Jump to content

The Game Logic of the Danced Off 5th Round in Thailand's Muay Thai


Recommended Posts

renderTimingPixel.png

I was having a great conversation with Sylvie about the nature of Thailand's Muay Thai this morning, and why when you have the lead in the fight, traditionally, you begin to retreat and defend that lead, instead of marching forward and adding more pressure. You ostensibly "perform your lead" by taking defensive tactics, which to many parts of the world looks like the opposite of "fighting". In a comment on Reddit I was trying to explain this phenomena through how someone like Usain Bolt will ease up and coast into the last 15 meters, in a kind of dominance while everyone else is burning hard, because of a kind of excess, "I don't even have to punch it to beat you". This is a big part of the Muay Thai aesethetic. You can read that comment here: https://www.reddit.com/r/MuayThai/comments/pxtv2x/i_think_people_do_not_understand_how_thailands/hesx7fs/?utm_source=reddit&utm_medium=web2x&context=3

The reason for this is that Thailand's Muay Thai is about dominance, not aggression. Aggression can be a tool toward dominance, but it's only one tool in the tool box. A lot of this stems from the fact that Thailand's Muay Thai evolved to express a Buddhistic culture (and a reason why I'd argue that turning MT promotions into hyper-aggressive shows can contain a hidden cultural betrayal), but as you can see from the Usain Bolt analogy, in the West we can understand this kind of "ease into the tape" signature of superiority. Even in Western boxing we can admire the artful boxer who just toys with his opponent's aggression with an artful jab, evasiveness or movement (think Ali or Mayweather), its not all that far from parts of our own sports values.

It's enough to say this led to a really interesting analogy Sylvie gave me regarding the much derided 5th round dance off in Thailand's Muay Thai. Let's say right off there are admittedly big problems with the 5th round dance off. It's safe to say that it is an aspect of Muay Thai that has become distorted and exaggerated, and not only produces unexciting ends to fights, its become the signature of big name gambling's powerful influence in the sport. This post is really about the underlying logic of the dance off, and besides its current flaws, what positive values it is expressing, helping explain how it is also viewed. Why do two fighters dance off the 5th round at times? Why does a fighter who is behind not keep trying, keep fighting?! When one fighter is signaling an insurmountable lead, why isn't the other fighter "heroically" relentless in pursuit?

Chess Gives A Clue

Sylvie's analogy comes from Chess. In Thailand's Muay Thai there is a definite "Gentleman's Sport" ethic that works to compliment it's absolute violence, so Chess is an interesting parallel. She said to me: In chess once you've gotten to the place in the game where you know by sheer logic you are going to lose you tip your own King over and resign. Masters will resign in positions that casual viewers might not even understand. There are a lot of pieces on the board! What a player is doing when they resign is showing their IQ for the game. If you continue fighting to win from unwinnable positions you can be signaling your inability to even see the board. Yes, your opponent may make an unexpected blunder. Yes, there might be buried in the position of some improbable ability to leverage a draw, but largely what is happening is that you are placing yourself ABOVE this particular game. If you struggled forward, not really realizing your fate, your would be signaling to your audience and your opponent you lack understanding. You can't see. This keys into deeper Thai cultural views that regard sheer aggression as low IQ and somewhat animalistic (non-human). You don't understand Chess.

Now, there are all kinds of Chess players, and some of them may become famous for fighting out of bad positions and stealing draws. This isn't to describe what one should do, it's to explain the logic of why a losing fighter would choose to dance off. They acknowledge the board position, they are above this particular match/game. Thai fighters fight a LOT of fights. The tournament of a career is composed of many games.

Now, once you get the logic you can also see where the problems are. If there are TOO many sprinters coasting into the tape. If there are TOO many fighters touching gloves in the 5th round, the "board" of the game is being influenced by something (or the match making is very poor). In these cases its explained that the chess board of the fight, the position that fighters are responding to, involves the heavy thumb of powerful gamblers. You touch gloves not only because of the "position" of how the fight was fought, but also understanding the powers that shape the fight as well. You can see that the lead in front of you is of a type that you would look stupid if you fought against it. You would look like you didn't understand the game and how it is won.

How the 5th round is fought has changed over the decades, to be sure. It has stretched too far into a direction, but the logic of the danced round remains the same, that of the Chess match.

Taking Ideology Into Context Too

I also think that there are cultural elements that make this hard to read from a Western perspective. In the West we have a big celebration of the Little Guy. In the mythology of the West we have the story of the insignificant man who through "hard work" overcomes all odds against him. There is not only great romance over this ideological story, fighting itself has been an entertainment form that expresses this romance. We see this in the entire Rocky Balboa Working Man franchise. For us a lot of fighting is about this. I do think these stories resonate with Thai storytelling. Great fighters of the past who became champions out of rural provinces, fighters like Samson Isaan (who literally took the name of Isaan), do represent a kind of working class, provincial victory against all odds, but this is in the context of a much less socially mobile society, than say America. The much older cultural stories of Thailand are ones of hierarchy, and layered, group-bound peoples. Part of the "checkmate in waiting" acceptance is probably best understood in this wider lack of mobility, a lack of a more highly Individualistic Self-Destiny mythology (which contains its own social ills). In "seeing the mate" in advance you to some degree transcend your situation by demonstrating that you understand it, you see the position on the board from above, you have that IQ...but you are also trapped by it, you accept THIS loss, in the name of having perhaps a better chance to win the next time.

