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A faith renewed in the hope and future of Muay Thai, beyond its Farangification


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The Farangification of Muay Thai

This is just a little personal journaling. Usually I like to write on History or Philosophy but today it's just a sense of relief that I unexpectedly experienced over the last few days, filming with Sylvie for our documentary project. This strange sense of ease that came over me made me realize just how much a tension had filled my Muay Thai mind over the last several years, as I watched rather quiet changes creep across the landscape of Thailand's Muay Thai, most of the time with rather small, innocuous steps, but then also suddenly with vast lunges (like for instance the utter change of Lumpinee itself from National Stadium and the acme symbol of Thai excellence, to really a commercial space for Muay Thai tourism, not much different in philosophy than stadia found on the Southern islands or peninsulas). There just has been a rather powerful change in Thailand's Muay Thai, in that so much of it now is "for us" (that is to say, the "us" of Westerners, of which I'm a part). It's now been - slowly, or quickly - redesigned for "us" to watch, and maybe more importantly, for "us" to participate in (and win in). The rare spectacle of the 1990s, during the Golden Age, where hyper aggressive Western Kickboxers would face off against outsized Thais, just for the circus of it, while Lumpinee and Rajadamnern put on the highest combat sport fights on the planet, Thais against Thais, that circus now has become the standard...the norm. (And, a new generation of Thai audience before a buffet of entertainment options has embraced it, for excitement sake.) And, it's not only in the stadia, it's quietly in the gyms. Thai gyms, even high levels, or the highest level (ie, most politically powerful) have had their gym cultures impacted by the Westerner. They are more and more catered to the Western (and non-Thai) fighter, bending their sense of self toward its gaze, changing their training methods, their reason for being, toward the Globe. Large gyms now, gyms that shape Bangkok promotions, are run by Westerners, and Westerners are holding pads, guiding fighter development. The entire edifice is now leaning West. Of course Westerners who come to Thailand to seriously train and fight often love it, because the Thai gaze is turned to them, and when they arrive they find things that are familiar, more of who they already are (as opposed to, for example, fighters like Anne Quinlan and John Wayne Parr in the 90s who had to conform themselves to very unfamiliar spaces in order to work into gyms). And, when you fight you have a much better chance of winning, because the Entertainment rules have been bent toward you, toward your skills, and more importantly toward your aesthetics...what you think fighting is. More and more the sense of the foreign, the sense that you have come to a place where everything you thought was implied by fighting was perhaps wrong, is being weeded out. This is the Globalization of the sport. It's Thainess is starting to vanish.

A great deal of this was accelerated by the COVID epidemic. As much as 20% of the Thai economy is tied to Tourism and all the connectivity between world-bound humans that facilitated the spread tourism also facilitated the spread of an epidemic. Thailand was put into a potential economic shock, and in coming out of the COVID lockdowns Thailand found itself in a difficult place. They either needed to lean away from, or lean into, tourism on the rebound. Thailand leaned hard into it. Many of the changes to Thailand's Muay Thai in the last couple of years, including the Internationalization of Lumpinee stadium (the loss of its prestigious ranking system and belts) has been an all out effort to recapture the Western tourist (and eventually the Chinese tourist - most of the Max Muay Thai influence comes from the promotional redesign of the sport around bussed-in Chinese tourism, a standard component of pre-paid tours). It could be said that Lumpinee has become something like a highly developed, richly promoted version of Bangla Stadium, with almost every fight between a Thai and a non-Thai. This is in keeping with just the brute reality that the appeal of Thailand to foreigners is vital. Muay Thai is for foreigners, it's tourism rather than culture.

