Jump to content

My Trainer Kru Nu's Philosophy on Sparring - What It's For


Recommended Posts

This is an offshoot of a previous thread I started, on the "light" versus "hard" sparring and how that kind of divides down the emotional line, rather than the physical power of strikes. I wanted to ask my trainer, Kru Nu, about this. He's been teaching Muay Thai for 25 years or so, grew up in a gym that had the very, very early westerners who lived and trained in Thailand, has raised countless Thai boys to be stadium fighters and champions; and has had his fair share of "what the f*** was that?" experiences of people losing their cool in sparring and things erupting into potentially dangerous situations.

Pi Nu General.jpg

My impetus for asking Kru Nu about this subject was two fold: 1) the "Thai sparring is so light," refrain I hear from westerners is often one that I've failed to witness with my own 7 years' experience living in Thailand. Thais don't spar super light, at least not the way that I see it performed by the westerners who are trying to mimic what they deem to be "Thai style sparring." And 2) I've seen some pretty intense sparring under Kru Nu's supervision, where he doesn't tell people to turn it down, whereas I - and probably most coaches in the West, would have done.

With very little kids, like 7 and 8 years old, when they're clinching they aren't allowed to throw knees. Kru Nu tells them explicitly, "if anyone throws a knee, it's a foul." That's so they don't hurt each other, because they don't have control of themselves yet. They're tiny, so the impact is relative to their size, but I think it's more of an emotional precaution - they don't have control of their emotions yet and so they'll knee hard and hurt each other. They're emotionally not in control, so if they get mad they don't have a stick in their hand at the same time, so to speak. Most of the time, sparring or clinching with little kids like this ends because someone's crying. They're learning how to control their emotions way more than they're learning how to do proper technique, although they do get a few pointers here and there. Mostly it's just spending time in the water, as I like to say, and learning not to cry about it being too cold or deep or whatever else.

 

Pi Nu Authority.jpg

Back to adults. The teenaged Thais in my gym have mostly been training for a lot of years, so they've gone through the emotional bootcamp long before they ever get big enough to really do any damage to anybody. We have one young fighter, Maek, who is often my clinching partner, and he's new enough and young enough that he gets a little emotional sometimes. He's ignored most of the time when he gets like this, or he's teased to put him in check. But he's pretty big, 60 kilos at only 13 years old, but a little butterball so he goes with partners who he outweighs but is shorter than. So, with his weight he can do some damage, but with his size and age he's kind of not so dangerous. In contrast to this, the westerners who come to train in Thailand are mostly pretty big, compared to me and Thais. They can do damage before they have any kind of skill, or moderate skill, and they've done usually no kind of emotional formation by a culture that esteems "jai yen yen," cool heartedness. So, you've got giant babies.

Yesterday, my regular sparring partner and I were told to go spar but to go "bao bao," which is Thai for gentle. I've never been instructed to go light before. The reason was that both Carabao (my sparring/clinching partner) and I have fights in a couple of days, so a clashed knee or bruised eye or ego is not on the ticket. I fight often, Carabao doesn't. So, the instruction to go light is more to do with his fight than mine, but interestingly, Kru Nu has credited Carabao's wins in the past with being my clinching partner. In clinching, nobody is ever told to "go light." Just maybe to be more careful with hitting with the inside of your thigh instead of with your kneecap.  So, this sudden "go spar, but bao bao," thing got me thinking. I wanted to ask Kru Nu about how he does sparring at his gym.

I told Kru Nu that westerners seem to think that sparring in Thailand is all really light. He frowned at me when I said this, like "why?" I laughed. I don't know. But then I used the example of this Indian guy, who I referenced in my other thread. He goes too hard (in my eyes) with everybody. He's not out of control, but his power is enough to do damage. In the example I gave in my last thread, he sparred with an Italian who also goes quite hard. Hard vs hard, and Kru Nu said, "they like that, so I give for them." But I reminded him of a match up that was not a syncing of likes, where one guy didn't like to go hard. A few weeks ago he was sparring with a fellow from Spain. The guy from India is cracking these leg kicks and has good boxing, so he's touching up the guy from Spain and then just bashing his leg. The guy from Spain is not super experienced, but not totally green. He does okay for a round, listens sincerely to my advice to teep with the leg that's getting kicked when I talk to him between rounds, but ultimately lays down and sparring is ended with a "TKO" late into round 2. I thought that was shitty, honestly. I asked Kru Nu (yesterday, not when this happened), why he let the sparring go like that. "Because I want the guy from Spain to understand that in a fight, if someone kicks you hard here (he chops the side of his hand into his leg), you cannot ask them to stop. And you cannot stop. He has to understand." And, as I recall, the next sparring session, Kru Nu put the guy from India with Team (Thai, stadium fighter) and he got worked, which Kru Nu had said was, "so he can understand." Keeping everyone in check. 

