Jump to content

What is Your Favorite Technique?


Recommended Posts

What is yours James?! I would love to know the things you favor as a coach and ex-fighter.

I can't really have a favorite technique because I don't really train consistently, but damn, there is nothing more beautiful than the general assault of knees. They are like body punches, but sharking upward so they are very hard to perceive. Especially Yodkhunpon's style of inward knee:

 

  • Like 2
  • Cool 1
Link to comment
Share on other sites

Dont know if I can really say I have a favourite technique so far. I'm just a beginner and haven't even trained very consistently because other stuff had to be done. Trying to get back into it now.

I might say kicks. I'm not very good at them yet, one thing that limits me with regards to kicks is my lack of flexibility, but it just feels good to me and I've also been told I have a heavy kick (well, I'm a heavy guy though 😛 ). I'm still working on more flexibility, quicker, more secure execution and also making them less prone to being caught by my opponent.

 

If we're talking go-to techniques in sparring, so far thats teeps, lowkicks and I have taken a liking to Sagat-style uppercuts even though I'm no pro at punching at all.

Also I keep seeing openings for elbows so that could be called a favourite, too. It helps that elbows are among the techniques I already know from training Kali for several years. Unfortunately most training here in Germany is more geared towards K1 than actual Muay Thai.

  • Like 2
  • Respect 1
  • Cool 1
Link to comment
Share on other sites

The teeps mixed in with muay thai kicks are really my bread and butter. I love linking together teeps to the xiphoid with kicks to the ribs and quads. 

 

I feel like I am dancing a little bit when my hips are going back and forth to deliver the kicks and transition into the rear or front teep. That and I love watching people stepping back.

 

Something else I also enjoy a lot are timed teeps to the hip or xiphoid to counter incoming kicks. I haven't sparred in a long time due to a concussion; however, when working the bag or shadow boxing, I love laying it on thick with the teeps. I hope that when August rolls around, I can get back to linking teeps with kicks on my partners. 

 

Some secondary faves are elbows and knees. Elbows because they just feel smooth and I love how they can link to a lot of combos at short-to-medium range. Knees because they are hard for me to master haha.

  • Like 3
  • Respect 1
  • Cool 1
Link to comment
Share on other sites

2 hours ago, SPACEDOODLE said:

The teeps mixed in with muay thai kicks are really my bread and butter. I love linking together teeps to the xiphoid with kicks to the ribs and quads. 

 

Yeah these in conjunction are great. I teach these two in combo a lot. I personally like to far leg teep to an inside low kick with my lead leg. The lead teep sets it up nicely without the usual counter. 

  • Like 2
  • Gamma 1
Link to comment
Share on other sites

On 5/28/2019 at 11:34 PM, Kevin von Duuglas-Ittu said:

What is yours James?! I would love to know the things you favor as a coach and ex-fighter.

 

I have a few but Id say my favorite as a go to for both exploratory probing and straight damage is the leg kick. Its a lot more versatile than people think. Timed wrong and you can be made to really pay for it, but if done right it opens up so much, especially to the body and head. And it hurts in a different way than other strikes. Youll know quickly if they have a weakness in their legs and/or balance. With that said there are different techniques for the low kick too. My current favorite is in using it to create engagement without exposing yourself. (I mightve said this already somewhere else) Bazooka Joe Vallentini teaches a really slick way to use the momentum of the kick thrown (not hard, just testing) to pull the whole body slightly back. You can use it to cause the opponent to come forward slightly into range for hooks and even teeps. It creates just that amount of space that the opponent has to step to engage. That step is your opportunity.  

  • Like 3
  • Super Slick 1
  • Cool 1
Link to comment
Share on other sites

I love knee strikes, and I like to think of myself as a knee guy - but when reality hits me in the face, I'd say I'm not great at getting into kneeing range, but I have a decent southpaw right teep that I rely on. That combined with being comfortable throwing punches in combination and on the counter are what I'd say I really like doing!

  • Like 1
  • Nak Muay 1
  • Respect 1
Link to comment
Share on other sites

When I first started Muay Thai I thought knees were the coolest weapons and I wanted to make it my favorite limbs to hurt people with. I still love them a lot but they haven't become my favorite.

As I progressed I came to love teep way more. And elbows! Those two are currently my favorite weapons. I use teep first as a way of saying: "do keep your distance and stay way over there I love my personal thank you" - but then of course they eventually end up in my personal space which is actually what I really wanted in a the first place, and I get excited like: "Ohh cool. Let me now introduce you to my elbows." It's all fun.