Over the last several years, as training methods have changed in gyms, with more and more memorized "combos" being held for fighters, even as non-Thais have taken over training itself, acquiring places of authority within the culture, the gym has become a less-Thai space, often in hidden, not-easy to see ways. Very often as the foreigner we can't actually "see" when a culture bends itself toward us, because it's "for" us. We assume that this is either just "natural", or as it is bending towards us over time, our ease with it comes with just acclimation. I remember a few years ago when a Westerner asked the lead kru of a family gym "What is your favorite combination?" This question was nearly untranslatable into Thai at the time...because the idea of a rehearsed and repetitively trained "combination" as a core of training wasn't in the Thai landscape, at least in this gym. (There will be Westerners who read this and be mystified by the idea that there could be training without "combos". I talked once with a very successful Western coach who relies on them heavily and he was incredulous that there was such a thing.) It would be like asking someone who speaks English "What are some of your favorite phrases?" This compartmentalized, mechanized concept of fight fluency was still foreign, at least at this gym. Muay Thai was more like a language, and taught like a language through immersion. This is just to say, as the Western student has become embraced in the wave of reclaimed Tourism, the very concept of training and its pedagogy has changed, very often in a spirit of accommodation (more correction, more mechanics), but also sometimes in a spirit if imitation and "improvement". There has always been in the back of the mind of Thai culture that it could be bettered by more "modern" (ie, historically Westernized) ways, this suspicion has lasted for more than 150 years, so this transition towards Western concepts of training is not without willing Thai ascent. Protein powders and mythically powerful supplements are also involved in this modernization toward the Western eye and mind. There is always an element within the culture which will feel that turning toward the West is a sign of improvement (the presence of Treadmills, heart rate monitors, or other equipment is a common symbol or statement of "modern" training...you could find such signatures of "modernity" all the way back to Thanikul gym in the Golden Age), and leaving behind the provincial or superstitious, the "backward", even though so many of the Thai ways that make up the process and history of Muay Thai are the very things that made it the best fighting art in the world, and their fighters the best fighters in the world as well. Those of the West that come to Thailand to witness the Muay Thai of Thailand often do so because they do "fighting" like nobody else, with the sense that all of the modernization that the West pats itself on the back for isn't really the path to elite skill sets. That this battle between cultures plays out now on promotional stages which have been skewed to actually produce Western (and other non-Thai) wins, is just the change of the measure.

All this is to say, there has been buried within me a kind of abiding sadness, I think, something I was not completely aware of in its depth. A pessimism. We experience a lot of different Muay Thai spaces and many of them read as very "Thai". We hang out with legends of its past greatness. We go and visit Rambaa's gym full of kids. Sylvie trains in small gyms...but all of these experiences are also shot through with transformations toward the West. Legends now not only teach their own Muay, learned from decades at or in the ring, but also teach things they've picked up from licensing seminars they've taken, or from watching successful other Thai instructors doing seminars. (I remember very accomplished Thai ex-fighters watching Saenchai giving a seminar, taking notes. When you train with a Thai great they may be teaching you something they learned THIS year.) Rambaa's little kaimuay plays UFC fights on a flat screen and has a cage. The little Thai gyms Sylvie trains at are also impacted by Westerners, both in culture and in method. This week's experience just made me terribly aware of how few "non-Western" Thai spaces there are that we run into now, a change in the decade that we've been here.

But the reason for hope came because on a single day we ran into two completely different Thai spaces which had almost no Western fingerprint. And, because these spaces did not feel rare. They did not feel like a vanishing species. Instead they just felt like a layer of Muay Thai culture that exists just beyond the curtain which has been drawn to keep in all the Western or International attention. The first of these was Chor. Hapayak gym, North of Bangkok. You encounter these gyms which have a kind of citadel'd, "keep out" nature. Paranchai in the South is a bit like this, or Pinsinchai gym in Bangkok. The Muay Thai can feel very cloistered, in a closed social system governed by a single head man. This gym had that feel. A big, extremely muscular pit bull galloped hard after a small truck down the one dusty lane that lead to the gym, barking hard. He was a unit. When he came to sniff at us a Thai boy was sent to grab and fence him, put with a bitey Rotty who was already on lock down (who honestly looked very sweet). I mention this because the dog's response to even an ice-cream cart coming showed how infrequent outside visits are - his robust guardianship was sidelined in accomodation.) Mostly though this hidden away feeling came to me in the way that all the Thai boys jumped rope together, and then sat altogether in the ring after training in a very small circle. It just was very clear that all they had was each other. This boundness comes out of the social condition of the kaimuay, and out of perhaps aspects of more traditional culture which would draw critique from a concept of personal liberty and free agency. The Muay Thai of Thailand though comes out of these social forms. When Sylvie asked kru Bangsaen if Westerners would be welcome to train there he said "Yes"...but then he added "But they can't leave."...which meant that you couldn't come and go as you will, as if you are are on an adventure tourism vacation. I'm not even sure what entirely was entailed in "They can't leave." but it was strongly connected to this sense of boundness, and ultimately a family of a kind. The freedoms of fighters are tightly monitored. This just wasn't a gym space that was YET bent toward the Westerner. They had the legendary fighter Wangchannoi helping out, but he did not appear to hold high status in the gym. He was just helping out with the flow of bound work. But...there were still signs that the West was coming. Fighters were encouraged to come and shake hands with us (beyond the Thai wai). One kid showed his cultural fluency by giving me a bro handshake and hug. And, when we came the next day the kru had changed his mind and told Sylvie that Westerners were wanted at the gym, that they could come and go as they pleased, could stay at this hotel or such, after 24 hrs of thought. Already the boundness of the gym was eroded, in a single day.

