely developmental training, the thing that makes the cupcakes. For that you need to see Thai kids and teens. On another level though, many gyms have long term Westerners (and others). Pay less attention to the supposed training and trying to judge that from afar, and more paying attention to the way farang fight that have gone through that process over time. See what foreign cupcakes are coming down the conveyor belt. What do they fight like in the ring? What skills or styles do they show? Look for the kinds of cupcakes being made that you want to be like. Long-term farang usually settle into a training culture of their own in a gym, and may be even more important than the training prescription itself when it comes down to what the gym is going to make of you, because one is always taking cues from those to the left and right of you. It's one of the beautiful things about Thailand. Things like: how fast do you wrap your hands, how much do you chit-chat, do you do full rounds on the pads, do you do shadowboxing, or finish the run will be shaped by your co-fighters (students). I remember in our first year of Lanna 30 minute hand wrapping in the morning was kind of a thing, a thing Sylvie had to consciously fight against, because its was the gym tempo. Gyms might have reputations, good or bad, but look at what they actually make. That way you can align your desires to commitment. I want to undergo that. And...if the kinds of fighters coming out of a gym, made by that gym, both Thai and farang, aren't the kind of things you like, perhaps move away from that gym, because if you undergo those processes you too will look like that, those cupcakes. This isn't to criticize gyms, there are all kinds of cupcakes. This is actually one of our ways of thinking about gyms, for Sylvie (and sometimes others). To see the value of the forces that are at play, see what they do, and think: do I want some of that? Now for Sylvie who is intensely experienced (and pretty much fluent in Thai), and who has unusual requirements in Thailand (her size, her desire to be near Thai culture & training ethics, some freedom from Thai politics), things are a bit more complex. We think about this in layers. We look at gyms and see what cupcakes they make, and take from that a certain education about what the processes will do to you. Sometimes the cupcakes that are coming out of a gym might not be all that awesome, in terms of what you want to be, but you can still learn valuably from what is produced. Sometimes you can be: I want to train at this gym for this reason, or that (but I have to be careful because I don't want to be turned into that kind of fighter, the kind that this gym's processes tend to produce). With this you can ward off, or look for those things that make that kind of fighter, or...take precautions to look for these things in oneself. A great deal of training in a gym is unconscious. You become shaped by people training beside you, for better or worse. That's why the cupcake example is important. You don't necessarily have to identity what is producing quality x or y...you just have to be aware that this is what tends to happen. Sometimes its as simple as: This gym produces lazy fighters, this gym produces very tough fighters. Even broadbrush things like this come out of the culture of a gym and its practices. The way that authority and values are exercised, the aesthetics of its muay. This alone might be a reason to train at a gym, or avoid one. The vibe is contagious, and shaping, even if you are experienced. For Sylvie she build-a-bear's her training, from different gyms, and private training, because its hard to find a gym that has "everything" so to speak. You look at certain things different gyms do well, and try to weave them. This though, is incredibly difficult in Thailand politically, and isn't advised. I mention it only to expand on the cupcake factory idea, that gyms can tend to produce qualities, qualities that draw your eye. To return to more regular examples, if you are drawn to technical training don't just think about whether there is correction in training. Look at how long term farang fighters fight, coming out of that gym. If you are looking for Muay Khao training, do the long term farang from that gym fight as strong Muay Khao and clinch fighters? Look at Instagram and Facebook pages and watch some fights, if you are researching seriously. Off the top of my head if you want an example from female fighting I'd take a look at Alycia and Barbara at Phuket Fight Club, something I've thought about. I haven't a clue what their training is like, and I really don't care that they are on big name promotions. If you look at the two fighters you can see what they train. They are both intensely driven, have sound principles, fight within themselves (what they know they do well), have a core, effective forward style, are tough minded with a technical dimension and are open to clinch. There are many important things that could probably be said in much more detail by people in the ground, but you can see what the gym has made, its processes. Jalill Barnes who also trains there, much of the same qualities. I'm not even recommending the gym (I don't know much about it), I'm just using the example to show how you can see the process in fighters. I don't mean to single it out, but I needed an example to keep the whole thing from being too abstract. It's not that everyone fights the same, or even that a gym has a style (some might). It's that certain qualities get disseminated through the process of training, and a gym's support or allowance of those qualities. Sometimes this is expressed in style, sometimes in other things. But, largely when positive qualities show themselves, things you are looking for, this is a good thing. It means that there is a consistent way.

