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The Spiritual Problematic of the Holy Tiger Ruesi and Tiger Energy in Muay Thai


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On our visit to Wat Khao Aor in Phatthalung, a 900 year old temple that was built around a sacred cave that likely featured worship for a much longer time. There are stories about the elephant-like shapes in the stone of the cave walls for instance. In that cave now are a host of spiritual figures/statuary as the cave has been a place of organized ceremonial retreat, mediation & merit-making for centuries. Among these figures is a Tiger Ruesi, something that has long captured my imagination, especially as I try to figure out the affective/spiritual path of the Nakmuay in Thailand, the particular way in which Muay Thai mitigates, translates, hones & even amplifies violence, alchemizing it into a artform, and a possibly a minor practice of transcendence. The Tiger Ruesi - and there are many differing tales, and likely differing Ruesi with a Tiger head, is a spiritual (magical) hermit who advanced in his (dark?) arts so thoroughly his head transformed into one of a tiger. One such tale of this event involved dualing Ruesi testing their magic upon each other, but whatever the stories, the figure itself expresses the incredible harmony/dichotomy of a holy man holding both the ferocity of a Tiger's Truth (energy), and the Buddhist epitome of equanimity. He, like the figure itself, feels like a living contradiction...or, a reconciliation of opposites. Below are two photos I took of the figure:

1357614507_watkhaoaorTigerRuesi.thumb.jpg.90516d1e811683dc5467912473836f4d.jpg

 

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It's the second of these photos that I'm really interested in, but the first captures some of that flaming, gold-encrusted (there is leaf on his fangs, etc), eruptive energy in the Tiger. The genuine terror of what a Tiger is. I think for us in the West we have domesticated the Tiger in our minds, a sleek, sexy, dynamic beautiful energy, but that is because we are not connected, historically, to environments where if you walked out alone into the forest or the jungle you might not come back, due to a Tiger. The Tiger is perhaps close to the image we have had of a Great White Shark, which might mercilessly snatch you while swimming, or maybe the uncompromising hunt energy of a wolf. That is the energy that has become magical. The synthesis/tension of the Tiger Ruesi proposes a Thymotic energy resolution. (link divergence: Thymos is this. How Homer treated Thymos. And some of thymos is this. Thymotics and anger. But this is maybe the best treatment of what Thymos is). It is the surging dignity/pride/rage that comes from what feels like an animal core. The Tiger Ruesi, especially this one, seems to have come to hold in one hand both the terrifying ferocity of thymotic rage and Buddhistic repose...like a carefully balanced flame that burns calmly and unwavering in a breezeless room. Most Tiger Ruesi figures show him much more in repose. But this figure is practically erupting with the energy in his face.

But...what is very cool is his up-turned clawed palm, an aspect of his meditative posture. This small detail of the statue is just enormous. The claws, the weapons and expressions of his seemingly very nature, are open and relaxed. Anyone who has spread the claws of a cat's paw knows the natural tension that closes them back up. The figure must be so relaxed to have his clawed palm upon up so much. And that one thumb claw that really hangs down drives home the meaning. It's truly spectacular, the poles of the spectrum of experience.

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Now, the history of high level Muay Thai is not filled with "Tiger Energy" fighters. In fact we've filmed with almost a 100 legends and ex-fighters and only come upon it in a few times. Notably, when in the ring with Sagat Petchyindee, you can just feel it emanate off of him. You can see it in this slow motion we took of his shadow:

(link divergence: You can see it more in particular in the Muay Thai Library sessions we filmed with him: #69 Sagat Petchyindee 3 - Muay Maat Tigers & Snakes (67 min) watch it here , #60 Sagat Petchindee Session 2 - All the Strikes Tuned and Dangerous (101 min) watch it here , #38 Sagat Petchyindee (part 2) - Maximum Damage (61 min) watch it here , #26 Sagat Petchyindee - Explosive Power (57 min) watch it here )

This is to say, the higher level affect dynamics of Thailand's traditional Muay Thai is not fundamentally a synthesis of Tiger Energy, per se, but Tiger Energy does propose a kind of extreme (thymotic) energy what indeed needs to be given a vehicle of artful expression. And, at least to my eyes, the figure of the Tiger Ruesi holy man, brings this alchemy of thymotic anger and rage into close view.

