Jump to content

switching to southpaw reasons?


Recommended Posts

(Im new to this so I dont know if my formatting is correct or if Im posting in the right place, sorry)  I am heavily interested in the Muay Khao style of fighting, I noticed that Sylvie noted that she switched to southpaw after years of being orthodox in her Muay Thai Library on Patreon. Are there reasons that anyone or Sylvie herself changed to southpaw? Since most of her opponents seem to be orthodox, is it because her left knee to the orthodoxes open side is more available instead of having to switch stance? 

Thank you for everyones responses in advance!

also as an introduction since this is my first post. Hi! Im Carter, im 17 and I started Muay Thai in August.

Edited by Carter
  • Nak Muay 1
Link to comment
Share on other sites

Thanks for studying the Library and supporting it!

That's a good question. There are general reasons why southpaws have advantages over orthodox fighters, and this reasons are even bigger in Thailand because Thailand scores openside strikes higher than closed side strikes. The southpaw fighter has an open power alley to that open side, with the rear kick, a spearing knee and the left straight all "open". Of course the orthodox fighter in mixed stances ALSO has his/her power weapons "open" to attack the open side, but the supposed advantage is that there are many more orthodox fighters than southpaw fighters so southpaw are more comfortable in this faceoff of power side weapons, have spent much more time evolving their game to take advantage of it. For instance a lot of Thai southpaws traditionally developed very big left kicks (Yodsanklai is a perfect example, but there are many).

In Sylvie's case though, it was for a different reason. As a caveat, lots of traditional Muay Thai training and older forms of Muay Thai were taught ambidextrously. There was much less of a single stance emphasis. This has really changed in contemporary Muay Thai. In the Samart Payakaroon session you can see this, Samart tells us he doesn't even know which stance he is, southpaw or orthodox. There are several sessions in the Library which show this ambidextrous quality from the older school. So switching is part of the heritage of Muay Thai.

In Sylvie's case the move to Southpaw was recommended by the legend Karuhat who had cornered for her quite a bit, and trained her many times, as a solution to a problem she was having in orthodox. Sylvie is a Muay Khao fighter with lots of emphasis on clinch. From orthodox she had a problem with her primary grab with her lead arm. She would overturn. Which is to say the arm would wrap around too deeply, with the elbow behind the neck, and she would find herself somewhat bladed, with her lead foot between her opponent's feet. This is a very disadvantageous opening position for clinch. She would work her way back to positive positions most of the time, but against a few adept clinch fighters it would result in bad rounds or losses, because she started with a disadvantage. Karuhat moved her to southpaw to basically short circuit this clinch grab and overturn, and make her more squared up in initial clinch positions. Also, he reasoned, putting her power side up front (her right handed power) would give her more confidence in space, make her more offensively potent.

Karuhat himself was a beautiful switching fighter, so in a way it wasn't really to become southpaw, more so as to build it that side of the attack and defense, so that one could switch. But first Sylvie had to commit to just Southpaw. I think she did so for two years. If you don't commit to it you just back out of it once you get stressed or uncomfortable. You have to learn how to solve problems from the left side. It takes time.

A few things were pretty apparent. The first is that it did seem to correct the clinch overturn grab, and make her more square. Also, offensively she was more willing to fight in the pocket, and her left kick seemed to come out more easily, without some of the bad habits her right kick had developed. She beat several world champion level fighters as a southpaw.

One of the challenges of moving to southpaw though, was that while offense seemed to get an automatic boost, defensively instincts suffered. This pretty common. You just are not used to seeing strikes from that orientation, you are through The Looking Glass. In Thailand this can be an issue because your openside will be exposed to big scores. As a Southpaw you have to be able to close your openside. Karuhat helped solve this to some degree with the Forward Check, as a kind of defensive cheat, which squares you up some, and also threatens attack (or switching), but mostly this defensive weakness of a new stance was lessened by simply being a pressure fighter. If you are newly as a southpaw and laying back in space, you can be picked off quite easily, but as a pressure fighter the time you spend at risk is decreased.