This isn't to say that dancing off the 5th round is the right thing to do, in any particular fight, or even to say that the practice of the 5th round in today's Muay Thai doesn't need to substantively change, it does. But it's to explain the logic of it. Today's Muay Thai in Thailand is trying to take the big name Gambler's thumb off the scale, not an easy task because gambling itself is woven into the seriousness of matches, a fighter's identity, and the passion for Muay Thai itself. It's instead to try and explain the nature of some of the thinking that is beneath a 5th round performance. It is not just fighters taking a break "because they fight so much". It's locating yourself, positioning yourself socially in the game, a game you are ultimately trying to win.

If interested in my thoughts on what I believe underlies Thailand's Muay Thai can see my article on the "6 Core Aspects" https://8limbsus.com/muay-thai-thailand/essence-muay-thai-6-core-aspects-makes

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • He told me he was teaching at a gym in Chong Chom, Surin - which is right next to the Cambodian border.  Or has he decided to make use of the border crossing?  🤔
    • Here is a 6 minute audio wherein a I phrase the argument speaking in terms of Thailand's Muay Femeu and Spinoza's Ethics.    
    • Leaving aside the literary for a moment, the relationship between "techniques" and style (& signature) is a meaningful one to explore, especially for the non-Thai who admires the sport and wishes to achieve proficiency, or even mastery. Mostly for pedagogic reasons (that is, acute differences in training methods, along with a culture & subjectivity of training, a sociological thread), the West and parts of Asia tend to focus on "technical" knowledge, often with a biomechanical emphasis. A great deal of emphasis is put on learning to some precision the shape of the Thai kick or its elbow, it's various executions, in part because visually so much of Thailand's Muay Thai has appeared so visually clean (see: Precision – A Basic Motivation Mistake in Some Western Training). Because much of the visual inspiration for foreign learned techniques often come from quite elevated examples of style and signature, the biomechanical emphasis enters just on the wrong level. The techniques displayed are already matured and expressed in stylistics. (It would be like trying to learn Latin or French word influences as found in Nabakov's English texts.) In the real of stylistics, timing & tempo, indeed musicality are the main drivers of efficacy. Instead, Thais learn much more foundational techniques - with far greater variance, and much less "correction" - principally organized around being at ease, tamachat, natural. The techne (τέχνη), the mechanics, that ground stylistics, are quite basic, and are only developmentally deployed in the service of style (& signature), as it serves to perform dominance in fights. The advanced, expressive nature of Thai technique is already woven into the time and tempo of stylistics. This is one reason why the Muay Thai Library project involves hour long, unedited training documentation, so that the style itself is made evident - something that can even have roots in a fighter's personality and disposition. These techne are already within a poiesis (ποίησις), a making, a becoming. Key to unlocking these basic forms is the priority of balance and ease (not biomechanical imitations of the delivery of forces), because balance and ease allow their creative use in stylistics.
  • The Latest From Open Topics Forum

    • Hi, this might be out of the normal topic, but I thought you all might be interested in a book-- Children of the Neon Bamboo-- that has a really cool Martial Arts instructor character who set up an early Muy Thai gym south of Miami in the 1980s. He's a really cool character who drives the plot, and there historically accurate allusions to 1980s martial arts culture. However, the main thrust is more about nostalgia and friendships.    Can we do links? Childrenoftheneonbamboo.com Children of the Neon Bamboo: B. Glynn Kimmey: 9798988054115: Amazon.com: Movies & TV      
    • Davince Resolve is a great place to start. 
    • I see that this thread is from three years ago, and I hope your journey with Muay Thai and mental health has evolved positively during this time. It's fascinating to revisit these discussions and reflect on how our understanding of such topics can grow. The connection between training and mental health is intricate, as you've pointed out. Finding the right balance between pushing yourself and self-care is a continuous learning process. If you've been exploring various avenues for managing mood-related issues over these years, you might want to revisit the topic of mental health resources. One such resource is The UK Medical Cannabis Card, which can provide insights into alternative treatments.
    • Phetjeeja fought Anissa Meksen for a ONE FC interim atomweight kickboxing title 12/22/2023. https://www.youtube.com/watch?v=Cu92S6-V5y0&ab_channel=ONEChampionship Fight starts at 45:08 Phetjeeja won on points. Not being able to clinch really handicapped her. I was afraid the ref was going to start deducting points for clinch fouls.   
    • Earlier this year I wrote a couple of sociology essays that dealt directly with Muay Thai, drawing on Sylvie's journalism and discussions on the podcast to do so. I thought I'd put them up here in case they were of any interest, rather than locking them away with the intention to perfectly rewrite them 'some day'. There's not really many novel insights of my own, rather it's more just pulling together existing literature with some of the von Duuglus-Ittu's work, which I think is criminally underutilised in academic discussions of MT. The first, 'Some meanings of muay' was written for an ideology/sosciology of knowledge paper, and is an overly long, somewhat grindy attempt to give a combined historical, institutional, and situated study of major cultural meanings of Muay Thai as a form of strength. The second paper, 'the fighter's heart' was written for a qualitative analysis course, and makes extensive use of interviews and podcast discussions to talk about some ways in which the gendered/sexed body is described/deployed within Muay Thai. There's plenty of issues with both, and they're not what I'd write today, and I'm learning to realise that's fine! some meanings of muay.docx The fighter's heart.docx
  • Forum Statistics

    • Total Topics
      1.3k
    • Total Posts
      11k
×
×
  • Create New...