I nodded my head in understanding when I was listening to Kru Nu. It's what I was saying about hard sparring, how it teaches you that you have to figure shit out under duress. You have to know what contact feels like and how to hide your fear, your shame, your pain, but you also have to be able to not get upset yourself. If you're going to hit hard, you have to know you'll be hit hard back. Kru Nu actually pointed at me, poking my shoulder as I sat next to him on the ring for this conversation. "Sometimes Carabao kicks you too hard, I know, I see," he said. Honestly, guys, I know Kru Nu sees everything but I totally assumed he was not clocking the times that Carabao is hitting me hard. "But you don't get angry, I know you are okay. And if you want, you can show him that you kick hard too and then he understand." I know there are times I've lost my cool in sparring and clinching when I feel like I'm being hit too hard. I've been punished for that by Kru Nu before, basically by him telling me to get out of the ring and go kick the bag and he ignores me for the rest of the session. But I've also learned how to control that shit myself. With Carabao it's a bit harder, just because of his size and the relationship we have in the gym, but with Maek I've learned how to take a too-hard strike, hit him back hard as a warning shot, and then use the next shot as an immediate comparison (much lighter), to let him choose which kind of strike he wants. You hit me hard, I hit you hard, but we can always go back to this. And know what? He always tones it back down. No words spoken. No looks. No complaints. No calling "dad" over, and the escalation in emotion is super short. But I wouldn't know how to do that if I'd never been hit too hard in sparring; if I'd never been overwhelmed and wanted to cry. When Kru Nu lets these big Western dudes bash on each other, he's giving them the same lessons that led me to where I am now, but on a much shorter timeline. These two go hard, they go hard together. This guy goes hard with someone who doesn't reciprocate and he doesn't read the temperature, make him go with someone who will touch him right back (Team) and then some to keep him in check.

It reminds me of the Cesar Milan approach to reconditioning aggressive dogs: put them in with the pack and a natural order will shake out, pretty quickly. I remember taking our dog Zoa to a dog park in New York and she was growling and nipping at some dogs who came to sniff her. I immediately thought to go control her and Kevin told me to wait, let it sort itself out. Sure enough, within 3 minutes the group had figured itself out and Zoa was playing chase with a dog she'd just been ready to fight with. You can't control everything. And if everything is always controlled for you, you never learn to control yourself.

 

 

 

  • Like 7
  • The Greatest 1
  • Heart 2
  • Gamma 1
Link to comment
Share on other sites

somehow I recalled my first ever sparring session in Muay Thai, well actually K1, reading this.

I had experience with full contact sparring from Kali several years back but it was my first time doing any sort of actual kickboxing sparring with gloves, mouthguard, shinpads and all.
I had asked if someone was up for some light sparring with a beginner. and found a guy who was like "sure! lets spar with open hands! don't want a headache tomorrow either" so I climbed into the ring expecting LIGHT and just feeling this out for a first time.

Granted, the hands weren't a great problem even though I sucked at boxing technique but he totally surprised me by starting to throw hard lowkicks over and over.

At least I had learned defence against stuff like that in Kali so I was like "oh, ok, so thats whats going on here? unexpected, well ok then but I'm not just gonna stand and get smashed". I started defending with me own legs as good as my somewhat rusty technique would allow which actually worked better than I would have expected. Then I misjudged his attack and raised the "wrong" leg for a block but had enough time to realise my mistake and pull the leg to the other side for a cross-block that hit right in the perfect spot. It was a hard kick but it didn't hurt me at all since it connected flush with the largest portion of bone just below my knee but we actually had to stop sparring after that because HE had hurt his shin in the process.