In the west we have synthetic/dichotomous figures which talk to that problematic.

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The Minotaur of Ancient Greece

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The Gothic Werewolf

1885154416_TheHulk.thumb.PNG.1bbf8660d6fef25dceeb2c67f6053efb.PNG

Contemporary Hulk

 

It is as if Western Civilization has been trying to process this rage/pride/thymos synthesis for 2,500 years. That is what make the art and tradition of Muay Thai so very interesting to the western problematic. And, suggestively, the Thai Buddhistic tradition of magical synthesis, which aim to generate this resolution at the highest level. In the larger scope, it is the way in which Thailand's Muay Thai processes and redirects typified western affects of rage and anger (and the host of emotions expressed by aggro-fighting in western oriented promotions) into an art form of spatial and personal control, maintaining their edge and sharpness, but held more close to the vest, honed liked a Japanese sword...perhaps, that proves the value of Thailand's historical Muay Thai, a martial combat sport that has been closely braided to long standing principles of Buddhism. That a Tiger Ruesi can exist as an acme holy figure in Thailand's Buddhism points the way toward the resolutions and expressions of ferocity by the Nak Muay that make Thailand's Muay Thai like no other fighting art.

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It is worth noting that the Nak Muay in Thailand existed positioned in a kind of Tiger Ruesi place. He (she) embodies characteristics of both the monk, and the Nakleng (gangster). The Nak Muay is a kind of were-hybrid figure, in terms of powers and expressed affects. He (she) is both holy and unholy, in the art and violence of Muay Thai:

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The above graphic is from the article Thai Masculinity: Positioning Nak Muay Between Monkhood and Nak Leng – Peter Vail which examines academic Peter Vail's argument that Nak Muay are a kind of hybrid figure in Thailand. You can read the original excerpt of his dissertation here: ad hoc title: Thai Masculinity: Positioning Nakmuay Between Monkhood and Nakleng PDF

In this comparison Peter Vail draws on the Tiger, but in a differing way. He argues that in the way that forest monks used spending a night in a Tiger-prawled forest, creating a calmness before that potential ferocity, that is facing Tiger Energy to produce thudong, in this way Nak Muay are like them. In a certain regard one might say that facing the Tiger Energy before you, and within you, and creating a synthesis, is the spiritual (affective) challenge of the Muay Thai fighter in Thailand. The Tiger Ruesi epitomizes and heightens just what the Nak Muay is.

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Just as a point of context, this is an Internet story of how the Tiger Ruesi got his Tiger head. I suspect there is much diverse lore about these figures, and I'd imagine that this is not a definitive story. I've seen other tales. This one was found here:
 

Quote

 

The Legend of how these three Lersi Hermits got their Animal Heads

About Animal headed Lersi;

There are many different types and classifications of Lersi Thai Hermits, who are believed to exist on differing levels/worlds. The most animal headed Lersi are classified as “Lersi Chan Taep”, meaning “Angelic” or “Divine” level Lersi Hermit. The three Lersi Hermits in the picture below are (from left to right; Lersi Na Ling (monkey), Lersi Na Nuea (deer) and Lersi Na Suea (tiger). There is a legend about these three animal faced Lersi Hermits, as to how they got their Animal faces.

Lersi Na Suea

This Lersi Hermit Sage, is also known as Boromakroo Phu Jao Samingpray. In Thai, his real name and title is ‘Tan Taw Himawat’ (ท่านท้าวหิมวัต).

The language used to communicate this Kata with the Lersi Hermit is ‘Pasa Gubodte’ which is a language of the Deities.

Both Lersi Naa Suea and Lersi Naa Kwang were loyal friends long before they became Lersi. They studied under the same Ajarn, Lersi Wasit. When they have improved their skills considerably, they separated from the ashram of their master, Lersi Wasit. They journeyed further into the forest and form their own ashram nearby to the foot of Mount Krailash, where they continued to develop in their practices. Each of the Hermit Sages took off in separate paths, and found a peaceful place in order to practice Dhamma in an undisturbed manner.

