Jump to content

Can Yodkhunpon be catagorized as a clinch fighter?


Recommended Posts

I'm always wondering about Yodkhunpon's unique elbow fighting style. In muay Thai I never seen anyone who fights like him. In some videos he's catagorized as a muay khao or clinch fighter. But to me he doesn't seem to be like the traditional clinch fighters in that he actually didn't clinch too much. So could anyone please help me catagorize Yodkhunpon's style into a type of fight in Thailand?

  • Cool 1
Link to comment
Share on other sites

11 hours ago, Francis said:

So could anyone please help me catagorize Yodkhunpon's style into a type of fight in Thailand?

He did clinch, but he didn't lock, which is the Golden Age style of clinching. His latching hand is very sticky. I think if you see the clinch style of Langsuan, who does this to the extreme, you'll see the element of clinch I'm talking about, where you use grabs to redirect and attack, and not to immobilize. But, you are very right, clinch is not the primary part of his game. And you are also right that it is very likely nobody ever fought like him, before or since. He'd be categorized as a Muay Sok fighter (and Elbow Fighter), but know that these categories aren't real. They are just very loose descriptors. He was maybe generally a Muay Khao fighter (knee fighter who derns) who also used elbows to pressure, and open up his knees. Karuhat once told us he wouldn't be worried about Yodkhunpon's elbows, he'd worry about his knees. It should also be said, even though we in the west love him, his style is I think considered a very "low" style in Thailand, denigrated and without a ton of appreciation. Even to this day he is vastly underrated in Thailand. It is full of art and creativity, and really beauty. But many Thais can or could not see it because of biases about kinds of fighting, a style that elbows very heavily, and is relentless. You can hear Yodkhupon talk a little about Samson Isaan, and why he made his Top 5 list. This is somewhat the story of Yodkhupon as well. Samson's Muay was also not appreciated in his day:

 

  • Respect 1
Link to comment
Share on other sites

I wouldn't label him a clinch fighter, although he definitely wants to get his opponents to clinch with him so he can land elbows from that range and have them be busy while he times them. But his full nickname is the "Elbow Hunter of 100 Stitches," and the "hunter" part to me is his style. He's a forward fighter, relentless even though not necessarily pressuring the way Samson did with his insane pace and forward movement. Yodkhunpon is, to me, a Muay Khao fighter with specialties of elbows.

  • Nak Muay 1
  • Gamma 1
Link to comment
Share on other sites

18 hours ago, Kevin von Duuglas-Ittu said:

He did clinch, but he didn't lock, which is the Golden Age style of clinching. His latching hand is very sticky. I think if you see the clinch style of Langsuan, who does this to the extreme, you'll see the element of clinch I'm talking about, where you use grabs to redirect and attack, and not to immobilize. But, you are very right, clinch is not the primary part of his game. And you are also right that it is very likely nobody ever fought like him, before or since. He'd be categorized as a Muay Sok fighter (and Elbow Fighter), but know that these categories aren't real. They are just very loose descriptors. He was maybe generally a Muay Khao fighter (knee fighter who derns) who also used elbows to pressure, and open up his knees. Karuhat once told us he wouldn't be worried about Yodkhunpon's elbows, he'd worry about his knees. It should also be said, even though we in the west love him, his style is I think considered a very "low" style in Thailand, denigrated and without a ton of appreciation. Even to this day he is vastly underrated in Thailand. It is full of art and creativity, and really beauty. But many Thais can or could not see it because of biases about kinds of fighting, a style that elbows very heavily, and is relentless. You can hear Yodkhupon talk a little about Samson Isaan, and why he made his Top 5 list. This is somewhat the story of Yodkhupon as well. Samson's Muay was also not appreciated in his day:

 

 

Thanks Kevin, that answers a lot of my questions about Yodkhunpon's unique fighting style. I once saw a video showing Yodkhunpon fight a western kickboxer, and in that fight elbows weren't allowed. He then fought just like Dieselnoi, which is to just double lock the opponent's head and knees, like a classic muay Khao fighter. It's very interesting and rare to see him fight without elbows.

Link to comment
Share on other sites

1 hour ago, Francis said:

I once saw a video showing Yodkhunpon fight a western kickboxer, and in that fight elbows weren't allowed. He then fought just like Dieselnoi, which is to just double lock the opponent's head and knees, like a classic muay Khao fighter.

Yes. It's not that he didn't know how to lock, but westerners like his opponent were clueless on how to break the basic double plumb, so it made perfect sense to just have at it. This is very easy to counter that neck collar in most cases in Thailand, he could not get away with that in his home country. On the other hand, everything his opponent was doing in that fight, if elbows were permitted, would have ended very badly for him.

