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Promo Video Duangdaonoi vs Tajima for the WPMF 105 lb Belt - May 31st


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This is the promo for the May 31st 105 lb WPMF championship fight between current champion Duangdaonoi (Thai) and the Japanese challenger Tajima. Duangdaonoi only recent won the WPFM belt which was held for a very long time by Erika Kamimura who retired.

Duangdaonoi is from a huge family of Thai fighters, most of them sisters (photo below). It's a shame she has to defend her title so quickly while other champions hold their belts for a long stretches without fighting. I'm pulling for her to win.

Looksaigongdin-Gym-e1432962322507.png

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she has to defend it abroad too, Haru Tajima has a burgeoning profile - a win over Saya Ito and chosen as opponent for Erika Kamimura's last fight... kind of a testimonial .  Off topic - I would like to see more retirement/testimonial fights like Erika had- a chance for fans to cheer out their hero. 

Back on topic - I like them both but hope Duangdanoi stays champ - I am totally charmed by all those fighting siblings

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    • Reading up on the history of Japan's ethno-Shinto Fascism, to get a better sense of where Japanese Kickboxing grew out of, and what it represented in the Yakuza-ultranationalism that produced it. This should also give some insight into Thailand's Muay Thai and ethno-centrism it might reflect. It is not uncommon even today for Thais to speak of how Muay Thai is in their blood. Recently a kru explained to us his belief that Thai fighters were like fighting chickens, bred in a sense to fight (explaing why farang and Japanese aren't very good). We couldn't very well explain that this has to do with how much embodies Thai culture (and not genetics). This concept of blood and nation runs through Thai mythos, and Thailand itself had a history of Fascism, to which Muay Thai was not immune. The above from the following book on Japanese ultranationalism. Japan's Holy War_ The Ideology of Radical Shinto -- Walter Skya.pdf    
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In terms of the history of Thailand's Muay Thai, and its relationship to Japan's Kickboxing in the 1970s-1980s it does give important socio-political context to the rise of Japanese Kickboxing, and also the concept of its fusion with televised Entertainment. you can find the original article in Japanese here (found through wikipedia footnotes)   Also, read the wikipedia on Japanese ultra-Nationalism (Fascism): Shōwa Statism (國家主義, Kokkashugi) is the nationalist ideology associated with the Empire of Japan, particularly during the Shōwa era. It is sometimes also referred to as Emperor-system fascism (天皇制ファシズム, Tennōsei fashizumu),[1][2] Japanese-style fascism (日本型ファシズム, Nihongata fashizumu)[2] or Shōwa nationalism. "...between 1921 and 1936 three serving and two former prime ministers were assassinated" Keep in mind, Thailand has had an extended period of Fascism, beginning with the Phibun dictatorship in 1938. And it has been argued that Thailand's Bangkok Muay Thai also played a role in that ideology during those decades. Imperial Japan's occupation of Thailand during WW2 was an impactful event in the relations between the two cultures, and likely shaped how Japanese Kickboxing was received in the 1970s and 1980s.   The translated article: My father was both the "strongest boxer" and a "fervent patriot"  Noguchi Osamu's father, Noguchi Susumu, was a star in the early days of Japanese boxing.  Born in Nezu in 1907 (Meiji 40), he was an Edokko (Tokyo native) who was strong from an early age, boasted of his fighting prowess, and was a Yokozuna in amateur sumo. As an adult, he worked hard as a stevedore in Yokohama, and was called to take part in "Juken matches," where Japanese and Westerners competed against each other in inter-school competitions held at gambling dens and churches.  At the beginning of his career, he belonged to the "Teikoku Boxing Association Kendosha" (now Teiken Boxing Gym), which was founded by Tanabe Munehide (the half-brother of Hankyu Toho Group founder Kobayashi Ichizo, who later became the president of Korakuen Stadium and founded Korakuen Hall, the mecca of boxing). However, when the dojo closed due to lack of funds, he joined the "Dai Nippon Boxing Association," which was founded by the rising power and Kobe boss, Kano Kenji, also known as "Pisu Ken" (nephew of Kano Jigoro of the Kodokan).  