This was good on Reddit a few years ago: The Game Logic of the Danced Off 5th Round in Thailand's Muay Thai I was having a great conversation with Sylvie about the nature of Thailand's Muay Thai this morning, and why when you have the lead in the fight, traditionally, you begin to retreat and defend that lead, instead of marching forward and adding more pressure. You ostensibly "perform your lead" by taking defensive tactics, which to many parts of the world looks like the opposite of "fighting". In a comment on Reddit I was trying to explain this phenomena through how someone like Usain Bolt will ease up and coast into the last 15 meters, in a kind of dominance while everyone else is burning hard, because of a kind of excess, "I don't even have to punch it to beat you". This is a big part of the Muay Thai aesethetic. You can read that comment here: https://www.reddit.com/r/MuayThai/comments/pxtv2x/i_think_people_do_not_understand_how_thailands/hesx7fs/?utm_source=reddit&utm_medium=web2x&context=3 The reason for this is that Thailand's Muay Thai is about dominance, not aggression. Aggression can be a tool toward dominance, but it's only one tool in the tool box. A lot of this stems from the fact that Thailand's Muay Thai evolved to express a Buddhistic culture (and a reason why I'd argue that turning MT promotions into hyper-aggressive shows can contain a hidden cultural betrayal), but as you can see from the Usain Bolt analogy, in the West we can understand this kind of "ease into the tape" signature of superiority. Even in Western boxing we can admire the artful boxer who just toys with his opponent's aggression with an artful jab, evasiveness or movement (think Ali or Mayweather), its not all that far from parts of our own sports values. It's enough to say this led to a really interesting analogy Sylvie gave me regarding the much derided 5th round dance off in Thailand's Muay Thai. Let's say right off there are admittedly big problems with the 5th round dance off. It's safe to say that it is an aspect of Muay Thai that has become distorted and exaggerated, and not only produces unexciting ends to fights, its become the signature of big name gambling's powerful influence in the sport. This post is really about the underlying logic of the dance off, and besides its current flaws, what positive values it is expressing, helping explain how it is also viewed. Why do two fighters dance off the 5th round at times? Why does a fighter who is behind not keep trying, keep fighting?! When one fighter is signaling an insurmountable lead, why isn't the other fighter "heroically" relentless in pursuit? Chess Gives A Clue Sylvie's analogy comes from Chess. In Thailand's Muay Thai there is a definite "Gentleman's Sport" ethic that works to compliment it's absolute violence, so Chess is an interesting parallel. She said to me: In chess once you've gotten to the place in the game where you know by sheer logic you are going to lose you tip your own King over and resign. Masters will resign in positions that casual viewers might not even understand. There are a lot of pieces on the board! What a player is doing when they resign is showing their IQ for the game. If you continue fighting to win from unwinnable positions you can be signaling your inability to even see the board. Yes, your opponent may make an unexpected blunder. Yes, there might be buried in the position of some improbable ability to leverage a draw, but largely what is happening is that you are placing yourself ABOVE this particular game. If you struggled forward, not really realizing your fate, your would be signaling to your audience and your opponent you lack understanding. You can't see. This keys into deeper Thai cultural views that regard sheer aggression as low IQ and somewhat animalistic (non-human). You don't understand Chess. Now, there are all kinds of Chess players, and some of them may become famous for fighting out of bad positions and stealing draws. This isn't to describe what one should do, it's to explain the logic of why a losing fighter would choose to dance off. They acknowledge the board position, they are above this particular match/game. Thai fighters fight a LOT of fights. The tournament of a career is composed of many games. Now, once you get the logic you can also see where the problems are. If there are TOO many sprinters coasting into the tape. If there are TOO many fighters touching gloves in the 5th round, the "board" of the game is being influenced by something (or the match making is very poor). In these cases its explained that the chess board of the fight, the position that fighters are responding to, involves the heavy thumb of powerful gamblers. You touch gloves not only because of the "position" of how the fight was fought, but also understanding the powers that shape the fight as well. You can see that the lead in front of you is of a type that you would look stupid if you fought against it. You would look like you didn't understand the game and how it is won. How the 5th round is fought has changed over the decades, to be sure. It has stretched too far into a direction, but the logic of the danced round remains the same, that of the Chess match. Taking Ideology Into Context Too I also think that there are cultural elements that make this hard to read from a Western perspective. In the West we have a big celebration of the Little Guy. In the mythology of the West we have the story of the insignificant man who through "hard work" overcomes all odds against him. There is not only great romance over this ideological story, fighting itself has been an entertainment form that expresses this romance. We see this in the entire Rocky Balboa Working Man franchise. For us a lot of fighting is about this. I do think these stories resonate with Thai storytelling. Great fighters of the past who became champions out of rural provinces, fighters like Samson Isaan (who literally took the name of Isaan), do represent a kind of working class, provincial victory against all odds, but this is in the context of a much less socially mobile society, than say America. The much older cultural stories of Thailand are ones of hierarchy, and layered, group-bound peoples. Part of the "checkmate in waiting" acceptance is probably best understood in this wider lack of mobility, a lack of a more highly Individualistic Self-Destiny mythology (which contains its own social ills). In "seeing the mate" in advance you to some degree transcend your situation by demonstrating that you understand it, you see the position on the board from above, you have that IQ...but you are also trapped by it, you accept THIS loss, in the name of having perhaps a better chance to win the next time. This isn't to say that dancing off the 5th round is the right thing to do, in any particular fight, or even to say that the practice of the 5th round in today's Muay Thai doesn't need to substantively change, it does. But it's to explain the logic of it. Today's Muay Thai in Thailand is trying to take the big name Gambler's thumb off the scale, not an easy task because gambling itself is woven into the seriousness of matches, a fighter's identity, and the passion for Muay Thai itself. It's instead to try and explain the nature of some of the thinking that is beneath a 5th round performance. It is not just fighters taking a break "because they fight so much". It's locating yourself, positioning yourself socially in the game, a game you are ultimately trying to win. If interested in my thoughts on what I believe underlies Thailand's Muay Thai can see my article on the "6 Core Aspects" https://8limbsus.com/muay-thai-thailand/essence-muay-thai-6-core-aspects-makes