  • Like 2
  • Cool 1
Link to comment
Share on other sites

Body kick. Or simple punch.

Body kick is like, a IV or V chord in song you like. The subdominant in music harmony. The I chord feels like any punch you want, jab, or cross. Because the move of the I going to any of the other 6 chords available is harmonically strong, so any shot after a punch is cool, but especially to the ii, IV, V or vi. Those 4 chords, or strikes, are the most musically pleasing to the ear. Body kicks feel like the subdominant, the IV, because the strongest shift of a IV is usually back to the I, (a punch) or to the V, which feels like a teep. Strongest shift of the V is resolving back to the I. That for me comes out like a lead jab then lead teep, changey changey type thing. So after a body kick, another punch tends to feel nice for me, or a teep, and then back to a punch. A I IV I or I IV V I progression. And now I'm back to the I chord, can go anywhere again.

The ii and vi are the knee and elbow, but I haven't figured out which is which yet. It's definitely these two chords though, because they're unique for being the minor chords available. Darker. So the most vicious ways to fight. Maybe clinch is like, the iii chord or something. The only minor chord left. 

  • Like 4
  • Super Slick 1
  • Gamma 1
Link to comment
Share on other sites

2 hours ago, Oliver said:

Body kick. Or simple punch.

Body kick is like, a IV or V chord in song you like. The subdominant in music harmony. The I chord feels like any punch you want, jab, or cross. Because the move of the I going to any of the other 6 chords available is harmonically strong, so any shot after a punch is cool, but especially to the ii, IV, V or vi. Those 4 chords, or strikes, are the most musically pleasing to the ear. Body kicks feel like the subdominant, the IV, because the strongest shift of a IV is usually back to the I, (a punch) or to the V, which feels like a teep. Strongest shift of the V is resolving back to the I. That for me comes out like a lead jab then lead teep, changey changey type thing. So after a body kick, another punch tends to feel nice for me, or a teep, and then back to a punch. A I IV I or I IV V I progression. And now I'm back to the I chord, can go anywhere again.

The ii and vi are the knee and elbow, but I haven't figured out which is which yet. It's definitely these two chords though, because they're unique for being the minor chords available. Darker. So the most vicious ways to fight. Maybe clinch is like, the iii chord or something. The only minor chord left. 

I really like how you translate combat with music. Thats a unique way of looking at it and I think, especially how tied music is to muay Thai, a good way to view it. 

  • Like 3
Link to comment
Share on other sites

  • 4 weeks later...

Me personally, I love using kicks to the body. Especially if I can land it right to the liver. One of my favorite techniques to see was Rammon Dekkers elbows that came straight to the middle, right between his opponents guard. Especially the clip where he blocks a punch while simultaneously coming forward with an elbow up the middle using the same arm.

  • Like 2
Link to comment
Share on other sites

  • 2 weeks later...
2 hours ago, Victoria Pitt said:

Up elbow from catching and dropping a teep.

Do you pull the heel towards you when you do this? I always thought that was such a cool small detail lol. I like pretty much anything that sets people off balance like that though. 

For me my favorite technique is probably a switch stance liver kick on orthodox fighters while on the move (stepping outside their lead foot). I think it is the trapping aspect of it that I enjoy the most. It just completely switches their open side as they start to move with you and leaves them basically defenseless as you see them have an "oh shit" moment before they get blasted in the liver lol. Good times, good times indeed 🤣

Edited by Tyler Byers
  • Like 2
  • Cool 1
Link to comment
Share on other sites

2 minutes ago, Tyler Byers said:

Do you pull the heel towards you when you do this? I always thought that was such a cool small detail lol. I like pretty much anything that sets people off balance like that though. 

For me my favorite technique is probably a switch stance liver kick on orthodox fighters while on the move (stepping outside their lead foot). I think it is the trapping aspect of it that I enjoy the most. It just completely switches their open side leaving them defenseless and you can totally see them have an "oh shit" moment before they get blasted in the liver lol. Good times, good times indeed 🤣

Yes, I pull the heel then send the elbow into face.  Only something I can practice when sparring a Kru.  Most the fun stuff I know I am only allowed to do when sparring a Kru... I get in trouble when I do it with other students. 😂  I learned a lot of stuff that I just don't see used very often in fights. The more I study and learn, I do understand why some of these things aren't used as much anymore even though they are effective.  But my god, they're so much fun to do!!!

I am trying to picture what you are describing.  I am a southpaw.  Are you Orthadox and you switch to south and do this?  That's the only way its making sense to me.    