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There is also some sense in which Westerners might hear of such a place and be excited by it. Where is the next "unspoiled" beach!?...so we can go and start its spoiling. A large part of the urge to travel is to find what you are not. In the West we want to find unpolluted beaches because all our beaches are grimy and polluted. Sitting in an emerald bay with blemishless sand is what we cannot have on our own. So, for some, there is a sense in which the traditional ways of Muay Thai may hold not only technical secrets, but also emotional secrets to what fighting is. Coming to a place which does not reflect your own Western face back to you, as if in a mirror, provides a sense of relief, and even can be a path to transformation, or healing from the wounds or pressures that being a Westerner incurs. And, it should be noted that a great deal of what Sylvie and I do is opening keyholes into people & knowledge that cannot be easily found. And each time we keyhole there is a risk of its transformation. Now, for instance, Chor Hapayak gym is open to Westerner fighters (students?) when before it seemed like it wasn't something they had ever thought much about. The ethical reef I find myself drawn to in these questions is that of ecology. If you want to find pristine beaches then work to keep them pristine. If you want to find "authentic" Muay Thai gyms, then work to keep them that way, which means maybe taking stances on larger commercial and economic trends in the sport in Thailand. Be aware of what you are changing it when you touch something.

And, it is not without merit to note that as women have experienced more freedom of opportunity in Thailand, not only in terms of fighting, but much more notably in terms of training, along has come with this many of these other globalizing changes. That, as well pull more traditional forms of being toward an international scale of gendered equality and freedom, other aspects of the culture may be attached to those threads. The much more aggro-fighting aesthetics of the West are coupled to, let's say, MMA's embrace of the marketing of female fighters. It is not easy to parse these differences. At Chor. Hapayak gym Sylvie was asked not to train in the rings, as a woman, governed by the same beliefs that kept her out of the clinch ring of Lanna Muay Thai so many years ago, in Chiang Mai, and that barred women from even touching the ring of Lumpinee. With the sweeping embrace of Western (and International) values of equality, so too have come other somewhat incipient value changes towards fighting itself: Its promotional violence, it's aggression scoring, its lack of control aesthetics. These are not disconnected, though their relationship to each other is not directly causal either. In some odd sense, the dream of some women to eventually fight and compete at a high level at Lumpinee Stadium (a dream that Sylvie had once) actually in a monkey's paw way involved the absolute erasure of what Lumpinee was as an ideal stage of hypermasculine, control Muay Thai).

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The other experience of relief and hope was a very different experience. We had trained and filmed with the former Fighter of the Year Jaroensap (he won in 1993) at his small but active gym in Bangkok some years ago. I'm not entirely sure why he moved locations. My guess is that it too had to do with the ways that COVID impacted the sport of Muay Thai, shrinking the sport as many fighters prematurely retired, returning to the provinces to more modest, more economically sustainable oriented ways of life. In any case Jaroensap had moved his gym from in the city to high above Rangsit, to be found now at his family home where he had built a substantial ring and hung a few bags. It was as if he had reshored himself within the local community and created a Muay Thai anchorage. When we trained and filmed with him this time he said he had 3 fighters on cards the next day, so he had plenty of time to train...the gym is quite small. But it is filled with his personality, and his elite knowledge of the sport. How to make a fighter...how to fight. His work with Sylvie consisted of padwork, followed by sparring, and it was evident to her that he works personally with his students, on a daily basis, in just this way. Something that didn't feel as proximate at the old location, the first time we filmed with him. We brought Karuhat with us (who had fought with Jaroensap in their primes) and as Sylvie trained in the ring the grandma, the wife, a cousin (who Karuhat said was a gambler) all ate toothsome snacks and talked with animation about things we could not hear. Bright sunlight and what looked like sugar cane much taller than a man waved in a continuous, running breeze. There was a legend of the sport who trains his son and a few local boys in the ring he built, in bright sunlight, passing on his personal, body-earned knowledge, as the family sits below the ring and talks vibrantly about the day. All of this was just Thai Muay Thai. There was no mirror to look into and see one's own face reflected back. Sylvie was just a very odd anomaly there, a 100 lb woman being tossed around the ring, trying to learn and respect Jaroensap's knowledge, his joy for the sport's form...and the grandma laughed loudly every time Sylvie fell. Next door a few young children lounged as the heat of the day faded, and some men sat and carefully washed the fighting roosters under their care as they watched Sylvie and Jaroensap in the ring; quietly, some curiosity, but only long enough to finish their tasks.