This caption (below) says "Honestly, this fight was more exciting than ONE", from Remina's page https://www.facebook.com/watch/?v=3793175460900201&rdid=anii3llwrR2LSV4j

Fake, Real & Spectacle in Thailand I say unreal, but in another sense there is a reality to spectacle, almost an alternate enjoyment enjoyment that includes all sorts of values, but...it does not count. It is not added to that register of counting and measurement. This, I suspect, also helps explain thrown fights in even Bangkok stadium Muay Thai. When a fight is thrown, even though many will be upset, there is an additional sense of "I see what happened there, this wasn't real". The fight then slips into spectacle. This "counts" vs "spectacle" in Thailand doesn't quite match up with Western concepts of sport, where things are just real or fake, with strong judicial codification. This is one of the complexities in trying to produce "Entertainment" (Spectacle) versions of the sport/art, that are regarded as the "most real".

A Big KO Win for Sylvie's Past Opponent Hongthong Geez, that was completely unexpected. Thought Diandra Martin would kind of walk through Hongthong tonight on RWS, but instead a very sharp KO on a 1-2 from Hongtong. Hongtong looked at a size disadvantage even, and Martin had beaten Amber Kitchen on ONE (looking it up). Our interest in this fight was Sylvie has fought Hongthong 4 times herself giving up huge weight (about 22 lbs), and we almost always are pulling for her ex-opponents (nothing against Diandra, we just don't know her). We know Hongthong and her gym, her gymmates, and her coach well. This is a huge win for Hongthong who has been fighting Muay Thai for long time. I also suspect that Diandra wasn't well served by fighting a patient, "Thai Style" fight. When Hongthong can reset, reset, reset she's on much more comfortable ground.