I also like it when they swing my teep because I just come around with the backfist.  That's a fun one too.

 

 

  • Like 3
Link to comment
Share on other sites

31 minutes ago, Victoria Pitt said:

I am trying to picture what you are describing.  I am a southpaw.  Are you Orthadox and you switch to south and do this?  That's the only way its making sense to me.

Yeah I am orthodox then switch to southpaw as I step through. It works pretty well because it initially looks as if you are simply taking a deep step to the right to circle out (sometimes I'll slap the lead hand down and pass it to my left just prior to the step through as well) then you blast them with the kick. Its basically just some misdirection, it doesn't need to be that hard. It totally lawnchairs people though and is funny as hell to watch.  

  • Like 4
Link to comment
Share on other sites

On 6/25/2019 at 1:44 PM, guyver4 said:

I have a special place in my heart for a long hook into low/quad kick.

Always puts a smile on my face, even if I'm on the recieving end 😉

One of my favorite low kick set ups as well. If done with perfect timing, its hard to stop. I also like a long lead arm uppercut to low kick as well. Either you tip their chin up so they dont see the low kick or they try and block by shelling and going heavy on their lead leg. I actually teach a system of punch set ups to low kicks each with the idea that the punches move the weight of the person firmly onto the leg you want to kick. The punches can even be more like hard slaps just for that effect. 

  • Like 6
Link to comment
Share on other sites

7 minutes ago, Coach James Poidog said:

I actually teach a system of punch set ups to low kicks each with the idea that the punches move the weight of the person firmly onto the leg you want to kick. The punches can even be more like hard slaps just for that effect.

I really like this philosophy. It's amazing how much more damage you can do by getting someone's weight loaded or getting them off balance. Good stuff!

  • Like 2
  • Respect 2
Link to comment
Share on other sites

1 hour ago, Tyler Byers said:

I really like this philosophy. It's amazing how much more damage you can do by getting someone's weight loaded or getting them off balance. Good stuff!

Thanks, brother. Its a good system in that it works really well in fights for my guys. I number code a short punch to kick combo and have them drill it repeatedly til they can do it without thinking either from hearing me call it out or from visual cues from their opponent. Example is the lead hook to low kick to the front leg is a 3k. We even do variations on the low kick to front leg, like a probe vs heavy to test their balance and responses (do they check or just eat and try and fire). It gives a better understanding on their opponent to work from. Theres ones for far leg attack as well. 

  • Like 1
  • Respect 1
Link to comment
Share on other sites

1 minute ago, Coach James Poidog said:

like a probe vs heavy to test their balance and responses (do they check or just eat and try and fire)

This is something I feel more people should be teaching in general. I haven't been training that long, but haven't seen hardly any coaches talking about fight theory or strategy (what queues to look for when an opponent is about to use a specific technique, or how to manage fighters with different styles) with their fighters the way I think they should. It's largely left to the fighter to kind of figure out alone later down the road. 

  • Respect 2
Link to comment
Share on other sites

8 minutes ago, Tyler Byers said:

This is something I feel more people should be teaching in general. I haven't been training that long, but haven't seen hardly any coaches talking about fight theory or strategy (what queues to look for when an opponent is about to use a specific technique, or how to manage fighters with different styles) with their fighters the way I think they should. It's largely left to the fighter to kind of figure out alone later down the road. 

I cant speak to other coaches (except the ones I know well) but for me its an essential part of the art. Disrupting balance is huge not just for the scoring in competition but for generally taking control of the fight. Being able to see it is a skill that can be taught. I have a fighter whos become scary with it. Lets just say, sparring with him has become a pain in the ass. He doesnt even need to hit hard, he just times your weight shifts and tags you as you do. The time spent trying to recover the balance is time away from countering and attacking. It just gives him so much momentum to keep steamrolling who ever hes playing with. He used it his last fight against an opponent who had a size advantage. The coaches I know, who belong to a group we are all affiliated with do a lot of this work too. 