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I wanted to write more in journaling way, because it really was how I was impacted by these gym experiences. We've been in a lot of gyms, trained and Syvie's fought in incredible variety, but this was the first time I've just had a sense of hope wash over me after filming. It made me realize just how much I was holding a pessimism in my heart because of just how farangified everything seems to have become. And even with the sense that we've been a part of it, as we hope to make people aware of vanishing aspects of Muay Thai that are at risk of being lost and are worth saving, worth respecting. I was very surprised by this sense of relief, because I had always had the sense that Muay Thai doesn't really belong to the big stadia in the Capital, but more that it belongs to the people of Thailand, to the provinces, and the fighters of yore, to the customs and ways of thinking about what fighting could mean, in a positive way, in a way far beyond "entertainment". We left the day, driving home in the fatigue of Bangkok traffic snarls and a haze of pollution which could be industrial smog or smoke from burning farmer fields, with a sense that the Muay Thai of Thailand still exists in resilience, in resistance to even the transformation of Lumpinee Stadium into a venue, and the endless farang vs Thai matches that fill television and mobile phone screens. For more than 150 years of Siamese & Thai "civilization" in its imitation and absorption of the West Thailand's Muay Thai has persisted, through its own kernel, and there was this sense in me that it's still here, living, thriving, just beyond the Globalizing reach of the Western and non-Thai hand. Muay Thai, like any expression of a culture, is a Way of Life. We should have an ecological view towards the ways of life that hold special knowledge and meaning, even as we criticize or attempt to improve them. I actually believe that Thailand's Muay Thai, in so far as it is a cultural expression of a people, connects us to some of the most meaningful and even rite-driven aspects of what fighting and combat sports may mean. It is far more than "entertainment" and insofar as it should be a tourism draw that could best be founded on its exceptionalism, which includes the cultural values it has come to embody over the last century if not quite a bit more.

 