The two Lersi Hermits, were, of course, still with human heads, and had other names as Naa Suea and Naa Kwang (this comes later in the story); They were named “Pra Lersi Kala Siddhi”, and “Pra Lersi Batapaa”. Lersi Kala Siddhi practiced in the Southern quarter of the Ashram, and Lersi Batapaa practiced in the Northern quarter. They both devoted all their time to Samadhi (concentration meditation), for a very long period of time, practicing with the utmost diligence. Once every period of time, they would visit each other, but sometimes, very long periods of time would pass between the visits.The time came when both Lersi Hermits had practiced long enough to have attained a multitude of abilities and Kata, and were even able to change their shape into the shape of another animal.

One day, Lersi Kala Siddhi was missing Batapaa, so decided to pay a visit. Apart from this, he was in the mood to show off his most recently acquired skills and put his comrade to the test in a battle of wits and spells, to see who is the best. As they were chatting, they discussed who had discovered the best Magick Katas, and who had attained the most merits to perform miracles. Each of the two Hermits maintained that it was their own self who was the most powerful.

As a test, they decided to both do their trick at the same moment, without warning, and see who had the best idea. Pra Lersi Batapaa (otherwise called “Pra Lersi Bpiidton”), cast a spell using a Kata into the “Nam Montr” (holy water), and gave it to Kala Siddhi as prevention and cure for any unfortunate incidents that might occur from their magick. Lersi Kala Siddhi performed a similar ceremony, and gave the prayer water to Batapaa in exchange for the gesture.

Suddenly, with the power of the Nam Montr, Lersi Batapaa mutated, and converted his head into the likeness of a golden deer, so beautiful, that his friend Kala Siddhi was forced to admire the feat with wide open eyes – Upon which, Lersi Kala Siddhi invoked the sacred power of his Nam Montr, and suddenly, appeared with the head of “Suea Kroeng” (Bengal Tiger) , with beautiful yellow fur shiny and golden. Both friends were please to encounter their synchronicity and likeness in their attainments, feeling each other to be peers and equals.

Here is where the where the twist in the story comes; In the trees at the edge of the Ashram, there was a Lersi Hermitby the name of Udtri watching them both display their abilities, upon seeing which, Udtri walked over and approached them, raising a hand to salute and revere them. All three Lersi sat down to chat, and talked for hours in Equanimity.

After some time, Udtri began to speak lengthily on the fact that both Lersi Hermits looked extremely handsome and beautiful at the same time with their strange looking, majestic animal heads, He mentioned that they should think that such a strange and never seen before thing, was so unusual, and had never ever happened in all history to date, and therefore should most probably never wish to return back to their normal state, rather maintain and revere this wonderful miracle.

Pra Lersi Udtri then began to talk endlessly about all kinds of topics, luring the two hermits to forget to partake of the sacred water they had prepared, and Lersi Udtri slowly, but surely approached nearer, until he was able to sit between the two bowls of prayer water, and the Lersi Batapaa and Kala Siddhi. All of a sudden, he jumped up, grabbing the Nam Montr and flinging it through the air – scattering it on the grass. Lersi Kala Siddhi and Lersi Batapaa looked onwards as the last drops of Nam Montr sank into the earth, and knew instantly that their chances of returning to normal were no more.

The two Sages were infuriated with Lersi Udtri and raised their concentration to focus and cast a Kata to curse Udtri with unhappiness. Lersi Udtri’s face was converted into that of a Monkey.

This is how the three animal faced Lersi and their legends came to be.

Lersi Na Suea (Tiger faced) is also known as “Pra Lersi Galasit” พระฤาษีหน้าเสือ – กาฬสิทธิ์, and also as ‘Tan Taw Himawat’ and ‘Phu Jao Saming Prai’ – Lersi Na Kwang Tong is Lersi Pathaapaa, or, Lersi Bpidton. Pra Lersi Na Ling (monkey faced) is none other than the Lersi Udtri himself.

After the 3 Lersi regained their calm, and accepted their fate, they forgave each other and went to their respective places of solitude and continued their practices.