Muay Thai is not a commodity, it is a way of Life.

For now this is a placeholder for what could be a fascinating discussion of the more than ideosyncratic way that the metaphysics of Spinoza provided the metaphysical groundwork for Uesugi's Ultranationalist vision for Japan. For now just a brief sketch, and an attached PDF of the full chapter on Uesugi's political thought, from the excellent Japan's Holy War - The Radical Ideology of Japan Shinto Ultranationalism, by Walter Skya. As Skya worked to position Uesugi's thought in terms of Europe's political thought, drawing lines of direct and indirect influence, he finds no correspondence for several elements which to my eye are significantly Spinozist (the Spinoza of the Ethics). He does mark out anarchist Peter Kropotkin's influence on Uesugi, and Kropotkin had Spinoza influence (likely in just the area's Skya cites), but the areas where Spinoza's metaphysics speaks the loudest are not really addressed. This post just lines them up: They are: 1. The spatio-temperal matrix through which Uesugi views sociability. This is VERY Spinozist. 2. The way in which ancestors are said to currently exist, this is could be conceivably argued with Spinoza's sub specie aeternitatis concept of existence, a unique way of using Spinoza's metaphysics to support Shinto ancestor worship. 3. Perhaps most importantly, as it lines up two of the most distinguishing features of both thinkers, the manor in which Free Will is eclipsed both metaphysically in Spinoza, and socio-politically in Uesugi. A non-coercive authority of sheer power to which one aligns....for Spinoza it is the Universe, for Uesugi is the State as an expression of the Emperor. There are other arguable foundational aspects of thought, for instance the way that Spinoza treats women and animals as outside of the normative "us" of men, arguments of sameness which could be homologous to Uesugi's treatment of race or Nationality, and general concepts of the State or a People as a single thing, and organism (a fixed ratio of movement and rest). In any case, putting these thoughts here, and the chapter. Uesugi Shinkichi - The Emperor and the Masses.pdf <<< pdf download

"Establishment of the original military school The original Dai Nippon Butoku Kai facility was created as a private organization in 1895 in Kyoto.[3] in 1919, Mr Hiromichi Mishikubo (Vice-president of DBNK) made the term change from Bujutsu to Budo. In the eyes of Mishikubo the term bujutsu seemed heavily concerned with physical technique and insisted in using Budo as a mental discipline and as it was representative if the term Bushido. All -jutsu termed Arts transitioned to become -Do and thus became standard terms at the Butokukai. In 1921, the DBNK executive committee decided to make kendo, Judo and Kyudo the main Budo disciplines. Kendo and Judo grading system was established in 1895 and kyudo in 1923. By the 1930s a systematic appropriation of martial arts by the state was underway, fueled in the successful wake of the Russo-Japanese War, sped up even more in 1942–1945 during the apex of Japan's "militarisation" (sengika). This led to a number of "unprecedented policies aimed at making martial arts education combat effective and ideologically aligned with ultra-nationalistic government policy" [3] were set into motion. This strove to corral any and all budo organizations under state control to which the proposal of the "National Physical Strength Deliberation Council" sponsored by the Ministry of Health and Welfare recommended that an "all-encompassing extra-governmental organization" formed between the five ministries of Kōseishō (Health and Welfare), Mombushō (Education), Rikugunshō (Army), Kaigunshō (Navy) and the Naimushō (Home) which promoted budō in schools, community organizations and groups. This was an effective way to expand the reach and breadth of the propaganda being issued by the ultra nationalistic government into the community, plus allowing a clear path to community indoctrination through budō programs; especially notable was the efforts targeting children and schools that is apparent by the amount of funding it received, allocated by a national budget at the time." from Dai Nippon Butoku Kai wikipedia