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    • from the same commodity article I've been citing, here a very important transition from exclusivity to authenticity, as the distance between (knowledge) production and (knowledge) consumption shrinks, and duplication or imitation increases. This genuinely is where we are with the invasion of the "combo" from the West, really a technique "duplication" mechanism, attempting to copy and reproduce for export the more nuanced knowledge of traditional Muay Thai production. Notable is that, as rule changes have come to emphasize the de-skilled combo (clash fighting, KO bonuses, aggression and volume valorization, down-regulating defense and control), the counterfeit becomes woven into production itself...and, one suspects that "authenticity" will rise as a value marker, due to this collapse.   
    • I've been thinking about how to write about this. A few sketched out ideas. Sylvie's chosen path to fight a LOT - and as it turns out more than anyone documented along several criteria, but it wasn't really the ambition - was because when we came to Thailand we were pretty surprised by a few things. The first was that really there wasn't a huge gap between very experienced local circuit Thai female fighters, and nominal "World Champions". It was more a small question of degree, which meant that if you were a high practicing circuit fighter you already were not that far off from "World Champion" level. At the time - and maybe this has changed some, in part due to Sylvie's example, now fighters count and even probably exaggerate their fight totals - the goal was for foreigners to come to Thailand and win belts. As there was no substantive difference between belt and no-belt, and as Sylvie's actually goal was to just get increasingly proficient in Muay Thai, to come closer to it in its cultural form, pursuing belts really wasn't very interesting, especially because being booked for a belt fight at the time was largely in the hands of a few powerful gyms that were promoting their name to Westerners. She didn't really want to fight in the high profile Tourism layer of Muay Thai, the layer that was big gym steered. Instead it seemed that the best way forward was to just fight. And fight a ton. The Thai gambling social form of Muay Thai, and other cultural constraints, made it so that Sylvie would never really be given an easy match, once she became known, and as she increased the size of her opponents - a luxury she had because she was only a 100 lb fighter, and she could practically go up and up and up as long as her skill kept pace - there was a huge talent pool of Thai female fighters in the traditional Muay Thai scenes.  She began detaching herself from gym control (extremely hard to do), in part because gyms have social obligations to specific promoters, and in part because gyms also have incentive to force matchups that (at times) unduly favor their Western fighter, and booking her fights in various regions of Thailand, moving from provincial fighting, to local tourist oriented scenes, to Bangkok big broadcast shows, from the North to the Northeast to the South. It really was profound, and uniquely freed fighting because all that mattered was that the fight was fair and challenging, the exact recipe for unique growth (a sign of this babybear match-making is that she really held a 70% or so win rate as her opponents went up in weight. It really was an ideal Milo's Calf condition), building-in increasing handicaps, one that I don't believe can ever be duplicated because of how much Thailand's Muay Thai has been infiltrated by the Soft Power economic imperative, digital image-making, and how female fighters themselves have come to be reinscribed in the Thai power dynamics of Entertainment Fighting. Promotions and gyms now value and control Western (and Thai) female fighters in much more restrictive ways that produce a limitation of opportunity and experience. Restrictions indeed existed before, but today female fighters have been woven into other more hierarchical interests that are unlikely to recede. It really was that she didn't want to be fighting for belts that were politically arranged (even if great opportunities), or to have people controlling her matchups to produce regular advantages so to secure an image of dominance. Images of dominance in Thailand's Muay Thai actually often close down opportunities, and it was our feeling that as traditional Muay Thai itself is undergoing widespread deskilling, the one sure fire way to continue to grow was to fight, climbing an increasingly steep grade. The fight, if the thumb is not unnaturally on the scale in your favor, is the one (fairly) unblemished experience that grew knowledge and capacity in the sport. Thais fought a lot in their development, Sylvie would just take this principle and maximize it as an adult who came to the sport later in life, detouring the various prestige honey-pots and power imbalances that could trap you, cut you off from what was possible in you. Key was working at Thailand's talent-rich margins, and creating a vast network of promoter and gym relationships so that you never became too advantaged in the ring...advantage that came as bias to all Westerners who have been part of Thailand's embrace. Sylvie was setting a path on the edges of the sport, a sport which had a quite vast provincial base, much of which Westerners did not really encounter.  The result of all this, of literally 100s of fights of increasing size difficulty, in the traditional - nuanced - mode of the sport is an extremely grounded - she hasn't been knocked down in over 1,000 rounds - defensively robust (a gep awut 4th round imperative) fighting style, that is very, very attuned to narrative scoring (it has to be, because that's how trad scoring works), all built around Muay Khao and clinch dominance in a very small, 100 lb body, quite in contrast with the more common body types and size around which Muay Khao usually is ascribed. An absolutely unique fighting capacity, that was made out of its fight path...along with the continuous influence of really unparalleled documentary work, which also has been no small part of the story. But it really came from shunning advantage, and false pictures of mastery. It came from just doing. And it came from a certain kind of invisibleness, the ability to slide across power barriers that can capture many others, at a different time in Thailand's Muay Thai history, a time of a perfect relationship between connectivity and tradition, in a sweet spot that no longer exists, before Muay Thai was given over to the foreigner in more programmatic, economic, sport-changing ways.   
    • Fighting is just such an incredibly compressive experience. Even one fight, or five. As Sylvie's husband it just boggles my mind that she has fought nearly 300 documented fights, even at the human level, stepping into the ring that many times, in a sport and culture she was not raised in, was not acclimated to in her youth, but rather came to love and grow into, earning her physical and emotional compassry, day by day, year by year. Just the sheer numbers of that compression spins my mind. Over and over and over. Stepping into conflict fire to learn the art of shaping under duress.  This week Sylvie had one of her more typical matchups. Refusing to fight in tourism's Entertainment Muay Thai, especially since COVID, she's positioned herself at the margins of where the Internet light usually shines, in provincial festival fights and in local city scenes where traditional Muay Thai is still trained for and fought. And giving up substantive weight so matchups that test her, grow her, can be had. This time it was in Hua Hin vs Linping who is a 53-54 kg fighter who often faces significantly bigger Westerners. She's tested herself. But Sylvie is giving up 6-7 kgs going in. Not all that unusual for her, in fact about half her fights have been 3 or more weight classes up.    What I'm writing about here is something much more simple, something more elemental. Sylvie - by far - has fought up more than any female fighter in documented history, likely by a very, very large margin. Speaking of the compressiveness of fighting there is something that is even more intensely compressive when fighting someone larger than you, and even distinctly quite bigger. The body itself seems to experience the danger, the risk, at a very base level. You stand there, they stand there, the size can just be felt. She's very experienced in this, and has developed any number of tools, both technical and psychological, to mitigate that, but just as a witness, there is some level at which nothing can be done. It just is going to compress you. And that she has done this for such an enormous number of fights is kind of insane and unknowable. She looks at large opponents and her mind now sizes them down. They don't seem that big, but at a real and substantive level the emotional body knows. And I stand in awe at this mountain she is climbing. She has made an art of the duress.    
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