Don't know if he took that as any kind of lesson and it certainly wasn't my intention to teach anyone anything as the newbie but I think it can serve as an example for lack of control in sparring.

 

How would you say should people who start at adult age best get into sparring? Start out light to improve and test out techniques without too much fear of getting smashed for mistakes? Hard(er) to get used to the feel and stress? Some kind of mix approach?

  • Like 3
  • Respect 1
Link to comment
Share on other sites

In my opinion light sparring in the physical sense is hard for a beginner as they don't have the technique down enough to go light.  I actually start my students off with reciprocal drilling, starting with 5 for 5 and soft, once they get the gist of the combination they go 1 for 1 and soft, under my watchful eye. Once I feel they exhibit enough control in drilling, they then spar. This may take 1 week or 6 months, depending on how I feel the student can control themselves physically. At my school, sparring is done with solid contact, with the idea of enjoying it, (I don't run a fight gym). Where I go for training, beginners are always started off sparring (if they want to spar) with the more experienced students and instructors.  This is so there is no ego involved, the student knows he/she is with someone who is there to teach and help and not bash. 

  • Like 3
Link to comment
Share on other sites

17 hours ago, Jeremy Stewart said:

At my school, sparring is done with solid contact, with the idea of enjoying it, (I don't run a fight gym). Where I go for training, beginners are always started off sparring (if they want to spar) with the more experienced students and instructors.  This is so there is no ego involved, the student knows he/she is with someone who is there to teach and help and not bash. 

The specification of whether these are fighters or not is interesting to me. Because Kru Nu's philosophy is toward fighting. The whole "keep it light" enforcement in the west, I suspect, is largely because the majority of a gym is made up of clients who are not ever going to be stepping into a ring. The assumption is there's no reason to scare people off, get hurt, get upset, etc. That's bad business. I do believe, personally, that there's a lot to learn from putting yourself under that duress in sparring, even if you never plan to fight. But hey. The worst offenders of this going way too hard, with little emotional control with it, are bullies. They're usually men who want to identify as fighters but not actually fight, so they get their "fights in" at the gym, during sparring. One of the men I've mentioned in both these posts is absolutely that type. I do believe he'd ask to schedule a fight, but likely wouldn't go through with it and, if he did, would never be one to fight regularly. He just wants to pound on people who he knows are controlling themselves.

  • Like 3
  • Cool 1
Link to comment
Share on other sites

In the general class, some of the fighters turn up to train or help. There's generally a couple every class. They are very helpful and knowledgeable and a great help especially to the new guys. I know what you're talking about with the bullies. All of us, the more experienced students,  the teachers with their own clubs and the fighters keep a very good eye out for the bully type. If one is found they usually get toweled up and don't come back. We have a very tight nit sort of thing, not cliquey but tight and don't take kindly to wankers. 

Sorry Sylvie, the above is in reference to where I train, not my own school. I never have any intention to train fighters, 

Edited by Jeremy Stewart
Clarification
  • Like 3
Link to comment
Share on other sites

It's a cop out response on the light vs hard thing, but getting both is beneficial. Like a musician's work time in between playing live shows, the practising vs playing issue. They're not the same thing. The Western dudes mentioned above who just want to brutalise each other in the gym for their facebook but not have fights, it's kinda like a music student who only wants to play through songs at home start to finish, or keep going over stuff that's already familiar. Without actually taking apart the song structure and it's harmony, so he knows that it works without knowing why it works. 

A player worth his salt will do way way more of what the other guy thinks is boring - basically sit there with a metronome for hours, slow the whole thing down, drill, try new stuff, experiment with new phrasing recently learned etc. Sounds like tedious baby steps, but the legit players still do this light sparring way even with 15 years behind them. The musical 'hard sparring' is getting together with other players afterwards for rehearsal and then playing through the songs on the set list before the show. And playing with others, especially live, leads to stronger improvement than anything. But...you kinda need the first way, the practice thing, in order to do the second thing effectively, the playing/rehearsing. If you really wanna be tight and clean.

