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Steroids are pretty plentiful and available, and some people use Thailand trips to cycle onto them on a regular basis. You can find lots of articles like this one from 2013 about this: https://www.abc.net.au/news/2013-05-30/bodybuilder-gives-insight-into-thailand-steroid-holidays/4723980 Given these patterns, and also that lots of retired men come to Thailand for hormone replacement therapy, it's just going to be present and prevent. I say this without every running into it directly in a gym, but it just is something you have to assume is out there, and part of some people's preoccupation, both in and out of Muay Thai. There is very little to no drug testing in Muay Thai in Thailand (I'd say zero, but maybe there are some rare instances.) If this is making you nervous about fighting I don't think it should be a determining factor. Just assume the fighter might have some advantages that you need to counter, and trust your gym to find your a fair match up that they believe you can fight well in. Having trust in your gym, and their knowledge of opponents is more important than drug testing, I believe.

I'm not usually interested in the chemical ways that the fighting experience can be enhanced or improved upon, but I found this 2016 study that Tylenol dampens one's empathy towards the pain of others provocative. It was not only the physical pain of others, but also their social pain. "From painkiller to empathy killer: acetaminophen (paracetamol) reduces empathy for pain" (2016). The effect was not pronounced, this interview on the subject suggests maybe a 10% reduction: "Researchers Examine Why Tylenol Affects Empathy" (2016) (the study seems to indicate something along the lines of 5-8% maybe), but it does present a really interesting side-effect for a very common over the counter drug. I can't imagine that experienced fighters would benefit much from this as overcoming the psychological impact of the potential pain of others is a large part of developing as a fighter, but it does make some sense that 2 Tylenol might be worth taking if you are having a first fight, or even a fight in the first 10. Maybe that 10% difference in empathy threshold could mean something to you. (Note: even though it is an over the counter drug Tylenol in larger doses can wreck your liver and even be life threatening. This is not something you want to pound.) The idea might be to dull your own pain, a bit, and your sensitivity to the pain of others. It's super interesting that some of the theorizing about why a drug might reduce both involves the way that pain is modeled, that there is some sense in which the mechanism by which we feel our own pain is also involved in our feeling for, virtually experiencing, the pain of others. While people who are drawn to fighting often imagine that there shouldn't be an issue here, there really can be lots of difficulty in not only hurting others, but also the humiliation given to them by making them look bad, or giving a loss. Sure, lots of fighters can take on hyper-aggressive persona which act like they don't care, but underappreciated is that many people who are drawn to fighting are quite sensitive, and many are wounded themselves. The ability to negotiate the domination of others, the hurting of others, can involve a great deal of personal development. Could Tylenol, in some cases, help ease that development? It's at least worth thinking about.

Ha. I'm sorry, I really blanked out on that possibility pretty much altogether in my original answer. We're in Thailand, that is just a different world. My bad.

An interesting dimension to walk when thinking of a possible Muay Noir, is that in the minds of many film critics, Film Noir does not constitute a genre. Writers like Paul Schrader like to say that Film Noir is just literally "black film" (as opposed to gray film, or off-white film), meaning, I assume, it's a gray scale pallete choice. One is painting towards that end of the scale. Thinking in these terms, instead of grafting on genre or definition types, presents us with a much more open ended set of possibilities. For instance my thought that for me darkness slows time down, brings a sense of peace, asethetically goes against many of the more genre-centric uses of darkness (to produce tension, or foreboding). This kind of reversal is much more understandable if you just start from the "Black Film" perspective. What does Black Film give us or present as possible? We are looking at a pallete, and a relationship to light, and maybe less than an appeal to a convention. I don't think we can push this too far and still meaningfully use the reference Film Noir, but it can act as a creative starting place.

I don't shoot a lot of these, but thumbing through ran into a reportedly Noir angle:

Logic of Shadows Doing a little research into the aesthetic of Film Noir last night we watched Jeanne Eagels (1957) with Kim Novak. I was drawn to it because it was in a list of Noir genre busting Film Noir films, in a critical essay list that included 2001: A Space Odyssey. It was filled with beautiful frames. But this series below just captured my brain. Kim Novak, caught in emotional desperation, turns her face away from an old flame who has come to save her from self-destruction. I'm just mesmerized by her turn-away, how she suddenly incandesces in almost a blownout white of sun, as she turns away, despondent. The Logic of Shadows. Here she is "going away", but growing brighter, which in just a few frames enacts her tragic arc as a character in the film, a kind of Icarus of morality. Catching more light, but burning up. It shows that even in a simple binary of light and dark you can compose a calculus of great meaning.