The Kata (mantra) for Reusi Na Suea (tiger head Lersi) is as follows;
Oem Rue raa Mahaa Rue Raa Payakkae Payakkoe Ittirittae Ittirittoe sirae sirae kuroe kuroe Yaadoe Bpen Man Naa Ham Guu Diar Bang Giar Doer Doer

In Thai; โอม ฤ ฤา มหา ฤ ฤา พยัคเฆ พยัคโฆ อิทธิฤทธิเธ อิทธิฤทธิโธ สิเร สิเร
คุโร คุโร ยาโดร์ บัน นัมร์ นา ฮัม กู เดียร์ บัง เกียร์ โดร์ โดร์

 

 

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What does this mean for the role of rage and/or ferocity in Muay Thai, especially in the Muay Thai of Thailand? Because the Nak Muay himself/herself occupies a hybrid place in the culture, synthesizing holy and (possibly) unholy aspects of the human condition, Thailand's Muay Thai has a special offering to the Western fighter, and even viewer, who is drawn to fighting as an expression of aggression, anger, pride, frustration, rage, either as they occur in themselves or in society. When you train in Thailand you'll hear the Jai yen yen admonition, "Have a cool heart", which can work as a counterbalance to all the hot-hearted drive to the need to fight, or enjoy fights. But Thailand's Muay Thai is not just Jai yen yen. It rather creates a vehicle for sudden violence, even ferocious violence, which can erupt in only a flash, or a wave. Or, it can pulse in a Muay Khao derning. The Buddhistic take on anger and reactive passions certainly about controlling oneself, and ultimately one's mind. But the Tiger Ruesi figure gives us something more. A kind of magical balance where the two sit in repose with each other. The surging Tiger terror lays there in the figure, pulling to mind things like the original meaning of the holy idea of "awe" as it relates to "awful". The full vitality of the Tiger, all of his thymotic real power, lays almost in reserve, perhaps. If you take this meaning and look at the incredible Muay of the Yodmuay of the Golden Age, I believe you can see this simmering vitality on almost all the great fighters, whether it is Samart the Tiger who almost never has to get up from his rest in the shade, or Dieselnoi who stalks, counters and then threshes his opponent savagely, or Karuhat who silkily moves from rope to rope, and then strikes a mortal blow, decisively turning the fight. At the highest levels this seems to be the art of Muay Thai, and as we look at the yodmuay of the past we can see the infinite variety of the ways that Tiger Energy has been alchemized into personality and style.

As a western fighter coming to Thailand this is what, perhaps, the art and training has to offer. A more nuanced and pronounced way to express your thymotic energies. It is not just "Jai yen yen", it is Jai yen yen so that the Tiger can come out beautifully, expressively, in control of itself, striding and in full glory. At least that is what it seems like to me, come from the years I've spent in gyms all over Thailand, and from being in the presence of so many past great fighters. They all are Tigers.