Best training so far, hands down, was light sparring in the morning session with a teenager with the eyes of an old man - and like, no shin guards and no timed rounds, just continuous. Then in the afternoon, the hard sparring with shin guards, 16s, rounds, and we each had a corner etc. Awesomeness.

O

 

  • Like 4
  • Cool 1
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • As a side thought to the above, this short article talks a little about the history of Red Sonja's vow of chastity and her powers.    One of the things that is brought up in this discussion is that for a woman to succeed in a men's space she often has to perform the kind of split personality contradiction of Red Sonja, either being visibly appealing, or de-sexualzing herself, and sometimes both at the same time (ie, the vow of chastity).  She has talked about having to de-sexualize herself in Thai traditional gym spaces, and how that has negatively impacted her Muay.   
    • Red Sonja, Female Badassery and Liberty Just finished Red Sonja: Consumed by Gail Simone and was pretty blown away by it, much of it probably because I didn't know the character and was just looking for some light adventure reading somewhere near "pulp". I need to relax my mind, and have had a hard time finding the right language for it all, so I thought this would be a vacation and a chance to just enjoy a hardcover book after all the pdfs I plough through. And well, it surprised me a great deal, and in fact it seriously impacted me. Some of this is likely because I have a warrior wife who in real life overcame some pretty serious childhood trauma and violence, and just became an insanely voracious fighter, fighting more pro fights than any woman on documented record, so already I have lived as an intimate witness of the very subject that is being taken on fictitiously, mythographically...and for that reason it cut to the core of many things I feel and even sense from all these years with Sylvie. And, I happened also to be reading Simone Weil's essay on the Iliad in overlap at one point, you can read that here "Poem of Force". The Iliad is one of my favorite works of all literature and Simone Weil cuts the core of what makes it like no other work. Reading the two at the same time, Red Sonja and Simone Weil's essay, actually allowed me to see a great deal of parallel between the novel and the ancient poem of war, and it just took the novel to another level for me.  You can see some of my thought on Red Sonja as novel in this Reddit post and in comments. But now I'm reading back into her character (following the line of fan complaints that rejected Gail Simone's Red Sonja which had removed her chastity vow and her rape origin), and find myself thinking again about the Badass Female Fighter archetype, as it plays within (patriarchial, commercialized) society, something the female professional fighter is always dialogue with.  I ran into these feminist objections to the Classic Red Sonja, who was rape and vow defined, in a very good counter argument essay on female Badassery:    What is also interesting is that Gail Simone's Red Sonja: Consumed addresses and resolves each of the feminist objections to the Class Sonja, placing her within a different (likely feminist?) response to patriarchial desire. Classic Sonja seems born of First Wave feminism with at Paladin like knightly quality of fighting capacity and the renouncing, at some level, sexual desire - the supernatural key to her martial power. Simone's Sonja, at least in the novel, seems more a 3rd wave resolution where liberty consists of being able to follow desire without judgement. The novel also critiques social "masking", and in its materiality seems to lean into a liberty of action close to what Simone Weil describes of the Iliadic world, a world of dehumanizing forces. 
    • I realized something watching Chatchai with Sylvie yesterday, that the order of action is quite important to unlocking Thai style. The foot moves, the weight transfers, and then the strike comes. The mind, the watching eyes, are only there to stop the strike from coming. It is like the archer who just draws the bow and lets it fly. String, arrow, string, arrow. But then the mind could hold the string and deny the shot if the timing isn't right. This is how Thais develop incredible speed in their retreating counting kicks for instance. The mind is only there to hold or delay the release, but the release comes from the feet, from that very moment the feet feel the weight. In this way, one is actually thinking with one's feet because every time your feet move and there is weight transfer the thought, a sort of itch, comes. The mind, decision-making, in this dynamic only acts as a retardant. The difficulty is that many, especially Westerners to the sport, have a different cycle of action. They instead look with their eyes, and use their Mind as trigger man. The Mind begins the propelling action, which then goes to the feet which are not properly ordered (and very often not all the way down to the feet at all, at the shoulder, or thigh, and then starts the strike. It is too late. The thought cannot begin there. Not only is it slow and behind the action, but duress from using the Mind in this way, as the trigger finger, produces tenseness in the body, and squeezes all the channels. The strike cannot come, and then its slowness produces further mental stress. And more, the Mind itself, that is the decisioning, trigger-mind, is not fast enough to follow action and threat. It can be pressured by an opponent and the unexpected. It can be overwhelmed.  This Westernized problem of the mind is sort of "hacked" by the combination, which is a memorized pattern of strikes which take the Mind as decisioning trigger out of their execution...but, they are in their relationship to each other "mindless" in that they are committed-to in their series, and they do not come from thinking feet. Combinations of this sort suffer from many of the same weaknesses, because the are triggered by the decisioning Mind. Not only are they late, they are easily overwhelmed, because their cycle is slow, and the feet are often unorganized. Key, instead, is thinking with the feet, and if thoughts arise from the feet they can also operate in combinations, with the mind delaying timing or shifting strike choice. But the thought, the itch, comes from the feet...which is why moving feet, the shifting of weight, even subtly, is essential for the flow of thoughts. This is likely one of the purposes of the Thai rock, the rhythm. This is a basic tindering of thoughts.  There is another lay of this, which any soccer/football player knows. If you are thinking with your feet and weight transfer springs forth thoughts, then the timing of foot movement becomes central. Steps or shifts or thoughts. In this way for instance a Thai will time the backstep in a retreat and counter such that the foot falls precisely at the opportune time of interception of an advancing fighter. This means the Mind as decision-maker has almost no role at all. The foot retreats, with dance-like sensitivity, and the strike comes. The fighter is tantalizingly close, but yet too far for the opponent, and the strike is almost unseeable. But the same is the case for weight transfers in the pocket, the art of boxing is made of this. The speed of this is mimicked in "combos", but memorizing combos are not thinking with the feet. They are just trying to cut the Mind out in their succession.  Because thinking with the feet is so important, things like constant shadowboxing such that the feet develop the capacity to think, create and improvise, and light, equipmentless sparring, which is like shadboxing, both are central to building the classic Thai style which is marked by ease of movement and its speed of perception.  Below, Yodkhunpon on shadowboxing:      These are related thoughts on stress and delay producing "Precision" training Precision – A Basic Motivation Mistake in Some Western Training -  In that article the decision cycle is talked about in different terms, tracing the rise of tension in the cycle, which is really linked to the decision-making Mind.  
  • The Latest From Open Topics Forum