I get caught with the jab pretty often, usually when someone is anticipating to my own. If I see the jab coming, it’s either parry 1-2 or throw a lead hook over the jab if I’m taller, which is usually the case. The two counters I said really only work if I can parry or move my feet in time. If I ret really hit solid, I lose my momentum, shelling and back stepping to circle or jab back in. Is there a simple one shot counter that I can use while my opponents glove is still pressed on my face? Something that I don’t have to think much to land that will stop my opponents rhythm for a combo. If it helps with suggestions, I’m usually the taller man. I don’t often see technique videos on how to take advantage of height in a reactive way after getting hit. Usually it’s all “be first, be far, feint” type stuff which is all well and good I’m trying to figure out how best to respond after I eat the jab. I’m not good enough to block every jab and start every exchange on offense. Thanks

You asked simple, so the answer is simple, but can be very effective. Just kick under it to the open side. You can even be late on this kick. There are probably a few reasons why there isn't a lot of jabbing in Thailand's Muay Thai, but this is one of them. A kick to the open side is a very significant score, one of the few strikes that doesn't even have to have effect. The jab is almost a non-score. So trading these is pure win. But, in same stance this would require you learning a quick, lead-side kick. It's a very good kick to have, so no loss there. Key though is to not rely on point-fighting. If you can develop this to have some pace (preferably with no "step" in the kick) it can become a serious deterrent, not only to the jab, but also to the straight. And, because you are tall, if you turned this also into a long knee, this could be a significant problem for opponents. These are very simple, high scoring, maybe a bit difficult to develop power in, (but you can do it), answers.

A very large difference between Japanese Ultranationalism and mid-century Thai dictatorship is that Japan's theorists placed supreme importance on the Emperor, who embodied The State, while Phibun's dictatorship, at least upon its rise, minimized the King of Thailand (who was very young). Thailand's Fascism was much more paternalistic, and perhaps (?) volkish, and perhaps lacked the same anchorage in religion that Shinto and ancestor worship did in Japan. Thailand seemed also to be positioning itself between world powers, especially in the decline of colonial influence on neighboring territory (and their claim), while all the same passing political mandates that aligned Thailand with "civilized" Western culture. Japanese Ultranationalism on the other hand was in answer and defiance of Western Culture and its seen-as morally corrosive Capitalist values. I don't know enough about Thailand's years of dictatorship to see if there were areas of overlap in theory and discussion, or if wholesale they were distinct in these ways. Or, if the growing Chinese Bangkok population (China an enemy of imperialist Japan) also steered Thailand away from closer alliance. Phibun, apparently, even explained his dress-code mandates in terms of insulating Thailand from too much Japanese influence of not outright cultural hegemony. This is to say that at the same time, roughly, Thailand and Japan were going through Fascist movement, but they were likely understood somewhat differently. Yet, the role of martial prowess, and even the fighting arts like Muay Thai &/or Karate, as a symbol of National strength, or volkish strength, may have had correspondence. As I've mentioned elsewhere, the rise of fighters like the convicted murderer, fearsome Suk in Thailand has been read as a volkish, anti-royal, or at least anti-urban, cultured elite, change in the sport early to mid-century.