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    • As Thailand's Muay Thai more and more turns its face toward the World and the West increasingly those coming to Thailand to seek out, experience, train in, fight in, even commit to and honor authentic Muay Thai will have a hard time finding it. In this brief article I want to point out the two biggest areas of difficulty. Keep in mind, I'm writing this from the perspective of having witnessed my wife who has fought more times in Thailand than any non-Thai in history, coming up on 300 times, as a fighter who has steered as clear as possible from aspects of the sport which are arranged or made for you, and become perhaps the foremost documentarian of the sport and art. Everything I describe is from often repeated things we've encountered, found ourselves in, worked through, and what we've learned from the experiences of others. 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There is the one where they walk in a circle and you get off, and another where you bathe and then bareback like a "real mahout" would, and then maybe all the way up to 10 day safaris, trekking on elephant back (is there such a thing?). But it's still an elephant ride. You get in the ring, its real...even if its arranged for you, its intense and real. You hit the bag, you burn the kilometers in road work, its real. This isn't to say anything is inauthentic. All of Muay Thai in Thailand will change you. This is about reaching, as passionate people will, those aspects of the sport and art that are unique to Thailand itself, that may fall from view as Thailand turns its face toward you. The Rules, For You How do I mean this? 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Even if you are a developed, accomplished fighter, and you too are in the "polishing" stage, you don't have what they have, which is a very different history of training, fighting and development. They are made of a different material, so to speak, and in truth that "material" is the actual "stuff" that everyone comes to Thailand looking for, that is where the "authenticity" is in their movements, vision, rhythms, stylistics. You can do all the padwork, all the clinch rounds, all the runs, all the bagwork, all the sparring, and you'll get better, in fact a LOT better...but, you'll be missing that "authentic" piece, the thing they got before they came to this gym. To add to this, if you did seek out the kaimuay that grows fighters in the principles of the sport, and their fighting circuits, these are not economically robust spaces, they are no longer teeming with fighters, and they're not focused on the tourist. 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The reason this is important is the almost all of the motivations you have as a fighter, to become better, to win, to be acknowledged are very, very VERY different than the Thai fighter kicking the bag right next to you...and their motivations are actually the "authentic" part of Thailand's Muay Thai. Stadium Muay Thai is not the free agent professionalism that non-Thais aspire to. It is intense social stigma straining under a culture of obligation. You can do all the work, mirror it beat for beat, but you are not in the affective position of Thai fighters, and so in some sense cannot fight like them, for their alliances and values, the things which bring the strikes out, are largely invisible to the Westerner. 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If you shun the rehearsed combo, you identify living threads of kaimuay culture and its values and ways of life as much as possible, if you fight five round trad Muay Thai fights, don't take weight advantages when you can, if you emotionally connect with the low social position of the Thai fighter, all the things, and then make it to the ring where "authentic" Muay Thai is "happening"...it's not even happening there. I mean this in this sense. Aside from the erosion and deskilling of the sport due to new promotional motivations, tourism and market pressures, Muay Thai itself has been eroding on its own within the country. The rising economic standard out of the classes of people who traditionally fought it have changed many of the motivations and commitments of the fighters themselves, and the talent pool of fighters has dramatically decreased. I'm going to throw a wild number out, but I'm just guessing in an educated way...maybe the talent pool is 10x smaller. Leaving aside that combos and entertainment aesthetics are now working their way into more or less "Thai" gym spaces, the fighters themselves just are not that good, not as developed, complex or accomplished by the time they are in Bangkok rings. Big name gyms grab up local kaimuay talent earlier and earlier (green fruit off the tree before ripe), the developmental fighter classes (informal groups within gyms) that grow the skills are seriously on the decline. A kaimuay may have had 20 fighting boys, now may have 3? Traditionally there was a stirring of the pot that was cooking a very deep stew of skills, more and more its a process just a few ingredients heated over a short time. This is to say, even if you can get all the way to the "authentic" rings, the quality and sophistication of the Muay Thai you will be facing will lack something that "authentic" dimension that characterized the freedom and expressiveness of skill of past generations. You may in fact fight a Thai who will fight quite like a farang (as far as it goes). They may end combos with a body shot, or throw endless elbows, be unable to defend well in retreat, have a muay of one or two weapons, or be limited and simplistic in the clinch. Not only is the skillset diminished, but in new generation fighters the rhythms and shapes of fighting that are "authentic" may not be there in full