    • I can only comment on Perth. There's a very active Muay Thai scene here - regular shows. Plenty of gyms across the city with Thai trainers. All gyms offer trial classes so you can try a few out before committing . Direct flights to Bangkok and Phuket as well. Would you be coming over on a working holiday visa? Loads of work around Western Australia at the moment. 
    • Hi, I'm considering moving to Australia from the UK and I'm curious what is the scene like? Is it easy to fight frequently (proam/pro level), especially as a female? How does it compare to the UK? Any gym recommendations? I'll be grateful for any insights.
    • You won't find thai style camps in Europe, because very few people can actually fight full time, especially in muay thai. As a pro you just train at a regular gym, mornings and evenings, sometimes daytime if you don't have a job or one that allows it. Best you can hope for is a gym with pro fighters in it and maybe some structured invite-only fighters classes. Even that is a big ask, most of Europe is gonna be k1 rather than muay thai. A lot of gyms claim to offer muay thai, but in reality only teach kickboxing. I think Sweden has some muay thai gyms and shows, but it seems to be an exception. I'm interested in finding a high-level muay thai gym in Europe myself, I want to go back, but it seems to me that for as long as I want to fight I'm stuck in the UK, unless I switch to k1 or MMA which I don't want to do.
    • Hi all, Does anyone know of any suppliers for blanks (Plain items to design and print a logo on) that are a good quality? Or put me in the right direction? thanks all  
    • The first fight between Poot Lorlek and Posai Sittiboonlert was recently uploaded to youtube. Posai is one of the earliest great Muay Khao fighters and influential to Dieselnoi, but there's very little footage of him. Poot is one of the GOATs and one of Posai's best wins, it's really cool to see how Posai's style looked against another elite fighter.
  • Forum Statistics

    • Total Topics
      1.4k
    • Total Posts
      11.5k
×
×
  • Create New...