This is the session in the Library where Sylvie actually makes the switch, you can watch it in real time over a few days, and she talks about the reasons for it:

#20 Karuhat Sor Supawan 3 - Switching To Southpaw (144 min) watch it here 

2x Lumpinee Champion Karuhat Sor. Supawan in this epic video posts installs a limited Southpaw core which leads to developing high level ideas found in his switching style: tracking and attacking the open side, watching for and dictating weight transfer. This is the blueprint of a legend's acclaimed fighting style. 

 

After about 2 years of really devoting herself to southpaw, I believe, Sylvie went back to orthodox, because at that point in her development she felt that the most important next step was learning how to bring more relaxation into her muay, and southpaw still had elements of stress and discomfort in it. What two years did though was to open up the possibility of switching as the occasion called for, more like how Karuhat fought. It built out an alternate side grammar. 

 

I hope that helps!

 

  • Like 1
Link to comment
Share on other sites

Wow, this was extremely helpful. I've been watching some of Sylvie's older fights and kept hearing her talk about the overturning problem and how frustrated it made her. Being able to switch I knew had advantages but I didn't think deeply enough to realize that it can help you fight the way you may be looking to fight (more offensively and defensivley), perhaps switching can also point out mistakes you had in your original stance aswell, and would definitely help you fight against someone who is southpaw because you will have a general idea of the advantages and train to counter that. I can see where her evolution went in that, switching stances was important in her journey for reaching where she is now trying to achieve more relaxation. That is absolutely beautiful. And as an aspiring pressure, muay khao style, fighter myself I'll have some more things to look out for and pay attention to. And I really appreciate the link to that video.

Again, thank you!!!

Edited by Carter
  • Nak Muay 1
Link to comment
Share on other sites

This is something I reflected on a lot the past two years when I moved to Myanmar. I'm left-handed but orthodox. In lethwei the fight style is different, you don't strike and move back to original position, rather you move forward and strike and strike again whike going from southpawto orthodoxand to southpaw again. For example you do a jab cross left knee/kick (as orthodox) while doing your cross punch you move forward end up in southpaw position and knee/kick from southpaw stance (rather than do a switch knee or switch kick). And in lethwei you often practise both stances while doing pads. It doesnt look very elegant. But. The benefit for me has been injury control. I have one bad knee and being able to switch stance better has easened the pressure on my bad knee, I use both sides of my body in a more balanced manner. However it messes up balance and you need to learn how to place your feet correctly. But as injury prevention it's gold when I feel my bad knee and want to protect it from knee teeps, I switch stance. Maybe from a muay thai scoring point of view it doesn't make sense but for me to manage injuries and keep both sides of my body strong it's been great. Also good for confidence to learn Im strong in both stances.  

  • Like 3
Link to comment
Share on other sites

18 hours ago, Carter said:

And as an aspiring pressure, muay khao style, fighter myself I'll have some more things to look out for and pay attention to.

One of the semi-principles of traditional Muay Khao style is a tendency to square up, I believe, because clinch is a squared-up technique set (mostly). To me this involves principles like keeping your opponent in front of you (not overturning on strike follow throughs), and advancing on the end of strikes (like stepping down after a knee in space, etc). This means often sacrificing power of any single strike, because strikes lead to other strikes, within a kind of squaring tendency. You can see this in Yodkhupon's footwork and pressure attacks, for instance. The Muay Khao fighter is "persistence hunting", setting up for a kill later in the fight. This means that even non-switching Muay Khao fighters of the past were adept at striking fairly square, and sometimes in the opposite stance by situation, and provides a natural connection point to close pressed western boxing.

In the Library an interesting footwork centered recent session is this one on Boran balance, working towards a sense of flow.

#117 Kru Kin Por Promin - Muay Boran Precision, Balance & Flow (93 min) watch it here 

A beautiful session under the instruction of Kru Kin teaching the foundations of Muay Boran, revealing the underlying basics of Thailand's ring Muay Thai. Balance, precision and flow. These are the principles that are the bones of Muay Thai, keys to footwork and transition and effective fighting. 

