Jump to content

Looking for advice on stance switching


Recommended Posts

Short version

I am a natural southpaw and starting to work on striking in both southpaw and orthodox stances.
Work schedule does not line up with class schedules of local gyms, so working on this solo at home. Allready watched Karuhat, Samart & sifu mcInnes patreon sessions.
Looking for advice on switching between stances in a fight, specifically: solo drills, possible pitfalls and which fighters to watch.

Long version

I am a natural southpaw, and have been casually training (1 class / week for a year) + 1-3 Heavy bag sessions / week at home (1-2hours at low - medium intensity). Not in shape (when going for a run, after 2-3 km I'm done). For the past few months I haven't been able to go to classes due to a new work schedule, but I still do heavy bag sessions by myself.

In these heavy bag sessions, i'll do sets of about a 100 of single strikes & simple combos (e.g. 100 teeps, 100 1-2's, 100 knees, 100 midkicks, 100 elbows, ... ). I aim to do about 2000 strikes per session, with a couple hundred of each type of strike and about a 1000 teeps. For the last few weeks I've been dividing these sets evenly between Orthodox and southpaw stance. There's still a huge gap between the effectiveness of my strikes in southpaw and orthodox, but I'm definitely making progress.

Since I plan to continue working on striking out of both stances, it seems like a good idea to carve out some extra time to work on actually switching between both stances. Usually I'd turn to Youtube for guides at this point, but I've found surprisingly little information on switching stances effectively. Most video's on this subject fall in 1 of 2 categories:

  • The video explains "The stance switch". Which is basically the movement you'd make when throwing a switch-kick. (Which seems a little limited, if your goal is to develop a switching style)
  • Videos like Sylvie's Patreon content, specifically the Karuhat videos. In these, you can see the way Karuhat is moving, which in itself is very helpful.
    However, these videos lack specific drills or exercises you can work on if you don't have a switching master to correct you.

Rather than rambling on and turning this post into a long wall of text, at this point I'll simply list a number of questions, which could help me and hopefully others who want to work on stance switching:

1. What are some good fighters to watch for switching footwork?
Already looking into:

  • Karuhat

2. Are there any specific videos you would recommend (Patreon or otherwise)?
Already looking at:

  • On the forum: Tim's sessions with general Tunwakom (specifically the movement drill in day 1 vid 1)
  • On patreon: all Karuhat sessions
  • On patreon: session with Sifu McInnes
  • On patreon: session with Samart

3. Do you know of any specific drills I can work on?
I am Mostly looking for drills without a partner. However, drills with a partner will probably be useful for other readers, so please post those as well.

4. What are some pitfalls of stance switching, I should look out for?
The answer that's all over the internet, is: Your defense will suffer. However, people never seem to feel the need to go into details here. I would appreciate any answers with specifics.

  • Like 2
Link to comment
Share on other sites

Jaroentong is also a switching fighter. I'm not sure what you mean by drills for practicing the switch, as it seems you're trying to learn how to switch in the moment, rather than fighting out of both stances. I haven't been taught "how to switch," but rather Karuhat literally reversed my stance and I had to learn how to fight in Southpaw. When literally going from right handed to left handed or vice versa, in general it's just like walking into the opposite stance. Namsaknoi has a really nice galloping switch on a punch, but he doesn't stay in the opposite stance. He just switches on that punch. But I reckon you could use it as your switch and just stay in that other stance. Karuhat does the same thing, but from the opposite stance, which is meaningful because he's going from his "unnatural" stance into his natural stance for a power cross, whereas Namsaknoi's is the inverse of that, so you're landing into the non-dominant position.

Sifu's "when to switch" drills and philosophies are the only time switching is talked about conceptually by a teacher in the Library. Otherwise it's my own take on what the switches feel like or mean. The dangers of switching are being off-guard for a moment as you're switching and landing into a position where your "open side" is vulnerable. But you just have to be aware of that and guard or set up the switch by off-balancing your opponent first. In general, don't switch stance in kicking range. Either closer or farther out. I'd choose closer. Karuhat often uses a simple step back (again, same as walking) when reversing his stance and then his attack just flows directly out of that. Almost nobody switches and does nothing. They switch on an attack or on a defensive step that becomes an attack.