  • Like 1
  • Respect 1
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Most Recent Topics

  • Latest Comments

    • One of the most confused aspects of Western genuine interest in Thailand's Muay Thai is the invisibility of its social structure, upon which some of our fondest perceptions and values of it as a "traditional" and respect-driven art are founded. Because it takes passing out of tourist mode to see these things they remain opaque. (One can be in a tourist mode for a very long time in Thailand, enjoying the qualities of is culture as they are directed toward Westerners as part of its economy - an aspect of its centuries old culture of exchange and affinity for international trade and its peoples.). If one does not enter into substantive, stakeholder relations which usually involve fluently learning to speak the language (I have not, but my wife has), these things will remain hidden even to those that know Thailand well. It has been called a "latent caste system". Thailand's is a patronage culture that is quiet strongly hierarchical - often in ways that are unseen to the foreigner in Muay Thai gyms - that carries with it vestigial forms of feudal-like relationships (the Sakdina system) that once involved very widespread slavery, indentured worker ethnicities, classes and networks of debt (both financial and social), much of those power relations now expressed in obligations. Westerners just do not - usually - see this web of shifting high vs low struggles, as we move within the commercial outward-facing layer that floats above it. In terms of Muay Thai, between these two layers - the inward-facing, rich, traditional patronage (though ethically problematic) historical layer AND the capitalist, commerce and exchange-driven, outward-facing layer - have developed fighter contract laws. It's safe to say that before these contract laws, I believe codified in the 1999 Boxing Act due to abuses, these legal powers would have been enforced by custom, its ethical norms and local political powers. There was social law before there was contract law. Aside from these larger societal hierarchies, there is also a history of Muay Thai fighters growing up in kaimuay camps that operate almost as orphanages (without the death of parents), or houses of care for youth into which young fighters are given over, very much like informal adoption. This can be seen in the light of both vestigial Thai social caste & its financial indenture (this is a good lecture on the history of cultures of indentured servitude, family as value & debt ), and the Thai custom of young boys entering a temple to become novice monks, granting spiritual merit to their parents. These camps can be understood as parallel families, with the heads of them seen as a father-like. Young fighters would be raised together, disciplined, given values (ideally, values reflected in Muay Thai itself), such that the larger hierarchies that organize the country are expressed more personally, in forms of obligation and debt placed upon both the raised fighter and also, importantly, the authorities in the gym. One has to be a good parent, a good benefactor, as well as a good son. Thai fighter contract law is meant to at bare bones reflect these deeper social obligations. It's enough to say that these are the social norms that govern Thailand's Muay Thai gyms, as they exist for Thais. And, these norms are difficult to map onto Western sensibilities as we might run into them. We come to Thailand...and to Thailand's gyms almost at the acme of Western freedom. Many come with the liberty of relative wealth, sometimes long term vacationers even with great wealth, entering a (semi) "traditional" culture with extraordinary autonomy. We often have choices outside of those found even in one's native country. Famously, older men find young, hot "pseudo-relationship" girlfriends well beyond their reach. Adults explore projects of masculinity, or self-development not available back home. For many the constrictures of the mores of their own cultures no longer seem to apply. When we go to this Thai gym or that, we are doing so out of an extreme sense of choice. We are variously versions of the "customer". We've learned by rote, "The customer is always right". When people come to Thailand to become a fighter, or an "authentic fighter", the longer they stay and the further they pass toward that (supposed) authenticity, they are entering into an invisible landscape of social attachments, submissions & debts. If you "really want to be 'treated like a Thai', this is a world of acute and quite rigid social hierarchies, one in which the freedom & liberties that may have motivated you are quite alien. What complicates this matter, is that this rigidity is the source of the traditional values which draws so many from around to the world to Thailand in the first place. If you were really "treated like a Thai", perhaps especially as a woman, you would probably find yourself quite disempowered, lacking in choice, and subject only to a hoped-for beneficence from those few you are obligated to and define your horizon of choice. Below is an excerpt from Lynne Miller's Fighting for Success, a book telling of her travails and lessons in owning the Sor. Sumalee Gym as a foreign woman. This passage is the most revealing story I've found about the consequences of these obligations, and their legal form, for the Thai fighter. While extreme in this case, the general form of obligations of what is going on here is omnipresent in Thai gyms...for Thais. It isn't just the contractual bounds, its the hierarchy, obligation, social debt, and family-like authorities upon which the contract law is founded. The story that she tells is of her own frustrations to resolve this matter in a way that seems quite equitable, fair to our sensibilities. Our Western idea of labor and its value. But, what is also occurring here is that, aside from claimed previous failures of care, there was a deep, face-losing breech of obligation when the fighter fled just before a big fight, and that there was no real reasonable financial "repair" for this loss of face. This is because beneath the commerce of fighting is still a very strong hierarchical social form, within which one's aura of authority is always being contested. This is social capital, as Bourdieu would say. It's a different economy. Thailand's Muay Thai is a form of social agonism, more than it is even an agonism of the ring. When you understand this, one might come to realize just how much of an anathema it is for middle class or lower-middle class Westerners to come from liberties and ideals of self-empowerment to Thailand to become "just like a Thai fighter". In some ways this would be like dreaming to become a janitor in a business. In some ways it is very much NOT like this as it can be imbued with traditional values...but in terms of social power and the ladder of authorities and how the work of training and fighting is construed, it is like this. This is something that is quite misunderstood. Even when Westerners, increasingly, become padmen in Thai gyms, imagining that they have achieved some kind of authenticity promotion of "coach", it is much more comparable to becoming a low-value (often free) worker, someone who pumps out rounds, not far from someone who sweeps the gym or works horse stables leading horse to pasture...in terms of social worth. When you come to a relatively "Thai" style gym as an adult novice aiming to perhaps become a fighter, you are doing this as a customer attempting to map onto a 10 year old Thai boy beginner who may very well become contractually owned by the gym, and socially obligated to its owner for life. These are very different, almost antithetical worlds. This is the fundamental tension between the beauties of Thai traditional Muay Thai culture, which carry very meaningful values, and its largely invisible, sometimes cruel and uncaring, social constriction. If you don't see the "ladder", and you only see "people", you aren't really seeing Thailand. And, as one might look to unweave the ladder of authorities of constraint, seeking something more flatly equitable and socially mobile (freely selling one's labor on an open market perhaps, defined by choice), we also would risk unweaving the deep-rooted, traditional social bonds that define respect and the person as valued, the bonds between families, allegiance and obligation, which make Thailand more meaningful to the world that visits and cares for it.        
    • He told me he was teaching at a gym in Chong Chom, Surin - which is right next to the Cambodian border.  Or has he decided to make use of the border crossing?  🤔
    • Here is a 6 minute audio wherein a I phrase the argument speaking in terms of Thailand's Muay Femeu and Spinoza's Ethics.    
  • The Latest From Open Topics Forum