  • Like 1
Link to comment
Share on other sites

On 5/3/2022 at 1:41 AM, Kevin von Duuglas-Ittu said:

One of the semi-principles of traditional Muay Khao style is a tendency to square up, I believe, because clinch is a squared-up technique set (mostly). To me this involves principles like keeping your opponent in front of you (not overturning on strike follow throughs), and advancing on the end of strikes (like stepping down after a knee in space, etc). This means often sacrificing power of any single strike, because strikes lead to other strikes, within a kind of squaring tendency. You can see this in Yodkhupon's footwork and pressure attacks, for instance. The Muay Khao fighter is "persistence hunting", setting up for a kill later in the fight. This means that even non-switching Muay Khao fighters of the past were adept at striking fairly square, and sometimes in the opposite stance by situation, and provides a natural connection point to close pressed western boxing.

In the Library an interesting footwork centered recent session is this one on Boran balance, working towards a sense of flow.

#117 Kru Kin Por Promin - Muay Boran Precision, Balance & Flow (93 min) watch it here 

A beautiful session under the instruction of Kru Kin teaching the foundations of Muay Boran, revealing the underlying basics of Thailand's ring Muay Thai. Balance, precision and flow. These are the principles that are the bones of Muay Thai, keys to footwork and transition and effective fighting. 

I'm sorry I didn't get to reply earlier I've been busy with school this week! But I'm very appreciative about your efforts to help me find and journey through the concept of southpaw fighting as a muay khao and the idea of the advantage of the ambidextrous ability! Last night I went to my class and was doing pad work and sparring in southpaw. It surprisingly for me was quite comfortable (besides throwing elbows). I REALLY noticed a sort of flow coming out of my pressure due to being able to go from southpaw to orthodox by following through with strikes and making that a step into the other stance felt incredibly fluid. I will definitely continue to do southpaw so I can play with what it can do. A problem I've been running into is learning how to close distance, part of it is cutting the habit of being on the "railroad tracks" as Sylvie likes to describe it and learning how to make angles and have good foot work for muay khao style, but I think that is something that will come to me overtime as i work on it. I forgot who, I think it was Yodkhunpon, that had this beautiful galloping foot work that I'd love to get used to. Just thought I'd give an update to how that journey is going! Again thank you for your help and abundant knowledge on the topic!

 

Karuhat has such unique movement in how his fakes are part of his fluid head and body movement. it isn't a jerk of the body.