  • Like 3
  • Gamma 1
Link to comment
Share on other sites

As for a drill (I'm only a beginner myself, so take that as you will), I tried letting the heavybag swing (with a teep for example) and then evade by taking a step back into southpaw (I'm orthodox), directly followed by a left kick. The idea was to keep a distance on an incoming opponent and counterattack. Seemed a good thing to practice since most of my sparring partners are much better punchers than I am.

  • Like 1
Link to comment
Share on other sites

To me a super key to switching is getting the footwork down. Here's a public clip of Yodkhupon's galloping footwork. He's a southpaw fighter, but his gallop contains the element of being able to just switch in the cut off. It's part of his strike from any position. You can find his sessions in the Muay Thai Library, or watch detailed sessions with him in the Intensive Studies (I think 6 hours are up there).

 

Yodkhunpon told Sylvie to practice this footwork 20 minutes a day. I think that it is core to a flexibility in switching. Ideally you don't want to be "now I'm orthodox, now I'm southpaw", you want to be fluid, and access the advantages in each, when appropriate. You need a basic footwork, and Yodkhunpon's is pretty damn beautiful.

  • Like 1
Link to comment
Share on other sites

21 hours ago, Sylvie von Duuglas-Ittu said:

Karuhat often uses a simple step back (again, same as walking) when reversing his stance and then his attack just flows directly out of that.

This is what I came to recommend. I am just starting stance switching as well, and just all the practice walking with General Tunwakom really helped. Figure out your movement first, then start striking once you are comfortable with that (that's what I feel like is working for me anyway).

  • Like 1
Link to comment
Share on other sites

On 7/29/2019 at 9:05 AM, Sylvie von Duuglas-Ittu said:

Jaroentong is also a switching fighter.

I watched Jaroentong's session a few months back, and completely forgot about it. After watching the session again last night, I am definitely going to go over some of his and Karuhat's switches in slow motion to see how they time their switches with the opponent's movement.

As for the drills:

I started thinking about drills for switching stance when watching some of the footage of general Tunwakom training Tim and Tyler. It seems like the very first thing he works on, is switching stance while keeping protected at all times: simply walking up and down, while staying guarded and balanced. 

I'm going to try the Tunwakom walk, as well as working on stepping back and countering on the heavy bag, like Xestaro suggests. These seem like some solid options to get started.

As for Kevin's footwork suggestion, footwork is something I've probably been neglecting too much. At the moment my footwork is good enough that I don't fall over my own feet, but there's definitely a lot of room for improvement. Yodkhunpon's footwork really is something special. In my mind, when working on footwork you should focus on being light on your feet, and never being unbalanced. However I'm not certain if there's better things to aim for. What do you think the focus should be when working on footwork?