force. In some ways the Westerner may encounter a dim mirror of themselves. I'm writing this because this quest for authenticity is seriously meaningful. It's meaningful to us, those of the West who love Thailand's Muay Thai, and it's also meaningful to Thais as well, who have great esteem for its legacy. The only way to significantly engage in the question of authenticity is to acknowledge that it is already substantively hybridized. You and everyone else may be on elephant rides. It's only by identifying the aspects of Muay Thai that are not made for the tourist and adventure tourist, the threads of culture and practice that developed without your presence, or others like you, and nurturing with respect those aspects, that will the authentic journey begin. You may be in a very commercial gym, full of combos and group classes, but your padman probably grew up in kaimuay culture. It's in him. It's what made him. Find ways to connect to that. There are also at times "Thai gyms" (mini-kaimuay) inside commercial gyms, which operates under a different code than the gym for customers. You may be in an Entertainment fight promotion, fight in the traditional style, try to win in the traditional style, even if the ruleset doesn't favor it. Push back against what has been made for you. Learn and identity the lineages of cultural practice that have defined Muay Thai, and connect to those purposely. In a sense, if we all realize we are on elephant rides, at a certain point you have have to love and care for the elephant itself, which is the beautiful, mysterious, almost-like-us, powerful, magical creature. This is the art of Muay Thai. And even if you aren't on the best ride, you are on a mother-effin elephant. Find the culture of the elephant. Find the elephant's history among the people. Find what the elephant needs. Find what is natural to the elephant. Protect and honor the elephant. we wrote a manifest of our values here    
    • As Capitalism deskills and enshittifies (this is pretty clear now), how come people don't realize that this is happening in Muay Thai? It is not "progress". It is the grinding down of skills and our capacity to perceive.
    • Watched this fight the other day, and as much as Wangchannoi is known as a hard-hitting Muay Maat, his hidden art is really the art of spoilage. Watch him spoil one of the great clinch attacks of the Golden Age. Among the many things that he is doing is that his punching and pinning Langsuan's collarbone on his right hand side grab (unusual for an orthodox fighter).
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    • The first fight between Poot Lorlek and Posai Sittiboonlert was recently uploaded to youtube. Posai is one of the earliest great Muay Khao fighters and influential to Dieselnoi, but there's very little footage of him. Poot is one of the GOATs and one of Posai's best wins, it's really cool to see how Posai's style looked against another elite fighter.
    • Yeah, this is certainly possible. Thanks! I just like the idea of a training camp pre-fight because of focus and getting more "locked in".. Do you know of any high level gyms in europe you would recommend? 
    • You could just pick a high-level gym in a European city, just live and train there for however long you want (a month?). Lots of gyms have morning and evening classes.
    • Hi, i have a general question concerning Muay-Thai training camps, are there any serious ones in Europe at all? I know there are some for kickboxing in the Netherlands, but that's not interesting to me or what i aim for. I have found some regarding Muay-Thai in google searches, but what iv'e found seem to be only "retreats" with Muay-Thai on a level compareable to fitness-boxing, yoga or mindfullness.. So what i look for, but can't seem to find anywhere, are camps similar to those in Thailand. Grueling, high-intensity workouts with trainers who have actually fought and don't just do this as a hobby/fitness regime. A place where you can actually grow, improve technique and build strength and gas-tank with high intensity, not a vacation... No hate whatsoever to those who do fitness-boxing and attend retreats like these, i just find it VERY ODD that there ain't any training camps like those in Thailand out there, or perhaps i haven't looked good enough?..  Appericiate all responses, thank you! 
    • In my experience, 1 pair of gloves is fine (14oz in my case, so I can spar safely), just air them out between training (bag gloves definitely not necessary). Shinguards are a good idea, though gyms will always have them and lend them out- just more hygienic to have your own.  2 pairs of wraps, 2 shorts (I like the lightweight Raja ones for the heat), 1 pair of good road running trainers. Good gumshield and groin-protector, naturally. Every time I finish training, I bring everything into the shower (not gloves or shinnies, obviously) with me to clean off the (bucketsfull in my case) of sweat, but things dry off quickly here outside of the monsoon season.  One thing I have found I like is smallish, cotton briefs for training (less cloth, therefore sweaty wetness than boxers, etc.- bring underwear from home- decent, cotton stuff is strangely expensive here). Don't weigh yourself down too much. You might want to buy shorts or vests from the gym(s) as (useful) souvenirs. I recommend Action Zone and Keelapan, next door, in Bangkok (good selection and prices):  https://www.google.com/maps/place/Action+Zone/@13.7474264,100.5206774,17z/data=!4m14!1m7!3m6!1s0x30e29931ee397e41:0x4c8f06926c37408b!2sAction+Zone!8m2!3d13.7474212!4d100.5232523!16s%2Fg%2F1hm3_f5d2!3m5!1s0x30e29931ee397e41:0x4c8f06926c37408b!8m2!3d13.7474212!4d100.5232523!16s%2Fg%2F1hm3_f5d2?entry=ttu&g_ep=EgoyMDI0MTAyOS4wIKXMDSoASAFQAw%3D%3D
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