Edited by Carter
  • Like 1
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • Many are curious or questioning why I’ve become so focused on fighters of the Golden Age, if it might be some form of nostalgia, or a romance of exoticism for what is not now. Truthfully, it is just that of the draw of a mystery, the abiding sense of: How did they do that?, something that built up in me over many years, a mystery increasing over the now hundreds of hours I’ve spent in the presence of Golden Age fighters - both major and minor. Originally it came from just standing in the ring with them, often filming close at hand, and getting that practically synaptic, embodied sense that this is just so different, the feeling you can only get first hand - especially in comparison. You can see it on video, and it is apparent, but when you feel it its just on another order, an order of true mystery. When something moves through the space in a new or alter way it reverberates in you. How is it that these men, really men from a generation or two, move like this. It’s acute in someone like Karuhat, or Wangchannoi, or Hippy, but it is also present in much lessor names you will never know. It’s in all of them, as if its in the water of their Time. I’ve interviewed and broken down all the possible sources of this. It seems pretty clear that it did not come to them out of some form of instruction. It was not dictated or explicitly shown, explained (so when coaches today do these today they are not touching on that vein). It does not seem sufficient to think that it came from just a very wide talent pool, the sheer number of young fighters that were dispersed throughout the country in the 1980s, as if sheer natural selection pulled those movements and skills out. It did not come from sheerly training hard - some notable greats did not train particularly hard, at least by reputation. It’s not coached, its not trained, its not numerical. A true mystery. Fighters would come from the provinces with a fairly substantial number of fights, but at a skill level which they would say isn’t very strong, and within only a few years be creating symphonies in the ring. Karuhat was 16 when he fought his first fight (with zero training) and by 19 was one of the best fighters who ever lived. Sirimongkol accidentally killed an opponent in the provinces (I would guess a medical issue for the opponent, a common strike) and was pulled down to Bangkok because of this sudden "killer" reputation, but he’d tell you that he was completely unskilled and of little experience. Within a few years he was among the very best of his generation. We asked him: Who trained you, who taught you?, expecting some insight into a lineage of knowledge and he told us “Nobody. I learned from watching others.” This runs so hard against the primary Western assumptions of how Knowledge is kept, recorded and passed, but it is a story we heard over and over. Somehow these men, both famous and not, developed keen, beautiful (very precise) movement and acute combat potency without direct transmission or even significant instructional training. The answer could be located nowhere…in no particular place or function. Sherlock Holmes said of a mystery: Once you eliminate the impossible, whatever remains, no matter how improbable, must be the truth.. All these things that we anticipate make great fighters, these really seem to be the impossible here. They were not the keys, it seems. Instead it appears that it was in the very weave of the culture, and the subcultures of Muay Thai, within the structures of the kaimuay experiences, in the richly embedded knowledges of everyone in the game, in the states of relaxation of the aesthetics of muay itself, in the practices of play, in the weft of festival fighting, the warp of equipmentless training, in endurance, in the quixotic powers of gambling, the Mother’s Milk of Muay Thai itself, which is a very odd but beautiful thing to conclude. It does pose something of a nostalgia, because many of these cultural and circumstantial elements have changed - some radically altered by a certain modernity, some shifted subtly - so there is a dimension of feeling that we want not to lose all of it, that we might still pull some substantial threads forward into our own future, some of that cultural DNA that made some of the greatest fighters ever what they were. It's not a hope to return to those past states, but a respect for what they (mysteriously) created. As we approximate techniques, copy movements, mechanize styles, coach harder and harder, these are all the things that make up a net through which everything slips out. Instead, this mystery, the how did they become so great, so proficient, so perceptive, so smooth, so electric, so knowing, stands before us, something of a challenge to our own age and time.
    • I guess you're in the UK?  If so, do college.  At your age it's free.  As for after college, do what youth allows.  Have a go at fighting.   You pay for uni whatever age you are.  Nothing wrong in doing something in uni in your mid -20's+.  I did a second degree in my 30's.  I would not have been held back by a career as a fighter earlier on.  As you get older, you begin to regret the things that you didn't do, far more than the things that you did.     Good luck in your fight career!
    • I am soon to be 17 and I’ve been training Muay Thai for nearly 3 years now. I also happen to be doing quite well in school and plan to go to uni. However, that all changed when I went to Thailand last summer to train for a few weeks and fight. One of the trainers, with whom I have developed a close connection, told me not to go back home and stay in Thailand in order build a career. “You stay, become superstar” to quote him, as he pointed at the portraits of their best fighters hung on the gym’s wall. After realizing he wasn’t joking, I told him I couldn’t stay and had to finish my last year of high school (which is what I am currently doing) but promised him I’d come back the following year once I was done with school. Ever since, both these words and my love for Muay Thai resonate in me, and I can’t get the idea of becoming a professional fighter out of my head. On one hand, I’m afraid I’m being lied to, since me committing to being a fighter obviously means he gets more pay to be my coach. But on the other hand, it is quite a reputable and trustworthy gym, and this trainer in particular is an incredible coach and pad holders since he is currently training multiple rws fighters including one who currently holds an rws belt. And for a little more context, I don’t think this invitation to become a pro came out of nowhere, because during those few weeks I trained extremely hard and stayed consistent, which I guess is what impressed him and motivated him to say those words. Additionally, I was already thinking about the possibility of going pro before the trip because of my love for Muay Thai and because a female boxing champion who has close ties to my local gym told me I had potential and a fighter’s mindset. Therefore, I have to pick between two great opportunities, one being college and a stable future, and the other being a Muay Thai career supported by a great gym and coach. So far, I plan to do a gap year to give myself more time to make a decision and to begin my training in order to give myself an idea of how hard life as a pro is. This is a big decision which I definitely need help with, so some advice would be greatly appreciated.
  • The Latest From Open Topics Forum

  • Forum Statistics

    • Total Topics
      1.4k
    • Total Posts
      11.6k
×
×
  • Create New...