At first, the cards were arranged as a match between judo and boxing, and a judo-boxing match, but as people grew tired of it, promoter Kenji Kano switched to boxing events. In  1927, in the main event of the first boxing event held at the Kokugikan, Noguchi Susumu defeated an American boxer and became the Japanese welterweight champion.  Nicknamed "Lion," his aggressive fighting style and strength made him popular, and Naoki Prize-winning author Daikichi Terauchi, who watched Noguchi's matches live as a boy, called him " the greatest, biggest, and most heroic boxer in Japanese history, who will never be seen again."  Although he was a popular boxer who attracted tens of thousands of spectators to baseball stadiums around the country and fought more than 50 matches in total, Noguchi Susumu also had another face. He was  Toyama Mitsuru of the Genyosha, the source of the right wing in Japan. He also belonged to the right-wing group Aikokusha, founded by his successor Iwata Ainosuke, and in addition to fighting, he was also involved in political attacks, making him a national patriot = terrorist. An  astonishing two-sword style that is unthinkable today.  What is particularly noteworthy is that he did not retire from boxing to become a national patriot, but rather performed both roles at the same time.  In the midst of the winds of the "Showa Restoration" before the war, not only were there the May 15th Incident and the February 26th Incident, in which military personnel attacked government officials, but there were also frequent outbreaks of terrorism in which right-wing hitmen attacked politicians.  In 1930, HamaguchiYuki OsachiThe Prime Minister was shot at Tokyo Station. Hamaguchi survived, but died nine months later from bacteria that had entered the wound. The shooter was Sagoya Tomeo (later Yoshiaki) of the Aikokusha.  Sagoya Tomeo was paroled in 1940. After his release, he became the son-in-law of Iwata Ainosuke, and later became a leading figure in the right wing after the war.  Noguchi Susumu was also like an older brother to Sagoya Tomeo.  In 1931, the residence of the then Minister of Finance, Inoue Junnosuke, was bombed. The main culprit in this case was Osawa Yonekichi, a senior member of the Aikokusha, but Noguchi Osamu was arrested along with Inoue's younger brother, Osawa Busaburo, Akao Satoshi, Kodama Yoshio, and others. At this point, Noguchi Osamu and Kodama Yoshio had met. In  1933, Noguchi Osamu was also involved in the attempted assassination of former Prime Minister and Rikken Minseito President Wakatsuki Reijiro. He was sentenced to five years in prison.  When the protagonist, Noguchi Osamu, was born in 1934, his father was in prison.  Moreover, during this period of confinement, he reunited with Kodama Yoshio, who would later become "Japan's number one mastermind" and who  was in the same cell as him at Fuchu Prison, and they developed a strong friendship. While his father was incarcerated, his mother and son were looked after by the Osawa family of Ueno, who were senior members of Aikokusha. Incidentally, his younger brother Busaburo was involved in boxing and rakugo performances, and the profits were used to fund the Aikokusha.  Noguchi Osamu was imprinted with boxing and performing arts performances during his early childhood.  After his release from prison, during the Second World War, the family was invited by the Kodama Agency to live in Shanghai.  However, his role was not to procure supplies, but to perform performing arts.  He established the Noguchi Entertainment Department, which invited singers from Japan such as Dick Mine and Noriko Awaya, as well as the rakugo performer Torazo Hirosawa and a swordplay troupe to military entertainment facilities, and the family became involved in it.  The foundation for Noguchi Osamu's involvement in the entertainment industry was already laid in Shanghai during the war.  From the beginning, the author skillfully organizes and writes about the rise of boxing before the war, the complicated human relationships in the early entertainment industry, and the motives of the terrorist Susumu Noguchi's crimes.  In other words, the essence of entertainment is to repeatedly make hostile and reconcile within the principle of competition, to follow the principles of obligation and humanity, to settle things, and to build a mutually supportive relationship.
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