    • Hi, this might be out of the normal topic, but I thought you all might be interested in a book-- Children of the Neon Bamboo-- that has a really cool Martial Arts instructor character who set up an early Muy Thai gym south of Miami in the 1980s. He's a really cool character who drives the plot, and there historically accurate allusions to 1980s martial arts culture. However, the main thrust is more about nostalgia and friendships.    Can we do links? Childrenoftheneonbamboo.com Children of the Neon Bamboo: B. Glynn Kimmey: 9798988054115: Amazon.com: Movies & TV      
    • Davince Resolve is a great place to start. 
    • I see that this thread is from three years ago, and I hope your journey with Muay Thai and mental health has evolved positively during this time. It's fascinating to revisit these discussions and reflect on how our understanding of such topics can grow. The connection between training and mental health is intricate, as you've pointed out. Finding the right balance between pushing yourself and self-care is a continuous learning process. If you've been exploring various avenues for managing mood-related issues over these years, you might want to revisit the topic of mental health resources. One such resource is The UK Medical Cannabis Card, which can provide insights into alternative treatments.
    • Phetjeeja fought Anissa Meksen for a ONE FC interim atomweight kickboxing title 12/22/2023. https://www.youtube.com/watch?v=Cu92S6-V5y0&ab_channel=ONEChampionship Fight starts at 45:08 Phetjeeja won on points. Not being able to clinch really handicapped her. I was afraid the ref was going to start deducting points for clinch fouls.   
    • Earlier this year I wrote a couple of sociology essays that dealt directly with Muay Thai, drawing on Sylvie's journalism and discussions on the podcast to do so. I thought I'd put them up here in case they were of any interest, rather than locking them away with the intention to perfectly rewrite them 'some day'. There's not really many novel insights of my own, rather it's more just pulling together existing literature with some of the von Duuglus-Ittu's work, which I think is criminally underutilised in academic discussions of MT. The first, 'Some meanings of muay' was written for an ideology/sosciology of knowledge paper, and is an overly long, somewhat grindy attempt to give a combined historical, institutional, and situated study of major cultural meanings of Muay Thai as a form of strength. The second paper, 'the fighter's heart' was written for a qualitative analysis course, and makes extensive use of interviews and podcast discussions to talk about some ways in which the gendered/sexed body is described/deployed within Muay Thai. There's plenty of issues with both, and they're not what I'd write today, and I'm learning to realise that's fine! some meanings of muay.docx The fighter's heart.docx
  • Forum Statistics

    • Total Topics
      1.3k
    • Total Posts
      11k
×
×
  • Create New...