  • Like 2
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • This was good on Reddit a few years ago:   The Game Logic of the Danced Off 5th Round in Thailand's Muay Thai I was having a great conversation with Sylvie about the nature of Thailand's Muay Thai this morning, and why when you have the lead in the fight, traditionally, you begin to retreat and defend that lead, instead of marching forward and adding more pressure. You ostensibly "perform your lead" by taking defensive tactics, which to many parts of the world looks like the opposite of "fighting". In a comment on Reddit I was trying to explain this phenomena through how someone like Usain Bolt will ease up and coast into the last 15 meters, in a kind of dominance while everyone else is burning hard, because of a kind of excess, "I don't even have to punch it to beat you". This is a big part of the Muay Thai aesethetic. You can read that comment here: https://www.reddit.com/r/MuayThai/comments/pxtv2x/i_think_people_do_not_understand_how_thailands/hesx7fs/?utm_source=reddit&utm_medium=web2x&context=3 The reason for this is that Thailand's Muay Thai is about dominance, not aggression. Aggression can be a tool toward dominance, but it's only one tool in the tool box. A lot of this stems from the fact that Thailand's Muay Thai evolved to express a Buddhistic culture (and a reason why I'd argue that turning MT promotions into hyper-aggressive shows can contain a hidden cultural betrayal), but as you can see from the Usain Bolt analogy, in the West we can understand this kind of "ease into the tape" signature of superiority. Even in Western boxing we can admire the artful boxer who just toys with his opponent's aggression with an artful jab, evasiveness or movement (think Ali or Mayweather), its not all that far from parts of our own sports values. It's enough to say this led to a really interesting analogy Sylvie gave me regarding the much derided 5th round dance off in Thailand's Muay Thai. Let's say right off there are admittedly big problems with the 5th round dance off. It's safe to say that it is an aspect of Muay Thai that has become distorted and exaggerated, and not only produces unexciting ends to fights, its become the signature of big name gambling's powerful influence in the sport. This post is really about the underlying logic of the dance off, and besides its current flaws, what positive values it is expressing, helping explain how it is also viewed. Why do two fighters dance off the 5th round at times? Why does a fighter who is behind not keep trying, keep fighting?! When one fighter is signaling an insurmountable lead, why isn't the other fighter "heroically" relentless in pursuit? Chess Gives A Clue Sylvie's analogy comes from Chess. In Thailand's Muay Thai there is a definite "Gentleman's Sport" ethic that works to compliment it's absolute violence, so Chess is an interesting parallel. She said to me: In chess once you've gotten to the place in the game where you know by sheer logic you are going to lose you tip your own King over and resign. Masters will resign in positions that casual viewers might not even understand. There are a lot of pieces on the board! What a player is doing when they resign is showing their IQ for the game. If you continue fighting to win from unwinnable positions you can be signaling your inability to even see the board. Yes, your opponent may make an unexpected blunder. Yes, there might be buried in the position of some improbable ability to leverage a draw, but largely what is happening is that you are placing yourself ABOVE this particular game. If you struggled forward, not really realizing your fate, your would be signaling to your audience and your opponent you lack understanding. You can't see. This keys into deeper Thai cultural views that regard sheer aggression as low IQ and somewhat animalistic (non-human). You don't understand Chess. Now, there are all kinds of Chess players, and some of them may become famous for fighting out of bad positions and stealing draws. This isn't to describe what one should do, it's to explain the logic of why a losing fighter would choose to dance off. They acknowledge the board position, they are above this particular match/game. Thai fighters fight a LOT of fights. The tournament of a career is composed of many games. Now, once you get the logic you can also see where the problems are. If there are TOO many sprinters coasting into the tape. If there are TOO many fighters touching gloves in the 5th round, the "board" of the game is being influenced by something (or the match making is very poor). In these cases its explained that the chess board of the fight, the position that fighters are responding to, involves the heavy thumb of powerful gamblers. You touch gloves not only because of the "position" of how the fight was fought, but also understanding the powers that shape the fight as well. You can see that the lead in front of you is of a type that you would look stupid if you fought against it. You would look like you didn't understand the game and how it is won. How the 5th round is fought has changed over the decades, to be sure. It has stretched too far into a direction, but the logic of the danced round remains the same, that of the Chess match. Taking Ideology Into Context Too I also think that there are cultural elements that make this hard to read from a Western perspective. In the West we have a big celebration of the Little Guy. In the mythology of the West we have the story of the insignificant man who through "hard work" overcomes all odds against him. There is not only great romance over this ideological story, fighting itself has been an entertainment form that expresses this romance. We see this in the entire Rocky Balboa Working Man franchise. For us a lot of fighting is about this. I do think these stories resonate with Thai storytelling. Great fighters of the past who became champions out of rural provinces, fighters like Samson Isaan (who literally took the name of Isaan), do represent a kind of working class, provincial victory against all odds, but this is in the context of a much less socially mobile society, than say America. The much older cultural stories of Thailand are ones of hierarchy, and layered, group-bound peoples. Part of the "checkmate in waiting" acceptance is probably best understood in this wider lack of mobility, a lack of a more highly Individualistic Self-Destiny mythology (which contains its own social ills). In "seeing the mate" in advance you to some degree transcend your situation by demonstrating that you understand it, you see the position on the board from above, you have that IQ...but you are also trapped by it, you accept THIS loss, in the name of having perhaps a better chance to win the next time. This isn't to say that dancing off the 5th round is the right thing to do, in any particular fight, or even to say that the practice of the 5th round in today's Muay Thai doesn't need to substantively change, it does. But it's to explain the logic of it. Today's Muay Thai in Thailand is trying to take the big name Gambler's thumb off the scale, not an easy task because gambling itself is woven into the seriousness of matches, a fighter's identity, and the passion for Muay Thai itself. It's instead to try and explain the nature of some of the thinking that is beneath a 5th round performance. It is not just fighters taking a break "because they fight so much". It's locating yourself, positioning yourself socially in the game, a game you are ultimately trying to win. If interested in my thoughts on what I believe underlies Thailand's Muay Thai can see my article on the "6 Core Aspects" https://8limbsus.com/muay-thai-thailand/essence-muay-thai-6-core-aspects-makes
    • Clinch Devolving Channel 7. Muay Thai has gotten into a very bad habit of when there is a lead the ref just breaks clinch the moment it gets to the rope. This leads to just a fighter chasing to the rope, and then break, over and over and over and over. If refs would just let these positions on the rope cook for a bit, they'd start to degrade, and the fighter with the lead would have to do more than just wait for the ref. Main event today. An early count just led to endless ref breaks. Let clinch breathe. It builds skills, narrative.
    • This caption (below) says "Honestly, this fight was more exciting than ONE", from Remina's page https://www.facebook.com/watch/?v=3793175460900201&rdid=anii3llwrR2LSV4j
  • The Latest From Open Topics Forum

