Jump to content

How To Do the Roundhouse Kick - Shadowboxing


Recommended Posts

I'm having a hard time getting the roundhouse kick correctly when shadow boxing. Usually it ends up with me just lifting my leg to initiate the motion for reaction time training but looking nothing like a kick, or its raised at the knee and recoils back instead of completing the kick. It feels to me like the issue is that I have hard time balancing. The constant recoiling back at the 90 degree mark from the front is putting a lot of strain on my knees and I'd love some recommendations. If anyone has a mental analogy they used to get the roundhouse shadow working for them, would love to hear it.

  • Like 1
Link to comment
Share on other sites

Why do trainers ask that the boxer do a full roundhouse kick in shadow? Just as Sylvie said, this would develop bad habit of giving your back. From your experience is there any valid reason to go 360 instead of stop and swivel back?

  • Like 1
Link to comment
Share on other sites

I think it can be beneficial to tell a beginner to do '360', I did it for a long time before changing it to the floating blocky kick thing Sylvie made a video about. 

The reason I think trainers tell boxers to do it is because it helps with the rotation of your foot, and hips, but I don't think it's something that should be used long term. Just to get used to the idea of rotation.

 

Also you might see people do the 360 kick if they're shadow boxing in a ring, they get to the ropes and they want to turn round. 

That's just my opinion anyway.

Link to comment
Share on other sites

Why do trainers ask that the boxer do a full roundhouse kick in shadow? Just as Sylvie said, this would develop bad habit of giving your back. From your experience is there any valid reason to go 360 instead of stop and swivel back?

 

It is interesting because my Thai trainer Pi Nu, who I have great respect for, recently got me to abandon the floating block in shadow. I think he felt I wasn't committed enough to my kicks and wondered if the floating block was a reason for this. I'm not sure that is the case, but I changed it for him. It's a bit of a compromise. You want to shadow the whip of the leg, and keep the leg loose, which is why many turn round on the kick. But you also want to develop balance and control, which the floating block helps a lot with. My kick definitely improved when I started shadowing the floating block.

There is no one answer to this. Also, Sakmongkol has been training in Karate as well, and this might be part of the reason he favors the control of the kick. I only suggest that if you have been only whipping around on the kick it might be of benefit to try practicing the control and balance of the floating block. 

  • Like 1
Link to comment
Share on other sites

I've been taught to do the whole spin while shadowboxing, though I have issues with my kicks where I don't put enough hips into my kick and it tends to stop short. I think the spinning helps so that I don't do one of those kicks where I just snap the lower half of my leg rather than launching the whole leg into the kick. 

Link to comment
Share on other sites

  • 6 months later...

I think that it's an equilibrium between "power" and "control".

 

If you spin then it's likely that you have more power (momentum) in the kick (because you can't stop the movement)

while if you don't spin and stop the kick in the middle, then I guess you didn't put so much power into the kick and the momentum is low enough that you can stop your movement...

 

No ?

Link to comment
Share on other sites

I think that it's an equilibrium between "power" and "control".

 

If you spin then it's likely that you have more power (momentum) in the kick (because you can't stop the movement)

while if you don't spin and stop the kick in the middle, then I guess you didn't put so much power into the kick and the momentum is low enough that you can stop your movement...

 

No ?

 

There are many ways of generating power, spinning around is only one of them. Sakmongkol was one of the hardest kicking Thai, and he trains to not spin around. In fact you almost never see top Thais spinning around and they kick with great force.

Think about if you were swinging an axe hard attempting to chop a tree down. Would you expect to spin around if you missed your target? If you were swinging a baseball bat, trying to hit the ball, would you say you only were swinging hard if you spun around in a circle?