This may seem out of place in a forum that is largely focused on Muay Thai, History and Philosophy, but there are two aspects that cause it to be posted here. The first is that I've long been a student of Spinoza, and intuitively felt that his Philosophy had something to say about Thailand's Muay Thai. I've also written on Spinoza and the Totalitarian State: Spinoza and State Torture and Other Unfeeling Things and Spinoza’s Logic of Affects and an Ontology of Torture, a line of thought I've never seen anyone explore. Spinoza is hailed as instead one of the earliest advocates for the democratic state, and even in some ways Liberal Democracy, and very often is depicted in terms of the immanence within his thought, a sort of liberal or radical becoming. The above Uesugi line of thought does not take my imitatio Dei argument, at least not directly. Instead he builds out of the very distinct dimension of Spinoza's thought, its denial of Free Will, putting that denial in the service of authoritarianism. This is an important aspect of Spinoza's metaphysics and I've never seen it argued from before. (There are corollaries to be made between Spinoza read as a proto-Cybernetic thinker, and Totalitarianism, of course. You can read on Spinoza as a Cybernetist here: Is Spinoza a Cyberneticist, or a Chaoplexicist?) Secondly though, I came to this study of Japanese Ultranationalism because Japanese Kickboxing in the 1970s, as it interfaced with Thailand's Muay Thai, was under strong Ultranationalist influence. Noguchi, a father of Japanese Kickboxing, was son to an Ultranationalist terrorist, (the famed boxer) Susumu Noguchi. The Yakuza who likely funded the rise of Japanese Kickboxing, had historical ties with Ultranationalism, enough to hypothesize that some of that era's ethos, behind Japanese fighting prowess was furthering this political view. And, Thailand itself had decades of totalitarian dictatorship, during which it aligned itself with Japanese Fascism, and the Fascism of Germany and Italy, not only becoming an Axis ally in WW2, but aligning itself culturally. Even Rajadamnern Stadium's architect was Italian around WW2, and it expresses some of that Neo-Classical European aesthetic. Thailand's Muay Thai, in its turn toward a volkish heroism in the 1940s-1950s, could be understood in this movement. It is enough to say that these interests and stretches of history, in Japan and Thailand, along with Spinoza, provide an interesting setting for speculative interpretation.

Muay As Hieroglyphics The relationship is to the muay, not to any particular opponent, or achievement, belt. Those things help you create and nurture the relationship to the muay, and that means ultimately to yourself. In the muay you see yourself sculpted out against Time, in the spirit of emotion, with your body, like a stylus that has been writing in hieroglyphics your whole life.

Muay Thai is like Ancient Greek, Boxing like Latin. ... a related language.