    • In my experience, 1 pair of gloves is fine (14oz in my case, so I can spar safely), just air them out between training (bag gloves definitely not necessary). Shinguards are a good idea, though gyms will always have them and lend them out- just more hygienic to have your own.  2 pairs of wraps, 2 shorts (I like the lightweight Raja ones for the heat), 1 pair of good road running trainers. Good gumshield and groin-protector, naturally. Every time I finish training, I bring everything into the shower (not gloves or shinnies, obviously) with me to clean off the (bucketsfull in my case) of sweat, but things dry off quickly here outside of the monsoon season.  One thing I have found I like is smallish, cotton briefs for training (less cloth, therefore sweaty wetness than boxers, etc.- bring underwear from home- decent, cotton stuff is strangely expensive here). Don't weigh yourself down too much. You might want to buy shorts or vests from the gym(s) as (useful) souvenirs. I recommend Action Zone and Keelapan, next door, in Bangkok (good selection and prices):  https://www.google.com/maps/place/Action+Zone/@13.7474264,100.5206774,17z/data=!4m14!1m7!3m6!1s0x30e29931ee397e41:0x4c8f06926c37408b!2sAction+Zone!8m2!3d13.7474212!4d100.5232523!16s%2Fg%2F1hm3_f5d2!3m5!1s0x30e29931ee397e41:0x4c8f06926c37408b!8m2!3d13.7474212!4d100.5232523!16s%2Fg%2F1hm3_f5d2?entry=ttu&g_ep=EgoyMDI0MTAyOS4wIKXMDSoASAFQAw%3D%3D
    • Hey! I totally get what you mean about pushing through—it can sometimes backfire, especially with mood swings and fatigue. Regarding repeated head blows and depression, there’s research showing a link, especially with conditions like CTE (Chronic Traumatic Encephalopathy). More athletes are recognizing the importance of mental health alongside training. 
    • If you need a chill video editing app for Windows, check out Movavi Video Editor. It's super easy to use, perfect for beginners. You can cut, merge, and add effects without feeling lost. They’ve got loads of tutorials to help you out! I found some dope tips on clipping videos with Movavi. It lets you quickly cut parts of your video, so you can make your edits just how you want. Hit up their site to learn more about how to clip your screen on Windows and see how it all works.
    • Hi all, I am fortunate enough to have the opportunity to be traveling to Thailand soon for just over a month of traveling and training. I am a complete beginner and do not own any training gear. One of the first stops on my trip will be to explore Bangkok and purchase equipment. What should be on my list? Clearly, gloves, wraps, shorts and mouthguard are required. I would be grateful for some more insight e.g. should I buy bag gloves and sparring gloves, whether shin pads are worthwhile for a beginner, etc. I'm partiularly conscious of the heat and humidity, it would make sense to pack two pairs of running shoes, two sets of gloves, several handwraps and lots of shorts. Any nuggets of wisdom are most welcome. Thanks in advance for your contributions!   
    • Have you looked at venum elite 
  • Forum Statistics

    • Total Topics
      1.4k
    • Total Posts
      11.1k
×
×
  • Create New...