  • The Greatest 1
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • He told me he was teaching at a gym in Chong Chom, Surin - which is right next to the Cambodian border.  Or has he decided to make use of the border crossing?  🤔
    • Here is a 6 minute audio wherein a I phrase the argument speaking in terms of Thailand's Muay Femeu and Spinoza's Ethics.    
    • Leaving aside the literary for a moment, the relationship between "techniques" and style (& signature) is a meaningful one to explore, especially for the non-Thai who admires the sport and wishes to achieve proficiency, or even mastery. Mostly for pedagogic reasons (that is, acute differences in training methods, along with a culture & subjectivity of training, a sociological thread), the West and parts of Asia tend to focus on "technical" knowledge, often with a biomechanical emphasis. A great deal of emphasis is put on learning to some precision the shape of the Thai kick or its elbow, it's various executions, in part because visually so much of Thailand's Muay Thai has appeared so visually clean (see: Precision – A Basic Motivation Mistake in Some Western Training). Because much of the visual inspiration for foreign learned techniques often come from quite elevated examples of style and signature, the biomechanical emphasis enters just on the wrong level. The techniques displayed are already matured and expressed in stylistics. (It would be like trying to learn Latin or French word influences as found in Nabakov's English texts.) In the real of stylistics, timing & tempo, indeed musicality are the main drivers of efficacy. Instead, Thais learn much more foundational techniques - with far greater variance, and much less "correction" - principally organized around being at ease, tamachat, natural. The techne (τέχνη), the mechanics, that ground stylistics, are quite basic, and are only developmentally deployed in the service of style (& signature), as it serves to perform dominance in fights. The advanced, expressive nature of Thai technique is already woven into the time and tempo of stylistics. This is one reason why the Muay Thai Library project involves hour long, unedited training documentation, so that the style itself is made evident - something that can even have roots in a fighter's personality and disposition. These techne are already within a poiesis (ποίησις), a making, a becoming. Key to unlocking these basic forms is the priority of balance and ease (not biomechanical imitations of the delivery of forces), because balance and ease allow their creative use in stylistics.
  • The Latest From Open Topics Forum

    • Hi, this might be out of the normal topic, but I thought you all might be interested in a book-- Children of the Neon Bamboo-- that has a really cool Martial Arts instructor character who set up an early Muy Thai gym south of Miami in the 1980s. He's a really cool character who drives the plot, and there historically accurate allusions to 1980s martial arts culture. However, the main thrust is more about nostalgia and friendships.    Can we do links? Childrenoftheneonbamboo.com Children of the Neon Bamboo: B. Glynn Kimmey: 9798988054115: Amazon.com: Movies & TV      
    • Davince Resolve is a great place to start. 
    • I see that this thread is from three years ago, and I hope your journey with Muay Thai and mental health has evolved positively during this time. It's fascinating to revisit these discussions and reflect on how our understanding of such topics can grow. The connection between training and mental health is intricate, as you've pointed out. Finding the right balance between pushing yourself and self-care is a continuous learning process. If you've been exploring various avenues for managing mood-related issues over these years, you might want to revisit the topic of mental health resources. One such resource is The UK Medical Cannabis Card, which can provide insights into alternative treatments.
    • Phetjeeja fought Anissa Meksen for a ONE FC interim atomweight kickboxing title 12/22/2023. https://www.youtube.com/watch?v=Cu92S6-V5y0&ab_channel=ONEChampionship Fight starts at 45:08 Phetjeeja won on points. Not being able to clinch really handicapped her. I was afraid the ref was going to start deducting points for clinch fouls.   
    • Earlier this year I wrote a couple of sociology essays that dealt directly with Muay Thai, drawing on Sylvie's journalism and discussions on the podcast to do so. I thought I'd put them up here in case they were of any interest, rather than locking them away with the intention to perfectly rewrite them 'some day'. There's not really many novel insights of my own, rather it's more just pulling together existing literature with some of the von Duuglus-Ittu's work, which I think is criminally underutilised in academic discussions of MT. The first, 'Some meanings of muay' was written for an ideology/sosciology of knowledge paper, and is an overly long, somewhat grindy attempt to give a combined historical, institutional, and situated study of major cultural meanings of Muay Thai as a form of strength. The second paper, 'the fighter's heart' was written for a qualitative analysis course, and makes extensive use of interviews and podcast discussions to talk about some ways in which the gendered/sexed body is described/deployed within Muay Thai. There's plenty of issues with both, and they're not what I'd write today, and I'm learning to realise that's fine! some meanings of muay.docx The fighter's heart.docx
  • Forum Statistics

    • Total Topics
      1.3k
    • Total Posts
      11k
×
×
  • Create New...