I have a little more time, let me offer a more complete response. Some of the difficulty in pursuing "authenticity" in Thai gyms is that non-Thai can tend to have pretty romantic visions of what an authentic gym is like. Or, at the very least incomplete pictures. And, there are versions of imagined authenticity. A great deal of Thailand's Muay Thai of the past came out of the kaimuay (camp) teaching or development method, but there were very different kinds of kaimuay, in some way depending on how close you are to Bangkok's National Stadia, or large city centers where there were scenes of weight class fighting, and thus more money put into the sport. In the outer provinces kaimuay could be just a collection of local boys, in Bangkok a gym that had bought up the contracts of successful provincial fighters, combined with other training/trainer interests. But in these settings there was very little one-on-one instruction, as far as we can tell. Instead, fighters were basically workers, laborers, much as ranch-hands were laborers in the Cattle Ranching of the American West. Fighters were very low status, socially, pad men also usually low status, and the development of fighters was a process, come from mixing all the fighters together, in the work of the kaimuay. There's really no Master & Student dynamic going on, as for instance in Asian Martial Arts, or even like coach-centric Western Boxing traditions. It was largely the churn. Fighters would fall out, or they would rise. There were likely exceptions and unique dynamics in gyms, but this was the "authentic" profile of what was happening. So, if you wanted to be part of a kaimuay, as it was, you would just be in the churn. You wouldn't be getting special instruction. You'd be learning by imitation and repetition, and through lots of sparring and clinch. You would have no authority as a customer (in this fantasy), you wouldn't be allowed to leave the camp and go to another gym if things weren't working out (this problem STILL happens for Westerners in Thailand, believe it or not, because Muay Thai gym are very political). You'd be in a state more or less like indentured work. That kaimuay, as it was, largely doesn't exist anymore. Which is to say Thai camps have vestigial aspects of the kaimuay, and some still train with a focus on the churn (which is the true way), but this is very far from going to a camp and taking private lessons, as a paying customer. Now lots of Muay Thai gyms offer privates, and also have adapted training to Western expectations, involving more correction and attention, and some of those still try to maintain something of the kaimuay ethic. But, we are already outside of "authentic" as it historically was. So when Westerners really long for the authentic experience, they are often caught between kinds of gyms, gyms that maintain SOME dimensions of authenticity (just some of that: train in a kaimuay way, focus on Thai techniques and principles, produce Thai stadium fighters themselves, carry a culture of traditional respect and power), but none of them will have all of that (at least as I've seen). Worse, many (even with some authentic qualities, will have started training in more Western ways, holding for combos, focused on Entertainment Muay Thai (which is basically Muay Thai made for tourists and tourism). So its very hard to pick out WHICH authentic elements you are going to get. You could go to a "traditional style" gym known for Muay Khao and just end up clinching endlessly with Westerners who also came there because its known for clinch training. You could go where a true legend of the sport like Arjan Surat still works fighters for the stadia, but there may be nobody your size to train against and with. You could go up to a REAL provincial kaimuay like Santi Gym in Ubon, and just train in the churn of fighters reaching for the stadia, but they probably wouldn't be giving privates (?), and you might find the work boring or isolating. You could go to a "technique" gym like Sitjaopho, where you'll (probably) be pressed together with lots of other Westerners very interested in technique, but in a hybrid way that has approximated the kaimuay churn, while offering lots of correction and teaching, but you won't likely be training with Thai fighters. You could go to Sit Thailand in Chiang Mai, which seems to have a small kaimuay structure, organized around developing his son and a few other good Thais, and take privates from him (a very good teacher), but are there people to train with (this changes a lot in gyms)? Or, you could go the Samart's gym, and be trained by legends like Kongtoranee or Karuhat, and be near (mixed in? I don't know) the Thai kaimuay like processes of their handful of stadium fighters, in a kind of hybrid space? These are just very broad pictures (every gym changes, we don't really spend time in gyms much). Every gym is going to be missing something, probably a lot of things. This is the fundamental problem for Westerners. Muay Thai has more and more become FOR the Westerner. In fact they've now invented a new version of Muay Thai which is FOR the Westerner, and its becoming dominant. But, if Muay Thai wasn't turning its face to the Westerner there would be little room for the Westerner in traditional spaces...because traditional spaces are not only hierarchical (not commercial for customers), they were also businesses in the way that Cattle Ranches were businesses. You wouldn't come from another country and go to a ranch in 1950 in Texas to "learn how to be a cowboy". Part of the problem is that Muay Thai itself, in its authentic strain, is dying, so you can only capture pieces of it, fragments, at best chunks. I'm not an expert in this, only someone with my own experience, but this perspective comes from documenting the Golden Age of the sport, getting to know the great teachers of the art and sport as they are now, but also continually hunting for the kaimuay qualities of "authenticity" for Sylvie herself, as she trains and fights. It's very difficult to find.

There's maybe a few reasons I don't put it on the list. The first is that the things that make Petchrungruang so good for me really don't apply to most other people. I'm a small woman (47 kg) who specializes in clinch, and I'm a fighter who fights a lot and books my own fights. What is great about Petchrungruang is really my relationship with the family, and how much clinching I can get as a small female. And of course the padholding and guidance of Pi Nu. But Petchrungruang is a slow cook method gym. There usually isn't a lot of technical instruction or correction, instead there is lots of doing, and lots of self-directed training (I plan and do my own bag rounds, my own side drills, etc). Its teaching method is designed to turn kids into fighters over years. This isn't what a lot of western students or fighters are looking for. Also, I don't really like "selling" my gym. I've written a lot about it so if people have read me over the years they know what it is about. And in some ways I'd like to keep the gym my little secret. I don't want it to change with the arrival of students and fighters who expect things different than it is. And I really don't recommend it for most people because I feel that they would be happier somewhere else. It's just a small family gym that does things in a quiet way, focused on raising Thai boys to be stadium fighters and I like that. Update 2024: Petchrungruang no longer has Thai boys or fighters. The head of the gym decided to stop building fighters and no longer deals with professional fighting, so his focus and the gym's focus is beginner and intermediate non-Thais, but you can get local 3 round fights at the two stadia in Pattaya for experience.