I believe that like the swing of a bat, not spinning around forces you to generate more of your power with your hips, and throws the force more forward, at and through the target.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • He told me he was teaching at a gym in Chong Chom, Surin - which is right next to the Cambodian border.  Or has he decided to make use of the border crossing?  🤔
    • Here is a 6 minute audio wherein a I phrase the argument speaking in terms of Thailand's Muay Femeu and Spinoza's Ethics.    
    • Leaving aside the literary for a moment, the relationship between "techniques" and style (& signature) is a meaningful one to explore, especially for the non-Thai who admires the sport and wishes to achieve proficiency, or even mastery. Mostly for pedagogic reasons (that is, acute differences in training methods, along with a culture & subjectivity of training, a sociological thread), the West and parts of Asia tend to focus on "technical" knowledge, often with a biomechanical emphasis. A great deal of emphasis is put on learning to some precision the shape of the Thai kick or its elbow, it's various executions, in part because visually so much of Thailand's Muay Thai has appeared so visually clean (see: Precision – A Basic Motivation Mistake in Some Western Training). Because much of the visual inspiration for foreign learned techniques often come from quite elevated examples of style and signature, the biomechanical emphasis enters just on the wrong level. The techniques displayed are already matured and expressed in stylistics. (It would be like trying to learn Latin or French word influences as found in Nabakov's English texts.) In the real of stylistics, timing & tempo, indeed musicality are the main drivers of efficacy. Instead, Thais learn much more foundational techniques - with far greater variance, and much less "correction" - principally organized around being at ease, tamachat, natural. The techne (τέχνη), the mechanics, that ground stylistics, are quite basic, and are only developmentally deployed in the service of style (& signature), as it serves to perform dominance in fights. The advanced, expressive nature of Thai technique is already woven into the time and tempo of stylistics. This is one reason why the Muay Thai Library project involves hour long, unedited training documentation, so that the style itself is made evident - something that can even have roots in a fighter's personality and disposition. These techne are already within a poiesis (ποίησις), a making, a becoming. Key to unlocking these basic forms is the priority of balance and ease (not biomechanical imitations of the delivery of forces), because balance and ease allow their creative use in stylistics.
  • The Latest From Open Topics Forum

    • Hi, this might be out of the normal topic, but I thought you all might be interested in a book-- Children of the Neon Bamboo-- that has a really cool Martial Arts instructor character who set up an early Muy Thai gym south of Miami in the 1980s. He's a really cool character who drives the plot, and there historically accurate allusions to 1980s martial arts culture. However, the main thrust is more about nostalgia and friendships.    Can we do links? Childrenoftheneonbamboo.com Children of the Neon Bamboo: B. Glynn Kimmey: 9798988054115: Amazon.com: Movies & TV      
    • Davince Resolve is a great place to start. 
    • I see that this thread is from three years ago, and I hope your journey with Muay Thai and mental health has evolved positively during this time. It's fascinating to revisit these discussions and reflect on how our understanding of such topics can grow. The connection between training and mental health is intricate, as you've pointed out. Finding the right balance between pushing yourself and self-care is a continuous learning process. If you've been exploring various avenues for managing mood-related issues over these years, you might want to revisit the topic of mental health resources. One such resource is The UK Medical Cannabis Card, which can provide insights into alternative treatments.
    • Phetjeeja fought Anissa Meksen for a ONE FC interim atomweight kickboxing title 12/22/2023. https://www.youtube.com/watch?v=Cu92S6-V5y0&ab_channel=ONEChampionship Fight starts at 45:08 Phetjeeja won on points. Not being able to clinch really handicapped her. I was afraid the ref was going to start deducting points for clinch fouls.   
    • Earlier this year I wrote a couple of sociology essays that dealt directly with Muay Thai, drawing on Sylvie's journalism and discussions on the podcast to do so. I thought I'd put them up here in case they were of any interest, rather than locking them away with the intention to perfectly rewrite them 'some day'. There's not really many novel insights of my own, rather it's more just pulling together existing literature with some of the von Duuglus-Ittu's work, which I think is criminally underutilised in academic discussions of MT. The first, 'Some meanings of muay' was written for an ideology/sosciology of knowledge paper, and is an overly long, somewhat grindy attempt to give a combined historical, institutional, and situated study of major cultural meanings of Muay Thai as a form of strength. The second paper, 'the fighter's heart' was written for a qualitative analysis course, and makes extensive use of interviews and podcast discussions to talk about some ways in which the gendered/sexed body is described/deployed within Muay Thai. There's plenty of issues with both, and they're not what I'd write today, and I'm learning to realise that's fine! some meanings of muay.docx The fighter's heart.docx
  • Forum Statistics

    • Total Topics
      1.3k
    • Total Posts
      11k
×
×
  • Create New...